Aug 292016

Aenaon-Hypnosophy

 

Happy Monday! I mean that sincerely, despite the usual depressive aspects of the day, because this Monday brought us three exciting new song premieres that I discovered soon after caffeinating myself strongly enough to stun a bull, plus an announcement of an exciting U.S. tour. And here’s what I found:

AENAON

As our regular readers are well aware, we have become ardent followers of the Greek band Aenaon since discovering the wonders of their 2014 album Extance, which made no fewer than four different year-end lists published at our site, as well as a host of our reader’s lists. It was also the source of a song (“Grau Diva”) that I included in my list of 2014’s Most Infectious Extreme Metal Songs. You may then be able to imagine how eagerly we have been awaiting the band’s new album, Hypnosophy.

Mar 092016

Wormed-Krighsu

 

I had planned a very large round-up of recent music for today. It’s not finished yet, but I still have hopes. Yet as I try to catch up on sharing metal that I discovered over the last week, I continue to be overtaken by metal that has appeared within the last hour or two. Rather than try to cram these new discoveries into that planned round-up, I’m setting that aside so I can bring you this trio of items while they’re still hot off the presses.

WORMED

I’m going to assume that everyone knows Wormed has a new album named Krighsu, and that it will be essential listening here in the first quarter of 2016. And now you can get started listening to it, because a full album stream premiered today at DECIBEL.

Jan 302016

Napalm Death-Apex Predator

 

I hang my head in shame. I let a whole ‘nuther week go by without posting anything new in this 2015 year-end series, and here we are already near at the end of January. I obviously got some catchin’ up to do.

I could call this “The DGR Installment” in the series, because all three of the following songs were recommended by him when I started compiling this list. They are also favorites of mine, and I thought they would make good companion pieces for each other, too. Time to griiiiind….

NAPALM DEATH

Apex Predator-Easy Meat hit almost exactly one year ago, and DGR reviewed the album the next month, beginning with a mythic story that had an anti-climactic finish as a shamanic figure uttered after a convulsive trance: “Napalm Death are an important band”. And then he came full circle at the end of that review:

Dec 302015

Integrity-Orgasmatron cover

 

Like a lot of people, I spent most of my music-listening time yesterday with Motörhead. For the hell of it, I also spent time listening to metal bands covering Motörhead songs. A lot of bands have done that. Out of the many covers I listened to,  damned few of them are quite as good as the originals, and at least to my ears, none of them is better.

However, having invested the time hunting for covers that breathed some kind of different life into the classic originals, I decided to put them all here — the good ones and the so-so ones — by these bands: Satyricon, Sepultura, Ringworm (with guest vocals by Barney Greenway), Korpiklaani, Sodom, Machetazo, Avulsed, Overkill, Metallica, Horna, Kvelertak, Warbringer, and Krisiun.

But before I get to those, I’m starting with one that’s definitely a success. It’s a cover  of “Orgasmatron” that Integrity released just yesterday on Bandcamp (here).

Sep 112015

Mephorash-1557 - Rites of Nullification

 

(Leperkahn compiled this second of at least four round-ups of new music we’ll be presenting today. Part 1 is here.)

MEPHORASH

In my infinite wisdom, I totally forgot that the Swedish black metal band Mephorash’s new album 1557 – Rites of Nullification had already been released (despite Andy Synn’s glowing review) until I saw that Mephorash posted a stream to a track other than the advance track they had previously presented on their FB page. This “new” track, entitled “Phezur – Dissolving the Sea of Yetzirah” has me strongly regretting that lapse in memory.

The song masterfully conjures a deeply evil, occult, Luciferian atmosphere with its stirring riffs and caustic snarls, and the riff that comes in about a quarter of the way through the song is certainly quite the earworm. It moves through periods of chaos, groove, eerie calm, and infernal majesty, all while maintaining a truly nefarious aura. Make this the soundtrack to your next black mass if you know what’s good for you.

May 092015

 

I have a goal this weekend. I have a dozen new songs that I came across since mid-week that I want to commend to your ears. Rather than put them in one humongous post, the plan is to divide them into four posts, with three songs in each one — two posts today and two on Sunday. This is a goal, mind you, not a guarantee. I could be hit by a car, or a fifth of whiskey, before finishing. But I’m now halfway to achieving this goal. To hear the songs in Part 1, go HERE.

