Jul 262012
 

We’re going off topic with this post, but for a good reason: because your humble editor just watched a movie trailer that caused a few thousand micro-strokes, leading to one big fuckin’ head explosion.

Cloud Atlas is the name of a novel by David Mitchell that was published in 2004 to considerable critical acclaim. It seemed like it would be a fascinating read, so I bought the book. I’m pretty sure it’s lying around here somewhere, probably underneath some animal pelts or unread magazines from 2005. Anyway, I didn’t read the book and forgot all about it, until today.

And today a friend sent me a link to the trailer for a movie that has been made from the Cloud Atlas novel. It stars Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Doona Bae, Ben Whishaw, James D’Arcy, Zhou Xun, Keith David, David Gyasi, and Susan Sarandon. It was co-written for the screen and co-directed by the people who made the The Matrix trilogy (Andy and Lana Wachowski)  and Run Lola Run (Tom Tykwer).

Trying to describe the plot is difficult, but from what I’ve read, it involves interlinked stories spanning centuries (and extending into the future) about six characters, including a voyager crossing the Pacific in 1850; a disinherited composer struggling in Belgium between the wars; a journalist in 1970s California; a vanity publisher fleeing gangland creditors; a genetically modified “dinery server” on death-row; and a young Pacific Islander witnessing the downfall of science and civilization.

I have no idea how these stories connect, though some time travel seems to be involved. Maybe it will turn out to be a confusing mess — some people who’ve read the book are fearful about that. But I can tell you that based on this long trailer, the movie LOOKS fucking awesome. Continue reading »

Jul 262012
 

While browsing the interhole this morning in an effort to find something that would cheer me up in the wake of learning about the cancellation of the Gojira-LambOfGod-Dethklok tour, I happened upon two new videos that helped considerably. By coincidence, both involve bands whose new music carries an air of dark symphonic grandeur, while inflicting vicious body blows at the same time: Diabolical (Sweden) and Welicoruss (Russia).

DIABOLICAL

Diabolical are a Swedish death metal band with three studio albums and a live recording (2011’s Ars Vitae) to their credit. They’re now in the process of recording a new album entitled Neogenesis. Today, they released a video that includes pre-production excerpts from a few of the new songs, and the music is sounding really fucken good.

The music is a dark kind of melodic death metal, frequently with a black metal sheen. Whether galloping at a furious pace or stomping with imperial might, it’s infernally majestic. The vocals are deep and bestial and the riffing is titanic. But the band also spin sweeping melodies, and they leaven the blasting with soft spaces that include the mournful sound of violins. Through the guitars, subtle keyboard additions, and even choral clean voices, they also create a symphonic aura around this very ominous and apocalyptic metal.

The new video teaser also features a dude who looks like he took in a few too many roentgens somewhere. Continue reading »

Jul 262012
 

I guess this could be predicted, but I was hoping against hope that it wouldn’t happen: Gojira’s North American tour with Lamb of God and Dethklok that was scheduled to begin right here in the Emerald City on August 1 has been canceled. I just saw this morbid news on Heavy Blog Is Heavy, and “borrowed” their modification of the tour poster as well. HBIH also included the following statements by Lamb of God and Dethklok:

LAMB OF GOD:

“Due to the continued incarceration of LAMB OF GOD singer Randy Blythe in the Czech Republic, the band’s co-headline tour with Dethklok scheduled to begin August 1st in Seattle is being cancelled.  The band regrets the decision but the uncertainty of Randy’s release makes it impossible to carry on with the tour.  Upon Randy’s release, it is the band’s intention to rebook a tour in the fall and at this time the band fully intends to participate in the Mayhem Cruise in December.

LAMB OF GOD wishes to thank Dethklok, Adult Swim and Gojira for their support and patience as well as all of the promoters who had dates on the tour.  Last but certainly not least, the band thanks all of the fans who bought tickets for the tour and who have been supportive of Randy and the band over the last month that Randy has been held in Prague.  Without the fans, there is no LAMB OF GOD.”

DETHKLOK:

“In light of circumstances beyond our control, the upcoming Dethklok and Lamb of God with Gojira summer tour has been canceled. Refunds will be available to customers who already purchased tickets through their point of purchase. We thank Dethklok fans for their continued support and look forward to releasing information about the band’s upcoming third album and a planned fall tour in the coming weeks.”

Okay, fine, so maybe LoG will organize a new tour whenever Randy Blythe is allowed to leave the Czech Republic and maybe Dethklok will find another way to hit the road soon, but honestly, what I really want to know is what Gojira are going to do. Continue reading »

Jul 262012
 

(In this post, DGR reviews the latest album from Finland’s Swallow the Sun.)

