Apr 252011
 

Satyros is a three-piece German band established in 2005. Initially, the focus of their musical endeavors was black metal, the style reflected in their 2007 self-titled debut. However, they made significant changes in their style as they began to write songs for the second full-length, Riven. That album has now been released, and the band has chosen to make it available for free download. In a word, it’s stunning.

More than a few music industry observers have been opining that as consumers increasingly get their music by way of digital downloads (both legit and illegit), CDs will become a thing of the past, and albums will, too. Their forecast is that the current trend of people buying individual songs in digital form will strengthen, and that the recording of full albums will eventually wither away, not being worth the time or the money.

These forecasts may prove to be accurate in the case of many musical genres, and even in the realm of metal, it does seem that more and more bands are releasing EPs in lieu of full-length albums, in part because that enables bands to keep their fans engaged by presenting new music more frequently than if they waited to amass a full album’s worth of new songs. It’s also tough to deny that most albums don’t contain a full album’s worth of great songs. Sometimes bands would better off by releasing an EP-length collection of good material rather than straining to fill a full-length with an uneven compilation of music.

On the other hand, albums like Riven make me hope those industry forecasts turn out to be wrong, at least for metal. Riven is approximately one hour in length, encompassing 12 songs, and every song is strong — all killer and no filler. The album takes the listener on a journey, as good albums should, and this is a journey that’s well worth that hour of your time.  (more after the jump . . .) Continue reading »

Apr 242011
 

Our focus today is on an unsigned Finnish band named Bill Skins Fifth, whose debut EP caught our attention late last year, and who have just released a new one that’s outstanding. For a band that’s only two EPs into their recording career, they’re way up the learning curve and making a very strong statement that they’re a band to watch.

Bill Skins Fifth (whose name will be recognized by sharp-eyed fans of the movie Silence of the Lambs) was formed in Salo, Finland, in 2008 and in 2010 they released their first work, a four-song EP called Act One. We featured that EP in a post last December as part of our Finland Tribute Week (here), and what we said then bears repeating: “They’re technically capable and they have that special talent that separates bands who have a future from those who don’t: They know how to write songs. To be more precise, they create music that has distinctive melodies and a recognizable structure. They establish themes, they explore variations on those themes, and they return to those introductory themes again.”

Yesterday, the band self-released their second EP, From What Lies Beneath — five songs with a total run-time of just over 19 minutes. It accomplishes what you like to hear from a new band whose music you like: It shows progress. Don’t get me wrong — Act One was damned good — but the new EP shows increasing sophistication in the songwriting and increasing assurance in the execution. (more after the jump, including a link for download of the new EP . . .) Continue reading »

Apr 232011
 

The Brown Book is a band we discovered in March 2010. Back then, they had an album to their credit called Thirty-Nothing, and we frothed at the mouth about it in a review and interview we posted here. Fast forward slightly more than one year, and here we have a new EP from The Brown Book called Pyramid Scheme. The band also now has available a Bandcamp page (here) where you can get a digital download of The Pyramid Scheme with a “name your price” option, as well as Thirty-Nothing for $4.

Now that we’ve got those logistical details out of the way, here’s why you should care about the new EP: Because it sounds like your life, though possibly with more distortion. There are times when you feel balanced, in sync with what’s happening around you, in control of your destiny. But you soon realize that feeling is fleeting, when all hell breaks lose, when you feel pulled in a dozen different directions at once, when the ground gives way beneath you, when an impersonal universe comes crashing down on your best-laid plans and all you can do is ride with it and do your best to enjoy the utter unpredictability of existence.

Or perhaps your life is more charmed and orderly than most, in which case you may need to better appreciate the freedom and sense of abandon that chaos brings. Either way, as a soundtrack to how you live or as a crushing departure from the ordinary, Pyramid Scheme is worth hearing.  (more after the jump, including a taste of the music . . .) Continue reading »

Apr 232011
 

Well, my two weeks of travel and shortness of time are now over. My fears about not being able to put up new posts on the site every day didn’t materialize — I did have time every day at least for quick items (even more than usual, precisely because they were quick).

Nevertheless, I’m truly grateful to all the people who responded to my call for help and gave NCS a safety net by sending us guest blogs. I really enjoyed reading every one of them, and judging by the hits on our site, lots of other people did, too. To all of you who contributed guest posts, both our readers and other metal bloggers, please don’t wait for another invitation — when the mood strikes you, please send more our way . . . It adds to the variety of NCS to have more voices.

And speaking of other voices, I also want to give a tip of the hat to our regular contributors Andy Synn and BadWolf for stepping up with a slew of reviews over the last two weeks.

Now, things around here will be returning to “normal”, for better or worse. With more time, I’ll be able to return to some of our regular features that have been missing for a while, and I’ll be catching up on album reviews — starting with the next post today about The Brown Book‘s new EP.

In addition to offering up my thank-you’s, I do have a question for you, after the jump . . . Continue reading »

Apr 222011
 

What do you get when you give metal-playing trolls a shitload of beer, an accordion, a saxophone, some folk-ish melodies, a drummer who spits blasts like an automatic weapon, a mix of shrieking and clean vocals, and then ramp their delivery up to the speed of balls-to-the-wall grindcore? Well, I’m so glad you asked. What you get is Norway’s TrollfesT playing “Die Verdammte Hungersnot”.

