Nov 222017
 

 

Earlier today we invited our readers to suggest candidates for our list of 2017’s Most Infectious Extreme Metal Songs. We have our own list of candidates as well, one that has been building in size over the last 11 months, and today I added one more to it — the song we’re premiering in this post.

The name of the song is “Transcendence To Final Eclipse“. It’s from a debut album entitled Splendor… Then Gloominess by Doomortalis from Irapuato, México, which will be released later this month by Chaos Records. It’s a pulverizing track, and it really gets its hooks in your soon-to-be-headbanging skull as well. Continue reading »

Nov 222017
 

 

(We present Austin Weber’s review of the long-awaited (and very eagerly awaited) new album by Cleric.)

 

In 2010, the Philadelphia-based avant-garde metal band Cleric dropped one of the biggest mindfucks ever to appear in the modern metal era called Regressions. In a lot of ways, the album felt like the rightful spiritual heir to Mr. Bungle and Secret Chiefs 3, endlessly explorative and capable of churning out incomprehensibly dense and eclectic compositions that sound like nothing else out there.

It was fitting then that Regressions was put out by Secret Chiefs 3/ex-Mr. Bungle mastermind Trey Spruance’s label, Web Of Mimicry. To give you another prime example of Regressions complex mind-bending insanity, a prominent Cleric trait which certainly holds true to the music on Retrocausal as well, Colin Marston once discussed their debut in an interview in the following way: “Regressions by Cleric took waaaaaay longer than any other record I’ve ever worked on. It’s also probably the most dense in terms of the sheer number and complexity of layers being heard at any given time.”

Now, with little pre-warning, comes the dawn of album number two, Retrocausal, with Cleric once again reuniting with Colin Marston to handle the recording, mixing, and mastering of another amorphous musical behemoth. Continue reading »

Nov 222017
 

 

Well, here we are again. It’s the time of year when we are beginning our year-end LISTMANIA extravaganza. For those of you new to this orgy, our LISTMANIA blockbuster comes in four parts:

First, we re-print assorted lists of the year’s best albums, leeched from other big web sites and magazines, like this one a couple days ago which launched that part of LISTMANIA 2017. Second, we will provide a post in which our readers’ can share their lists of the 2017 albums and shorter releases they enjoyed the most (we’ll be asking for those on December 1, so get ready). Third, we post the year-end lists of our own staff and assorted guest writers. And fourth, I’ll roll out my list of the year’s Most Infectious Extreme Metal Songs.

And that last list is the subject of this request for help.

In case you’ve become an NCS reader since this time last year, here’s what this Most Infectious Song list is all about: Continue reading »

Nov 212017
 

 

(Our New Zealand compatriot Craig Hayes (Six Noises) brings us this tremendously exciting premiere of a track from the forthcoming debut album of NZ’s Bridge Burner.)

 

You’d be hard-pressed to put your finger on where New Zealand four-piece Bridge Burner sit on the extreme metal spectrum nowadays –– and that’s no bad thing. Originality counts for a lot with today’s jam-packed roll call of noise-makers. And while Bridge Burner list groups like Botch, Godflesh, and death metal legends Bolt Thrower as influences, you’ll also find that grindcore, crust punk, and even dissonant black metal feature on the band’s latest full-throttle track, “The Blood Never Lies”, which is streaming below.

The Blood Never Lies” is taken from Bridge Burner’s upcoming album, Null Apostle, which is due for release in 2018. In truth, it’s not that much of a surprise that the band display such energetic and multi-hued creativity on “The Blood Never Lies”. For a start, Bridge Burner’s members have also played in a raft of other notable bands, including Graves, Diocletian, Ulcerate, Punished, Witchrist, In Dread Response, and The Mark of Man. Continue reading »

Nov 212017
 

 

When last we visited the Russian atmospheric black metal band Taiga, roughly 14 months ago, their third album (Sky) was on the brink of release and we were premiering a track from the album named “Похоть“, which in English means “Lust”. Now Taiga are returning with a fourth album, and we’re again premiering a song, this time through a lyric video. This one is named “Стыд” (Shame).