Considering the amount of hype that we at NCS generated for Emerald Forest And The Blackbird in advance of its release, it’s difficult to fathom why it’s taken as long as it has to finally get some proper thoughts up about the full disc. That was, until I read Islander’s post earlier this month about the best albums of 2012 so far and noticed that my list was one of the few that included Swallow The Sun’s new album.

I’ve also been in a pretty goth/death/doom-heavy mode as of late. I think I currently have eight different reviews going at the moment, and three of them belong to bands whose music includes dirge elements (the other two being the great Inborn Suffering and Barren Earth releases), so that’s probably another factor.

And finally, Swallow The Sun seem to be one of those bands who are constantly overlooked, especially for a group whose past four releases (counting Plague Of Butterflies, since I started with Hope) have been consistently great if you’re in the mood for trying to find some beauty in utter misery and desolation.

Swallow the Sun have slowly been morphing their sound, so it isn’t as overtly oppressive and miserable, instead becoming something more cold and hopeless. The group’s previous disc, New Moon, was one of my favorites when it came out, and I still think people owe it to themselves at least to give the track Lights On The Lake (Horror Part III) a listen, because it is one of the best examples of an excellent song just lifting a whole album far beyond its initial first impression of, “This is pretty good”.

Emerald Forest And The Blackbird feels like a continuation of what the band were doing on New Moon. They’ve slowly shifted away from their initial style of slow, crawling, funeral-esque doom and started working in elements that are more melancholic and more melodic in nature. Emerald Forest includes a hefty amount of clean vocals, as well as significant usage of acoustic guitar. There’s even one song in this disc’s expanse of music that is a somewhat straightforward acoustic ballad, no matter how depressing the subject matter is. Continue reading »

Jul 252012
 

On December 22, 2011, David Gold died in an automobile collision near Barrie, Ontario, at the age of 31. With his death, so died Woods of Ypres — the doom/black metal band that he co-founded and of which he was the sole consistent member over the course of five albums and assorted other releases. But of course the music of Woods lives on in the lives of the band’s passionate fanbase.

Given my own tastes in metal, I was never a die-hard follower of Woods, though I did appreciate the music, I was really high on certain songs, and I certainly understand why the band had such a powerful effect on many listeners. And I wasn’t surprised to learn earlier this year that a musical tribute to David Gold and to Woods was being planned under the title Heart of Gold. I’ve been casually (and irregularly) monitoring the project’s progress, and so, for example, I saw today that the project’s organizer, Steph LeDrew, had unveiled the very cool album cover that you can see above, created by artist Jason Hicks.

But what really put this album on my personal radar screen was the recent discovery that Sweden’s Canopy has contributed a cover of “Falling Apart”, which was one of two tracks that appeared on the Home 7″ single released in 2011. Long-time readers of NCS know that we’re huge fans of Canopy, and we’ve been starved for new music from the band since the release of Menhir (their third album) in 2010. Now we’ll have something to tide us over until the band finish work on their next album (which is in progress). Continue reading »

Jul 252012
 

All of your friends here at NCS are immensely anxious for the release of the next album by North Carolina’s Daylight Dies. Three years have passed since the release of the band’s third album, Lost To the Living. But yesterday Candlelight Records announced a release date for the new album, entitled A Frail Becoming: October 9. In addition, the label put up a brief video teaser for the album, which is . . . way too fucking brief.

The new record was mixed by Jens Bogren (Opeth, Katatonia, Devin Townsend, and many more) at Fascination Street Studios in Sweden, and the album will feature photography from award-winning Jonathan Mehring.

I’m going to embed the teaser video after the jump, but I’m also including a more effective reminder of why this is one of our most anticipated releases for 2012 — the official video for “Lies That Bind”, a track from the band’s second album, Dismanting Devotion (2006). It vividly displays the band’s talent for moving from dark ethereal beauty to a crushingly heavy assault, without warning, and the video is cool to watch, too.

Speaking of videos, the press release we received states that the band are currently working on a video for the song “Dreaming of Breathing” from the new record. The clip is being filmed by Ramon Boutviseth, who also directed the video for “Lies That Bind”. For more updates, watch this space or visit Daylight Dies on Facebook. Continue reading »

Jul 252012
 

(In February 2011, we reviewed the 2010 debut EP of Dublin’s Wound Upon Wound. Today, NCS writer Andy Synn provides his assessment of the band’s debut full-length album, which was released earlier this month and is available for free download.)

Brothers and sisters, I am here today to talk about… DOOM!!!!

Blackened doom at least. Or, Doomy black metal. Genre terms are confusing. Either way this album is a monolithic treatise on desperation and despair, soundtracked by venomous tremolo melodies and crushing slabs of doom-laden guitars.