CRYPTICUS v. NAPALM DEATH

Crypticus is one of my favorite current death metal bands. The band’s maestro is vocalist/guitarist/bassist Patrick Bruss, who is also a record producer and a remix genius. You think I’m exaggerating with that “genius” label? Judge for yourselves.

This morning Patrick unveiled his remix of the title track to Napalm Death’s 2005 album The Code Is Red… Long Live the Code. The original song is fucking outstanding — but Patrick has made it five times more amazing, converting it into a 15-minute non-stop circle pit.

Feb 122015

 

(DGR reviews the new album by Napalm Death.)

Our crops had been weak for decades, our village was starving, and we found ourselves on the near brink of ruin. Famine had torn through the whole country, but my village was hit especially hard. We knew that there wasn’t much time left, and despite this being the modern age we had few solutions going for us. We had tried so many on the path to getting ourselves back up on our feet but nothing had worked. We were desperate and starving and we all knew it. Ideas once thought stupid were now grand gestures of genius and we were embracing them all wholeheartedly. If we had honestly thought that painting ourselves blue and pretending to be cat people would’ve worked, we would’ve done it.

Now, we found ourselves turning to a person that we honestly hadn’t thought about or given a second notion to for years. He was a relic of the past, kept alive mostly by fool traditionalists and relatives. Nobody cared to learn his art and so he was to be the last of his kind, yet here we were, three days running now in a smoke-filled tent with a man now in his upper eighties with body paint on, deep in thought and apparently asleep. We had turned to our shaman and were using him in the way that my grandparents would’ve sought knowledge with his father. We were hoping to hear something wise, anything, really, to get ourselves out of the mess of starvation that we were currently in.

Finally, after three days of being so still as to appear petrified were it not for the glistening beads of sweat on his forehead, he began to convulse. My friend jumped forward to help but my father held him back, informing him that this was how it had always gone and were anyone to interrupt him the whole process would have to start anew. And so, we sat and watched a man convulse until finally he opened his eyes and one our own ran out of the tent hollering to the village that he had awoken and was going to speak. Finally, he opened his mouth and uttered a few words of wisdom before closing his eyes and nodding off.

“Napalm Death are an important band”

Jan 262015

 

I’m afraid I haven’t had much time to round up new music for today. My fucking day job has again carried me across the continent to the east coast where I’ll be working days and nights from now through February 8. As a result, there will be many days between now and then when there will be less content on the site than usual.

I would also like to mention that as I write this it is 13°F where I am, with a winter storm warning in effect and blizzard conditions predicted beginning this afternoon. I know this will not impress many of our readers who are used to this kind of thing, but for me I would like to say FUCK THIS SHIT.

KATAVASIA

Although I’ve had little time to myself this past weekend, I did listen to a couple of new things, beginning with a fantastic discovery named Katavasia.

Jan 102015

 

Here’s Part 2 of a weekend effort to catch up on what I missed over the last couple of days. Part 1 is here. I’ll have at least one more installment tomorrow.

NAPALM DEATH

Would you believe that by the end of this month Napalm Death will have released their 15th studio album?!? It’s true. January 26 is the European release date and January 27 is the date for North America, and the album’s name is Apex Predator – Easy Meat. It will be released in NorthAm by Century Media.

A couple days ago the second advance track from the album appeared at selected sites on either side of the Atlantic. Its name is “How The Years Condemn”. Lyrically, it reflects bassist Shane Embury’s realization after being hospitalized a few years ago that he had “to make a choice which was either to carry on down the same path of selfish destruction as I had seen some of my friends embark on or stay around for the people I loved and who loved me.”

Nov 202014


Photo credit: Dustin Rabin

 

I need to whine for a couple of minutes. Yes, even I, with my usually sunny disposition, need to whine every now and then.

First, I’ve been getting so little sleep lately that my eyes are as red as a baboon’s ass. Second, I inflamed a muscle in my arm from curling massive amounts of weight at the gym, the kind of crushing weight that’s comparable to a grocery bag loaded with a single loaf of bread. Third, and most egregious of all, my fucking day job has been making me run the gauntlet the last two days, with no end in sight, leaving me no time for my usual self-appointed NCS duty of scouring the web for news and new music.

I do know about a bunch of song and album premieres that appeared over the last 24 hours, but only because of messages received from my co-writers and some sharp-eyed readers. I’ve collected streams or links to them in this post, but don’t have time to write about them or even provide album art or helpful links. Shit, I haven’t even listened to all of them. How embarrassing.

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