
(Andy Synn takes us into the weekend with his review of the first album from the UK’s Enochian Theory.)
Hello again ladies and gents, here’s another taste of something a little different that barely comes under the site’s remit, yet I feel will appeal to the more expressive and open-minded of you all the same.
Enochian Theory are a UK prog band of expansive ambition and mesmerising melody where majestic cleans rule the roost and growled vocals are definitely the exception, rather than the rule. Very much art for art’s sake, the enigmatic complexity of each song’s serpentine structuring is offset by the soaring, infectiously melodic vocals of frontman Ben Harris-Hayes, whose emotive delivery and harmonious, scintillating lyrical expositions contribute to making the album that rarest of things, both an immediate pleasure and a long-term investment of impressive quality and intriguing depth. The candid, at times even painfully raw, nature of the singing gives the whole expansive, captivating affair a recognisably human element which serves as an anchor point no matter how convoluted or complex the music may become.
When absorbed in the album itself, I actually struggled to compare it directly to any external influence, so distinctive is its sound, although links can be drawn, very favourably, to fellow British prog luminaries Anathema and Porcupine Tree, along with the solo works of PT’s own Steven Wilson. Yet of greatest interest to the readers of this site will be the sonic connections to the emotionally complex solo work of Devin Townsend, the raging ambience of latter-day Isis, and the mind-bending instrumental excursions more commonly attributed to Tool. Yet Enochian Theory themselves are very much a singular entity, these comparisons barely scratching the surface of what the three-piece actual sound like in full-flight. (more after the jump .. . .) Continue reading »