An admission though, first. Doom isn’t one of the genres I am particularly au fait with. Though there’s a crossover with some of the more melodic, melancholic stuff I find pleasure in imbibing (a pint of Daylight Dies always goes down smooth) I’m definitely something of a neophyte when it comes to the slow struggle, at least on record (though I have experienced the breaking weight of several devastating doom bands in the flesh).

But Wound Upon Wound are far from a simple Doom band. The name itself should tell you that. No, what we have here is a black metal band who are not only unafraid to ease up on the speed once in a while, but who actually revel in reining in their breakneck speed suddenly, reducing their momentum to a crushing, cataclysmic crawl, all the chaos and calamity crashing together in a massive pile-up of sickening, juddering riffage. Continue reading »

Jul 252012
 

(NCS guest contributor Mike Yost attended the Denver stop of Agalloch’s current tour with Taurus on July 17, 2012, and graciously shared this review with us.  It also appears on Mike’s own blog, Remnants of Words.)

It was just after 5pm, and I was pacing back and forth in my apartment, trying to watch a movie.  The concert didn’t start until 8pm, and I was attempting to exercise some patience.  Then I thought to myself:  “Fuck patience.  And fuck exercise, too!”  I grabbed my ticket, some cash for swag, and my ID.  I ran out the door, jogging (not walking) toward the theater where Agalloch was going to play.

Normally I wouldn’t stand in line for two-and-a-half hours to see a concert.  Nowadays I’m more content to hang back and enjoy the music with a cold beer in my hand.  But Agalloch isn’t just some nominal band rolling through town, and this wasn’t going to be just another show.

The concert was at Denver’s Bluebird Theater.  An official historical landmark, the brick building is one year shy of being a century old.  It was once a movie house, and its maximum capacity is only 500.  This creates an intimate atmosphere between the crowd and the band.  Best of all, it’s only a fifteen-minute walk from my apartment. Continue reading »

Jul 242012
 

Among the current practitioners of death-laden doom metal, you’ll be hard-pressed to find two more catastrophic practitioners of the art than Finland’s Hooded Menace and Horse Latitudes. In January 2012, Doomentia Records released a 12″ vinyl split by the two bands, with each one contributing a song. Since January, Doomentia has gone through two limited pressings of 500 copies, and both are sold out, though it appears that copies may still be available through the bands’ online shops — Hooded Menace here and Horse Latitudes here.

Fortunately, you don’t have to scrounge around for one of the remaining copies of the vinyl edition to hear the music, because Doomentia has recently made the split available for streaming and digital download on Bandcamp.

As we previously reported, Hooded Menace also have a new album on the way via Relapse Records by the name of Effigies of Evil. It will be released on September 11 and can be pre-ordered in a variety of formats and bundles here. Today, Noisecreep premiered that album’s title track, which I strongly recommend you check out at this location.

But the main purpose of this post is to review and recommend the Hooded Menace / Horse Latitudes split. Though it consists of only two songs, it’s almost 19 minutes of music, because both songs are long-format offerings. Both songs are also lessons in how to make slow, extended, completely gut-crunching music without sending listeners into a coma. Continue reading »

Jul 242012
 

As previously mentioned, we’ve got another doom-oriented post planned for today, as a bookend for the one with which we started, but in the meantime here’s one more interlude.

Vallenfyre and Paradise Lost are two of our favorite bands, united by the common presence of Greg Mackintosh. Both of them have released extremely strong albums over the last eight months — Vallenfyre’s A Fragile King (reviewed at NCS here and here) last November and Tragic Idol by Paradise Lost (reviewed here) earlier this year.

Both of them also seem to be united by the dedication of fans who are not only faithful but also really fuckin’ talented. Witness the two videos featured in this post, which I just saw this morning.

The first one is a stop-action animation for Vallenfyre’s tremendously monstrous song “Ravenous Whore”. It tells the story of theocratic rat people trying to summon a creature through the sacrifice of one of their own, and it’s really well-done. Not only is the animation extremely cool, but the conception and syncing of the visuals to the music are creative and beautifully executed. Credit goes to Jamie Evans from the UK, who is submitting the video to the upcoming Bradford Animation Festival.

The second video is another animation, in the style of a lyric video, for the song “Theories From Another World”, which is probably my favorite track on Tragic Idol. A Russian fan who goes by the name MrHuempolbu created the animation using the Tragic Idol cover artwork created by Jean Emmanuel Simoulin (www.metastazis.com), and it’s also superb.

Both videos are greatly helped by the fact that the songs kick so much ass, but the creativity and artistic skill shown in both of them deserve a round of applause. Watch them next . . . Continue reading »