We’ve written about TrollfesT a bunch in the past (most recently, here). They’ve got a new album coming out (En Kvest For Den Hellige Gral) on Noiseart Records on April 29. To help promote the album’s debut, they’re releasing weekly videos, and today’s installment is a live performance of that song  “Die Verdammte Hungersnot”. Since almost every NCS post today has involved videos, we thought, why not toss in a little TrollfesT mayhem to round off the day and get us in a proper swilling mood for the weekend? Indeed, why the fuck not?

Everything about these dudes screams, “Party now because tomorrow you die!” As further evidence, watch this hell-raising video. I like the way the lead singer manages to work in gulps of beer in between bouts of screaming like a banshee, and how the rest of the guys, who have their hands full with instruments, look longingly at the imbibing in between banging their heads and blasting away on their instruments. So, check the rocking video after the jump. I feel like chugging a six-pack and sailing on into the good night ahead . . . Continue reading »

Apr 222011
 

Bloodbath is fucking sick. To quote Noisecreep, because they called it right: “When you can count vocalist Mikael Åkerfeldt (Opeth), guitarists Anders Nyström and Per Eriksson (Katatonia), bassist Jonas Renkse (Katatonia), and drummer Martin Axenrot (Opeth) in your band’s lineup, you definitely have the right to brag.”

Bloodbath’s three studio albums and two EPs kill shit, and they’re among our favorites here at the NCS Island. Unfortunately, the band doesn’t play live shows very often, but the one they did at the UK’s Bloodstock festival was captured on film and it’s about to be released (on April 25) by Peaceville Records in a DVD called Bloodbath Over Bloodstock. The DVD is also supposed to include a 16-page booklet, bonus footage taken from the PartySan Festival in 2008, and extensive band member interviews.

Today, the aforementioned Noisecreep exclusively premiered an excerpt from the DVD, with Bloodbath playing the song “Eaten”, from the band’s Nightmares Made Flesh album. It’s fucking sick. Watch it here after the jump (and thank you, Noisecreep). Continue reading »

Apr 222011
 

I really needed a palate-cleanser after that last post about the Revolver “Golden Gods” Award, and man, did I find one: good quality film of Amon Amarth‘s performance in Denver on April 17.

They played Seattle on the night of April 20. My two NCS co-founders Alexis and IntoTheDarkness were at that show and reported that it was indeed epic. I was out of town and missed it. I am not happy about that.

I’m having to console myself with these Denver clips. The first one is the band playing “Destroyer of the Universe” and the second is “Tock’s Taunt – Loke’s Treachery Part II”. Both songs are from Amon Amarth’s new album, Surtur Rising, which is one of our favorites of the year-to-date. Check them out after the jump. Fuck yes. Continue reading »

Apr 222011
 

I don’t know why I’m posting about this. It’s not news that I give two shits about, and we usually avoid posts that just make fun of people. On the other hand, when people make themselves look ridiculous without any assistance from us, then I guess it’s fair game. And I suppose this could be considered “newsworthy” in the sense that it’s further confirmation that Revolver magazine and everything associated with it has become an utter irrelevancy to metal as it exists today.

So, after the jump, you can see the list of award winners at “America’s only hard-rock and heavy-metal award show” presented on April 21 at Club Nokia in beautiful downtown Los Angeles. (Can that really be true?!?  Fuck, NCS should start its own award show just so Revolver can never honestly use that line again.)

And to make myself feel better about this otherwise worthless post, here is some REAL news — this post that appeared on the Anaal Nathrakh Facebook page last night: “Today we got a USA booking agent and we are workin on a USA tour!” Continue reading »

Apr 222011
 

(Our guest contributor Rob K. is back with another contribution — this one about three of his musical discoveries that you may not have known about.)

Metal is not unlike the nerd sensation taking over computer screens everywhere: Minecraft. You stumble around the internet, uncovering useless stuff, digging up places you really shouldn’t, digging deeper to ultimately find that rare metal (see what I did there?) and build a full-size replica of the Starship Enterprise out of Album Covers. Or, you know, whatever tickles your fancy. You hold the fort after dark, knocking back waves and waves of evil trolls and flamers trying at every turn to “dis you’re band dawg” [mispelling to achieve ultimate real-ness].

It’s becoming ever more clear, as our genre grows older everyday, that more and more people paint a stark picture of deathcore.

Don’t get me wrong, this genre has its fair share of copycats. But come on fellas (and ladies), EVERY genre and sub-genre over the whole spectrum of music has its copycats. Frankly, I occasionally break away from metal for a while and listen to other things. And while I don’t mind the occasional rap or hip-hop song (it’s gotta have meaning, none of that booty clapping, money and hoes bullshit), for the most part, I can’t tell any of it apart from one artist to another. Same thing goes for country (looking back though, today’s “country” is nothing more than pop/rock with twangy steel guitars; Johnny Cash is rolling in his grave).

Continue reading »

Apr 212011
 

At the end of March we enthusiastically reported the line-up that had just been announced for this year’s edition of the SUMMER SLAUGHTER TOUR. In case you’ve forgotten, here it is:

The Black Dahlia Murder
Whitechapel
Darkest Hour
Six Feet Under
Dying Fetus
As Blood Runs Black
Oceano
Fleshgod Apocalypse

One slot still remains to be filled — the slot that’s reserved for the outcome of fan voting among 10 candidates. The voting is closed, but the tour’s promoters haven’t yet revealed the winner. But the dates and venues have now been released. See those after the jump . . . Continue reading »