The title of the new album is Cosmos, which might make you think of the vast mysteries of an endless, star-spangled void. But the concept here is an inner cosmos, a space in which anger, love, hate, decency, and other impulses and emotions orbit each other, colliding and exploding in ways that could lead to self-destruction, or to new heights of self-realization. Continue reading »

Nov 212017
 

 

(Karina Noctum reviews for us the new second album by the Norwegian black metal band The 3rd Attempt, which will be released on December 1 by Dark Essence.)

The 3rd Attempt started back in 2014. The masterminds behind it are former Carpathian Forest guitarists Tchort (Blood Red Throne, Green Carnation) and BloodPervertor (Trail of Tears). The band was then completed with vocalist Ødemark (Midnattsvrede) and drummer Tybalt (FortidDen Saakaldte). That’s a pretty awesome line-up with lots of expertise that really gets to shine in their latest album.

Egocidal Path is a display of skillful composing and performing. It is not just another Black Metal release, it’s actually an attempt to blend and experiment without transgressing boundaries. It’s innovative but still safe ground for those black metal fans who are not fond of too many surprises. A good rendition of traditional solid metal with a modern touch. Continue reading »

Nov 212017
 

 

In the first week of this month, Embrace the Dawn released their debut album, The Effigist, and today we’re premiering a lyric video crafted by Scott Rudd for a turbocharged, mind-warping track from the album called “Putrefaction of God“.

The album is Embrace the Dawn’s second release overall, following their self-titled EP in 2015. Australian musician Ben Tinker remains the principal creative force behind the band, but for the debut album he enlisted the aid of a new line-up of performers who are scattered around the globe.

With Tinker as the composer, guitarist, and programmer, The Effigist features Canadian bassist Denis Landry, American drummer Kevin Talley (Feared, ex-Dying Fetus, Misery Index, Dååth, etc.),  and Norwegian vocalist Roger Isaksen. In addition, the album was mixed by producer Eyal Levi (Levi/WerstlerDååth). Continue reading »

Nov 212017
 

 

We have survived another year, and yes, I still count mere survival as a kind of triumph in the precarious realms of metal blogdom. We are a whopping eight years old today — we made our first post on November 21, 2009.

Measured according to other time scales, eight years seems like the blink of an eye. But measured by the lifespan of your average metal blog (or even by some large commercial metal sites), we’re… kind of mature. Not in our behavior, of course.

I continue to be amazed and thankful that we’re still here, that so many good friends are still devoting themselves to writing for NCS on a purely volunteer basis, and that so many readers haven’t yet gotten fed up and purged us from their lives. Continue reading »

Nov 212017
 

 

(Comrade Aleks brings us yet another fascinating interview, and this time a very detailed and in-depth one, with Lasse Pyykkö of Hooded Menace, whose new album will be released in January.)

This year Hooded Menace celebrate their tenth anniversary of spreading darkest death doom in the underground scene. Though some might not tag the band as an “underground” one when their albums have been released on such labels as Relapse Records, Profound Lore, and Season Of Mist.

The last of those labels proclaimed that the new Hooded Menace album, Ossuarium Silhouettes Unhallowed, will be released on January 26, 2018. And if you take a look, you’ll find that the Hooded Menace lineup went through big changes once more, though Lasse Pyykkö remains, as always, its core.

Did these changes influence Hooded Menace’s recognizable sound? How many of the Blind Dead will return from their tombs in the new songs? Lasse gave me answers to these and others questions, I’d like to thank him again for this deep and detailed interview. Continue reading »

Nov 212017
 

 

I knew Krallice planned to release another album this year, but the timing was reserved as a surprise, and the surprise was delivered last night. The name of the album is Go Be Forgotten.

I was fortunate to hear the album a few days in advance of its release, though I still didn’t know when the bomb would be detonated, and I still found myself scrambling to collect my thoughts. But Krallice’s music so predictably scrambles my brain that I doubt I would have been any more coherent if I’d known the precise day and hour of this one’s release.

However, fears about lack of coherency have never deterred me from expressing myself, nor will they here. But all I can really manage is to tell you the way the music makes me feel… and I can also venture the opinion that I think this is the best Krallice album yet. Continue reading »