Islander

THY CATAFALQUE: “VADAK”

 Album Reviews, Exceptions to the Rule  No Responses »
Jun 242021
 

 

(Our old friend Professor D. Grover the XIIIth returns to NCS with this review of the new album by Thy Catafalque, which will be out tomorrow on Season of Mist. A full stream of the album follows the review.)

Greetings and salutations, friends. Once again, the impending release of something truly special rouses me from my nocturnal haze and guides me to my keyboard, compelling me to write. Yes, as the title of the article likely gives away, there is a new Thy Catafalque album ready to enter the public eye, and so I take upon myself the honor of reviewing it. Vadak is the tenth Thy Catafalque album, compilations and the Zápor EP notwithstanding, and as is fitting for such a significant number, it’s a truly noteworthy album in a discography full of noteworthy albums.

By this point in time, my devotion to the work of Tamás Kátai is a well-worn, well-documented history, but for the uninitiated, Thy Catafalque is primarily the work of one man, typically with a number of guests. Kátai is a Hungarian multi-instrumentalist and the driving force behind this project, and (as I will further explain in the paragraphs to come) is something of a musical genius. In the 23 years that Kátai has been recording under this moniker, the band’s style has evolved almost constantly from a relatively experimental black metal project to something that is, frankly, impossible to define. In the lead-up to this review, I did a chronological listen to the entire Thy Catafalque discography, front to back (including the first three albums, which are the most black metal releases and my least favorite simply because they’re the harshest and least listenable), and that endeavor served to further bolster the knowledge that Kátai’s musical fingerprints have been all over this project since the beginning. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): SUFFER YOURSELF — “RIP TIDE”

 Album Reviews, Premieres  4 Responses »
Jun 242021
 

 

During a falling or ebbing tide the outflow of water through constricted channels can create a powerful surge capable of carrying a person caught within it far offshore, or dangerously submerging them in the surging flow, with little ability to escape and find air once again. This phenomenon is called a rip tide — and when you listen to the remarkable new album by Suffer Yourself you will understand why they chose Rip Tide as its name.

This multinational funeral doom collective, which first began as the solo project of Polish musician Stanislav Govorukha and then blossomed, like a night-blooming flower, into a full band, has released two previous albums, 2014’s Inner Sanctum and 2016’s Ectoplasm. On this third one, they’ve expanded and altered their musical range in ways that bring them closer to the deathly terrain of such bands as Esoteric and Evoken — though it would be a mistake to push that comparison too far, because Suffer Yourself possess their own distinctive identity and have drawn within their music a multitude of stylistic and tonal ingredients that make each song different from the others and the album as a whole an unconventional experience.

You’ll be able to discover all of that for yourselves today, because we’re now premiering a full stream of Rip Tide on the eve of its release by Aesthetic Death. Continue reading »

AN NCS PREMIERE: LAETITIA IN HOLOCAUST — “HAIR AS THE SALT OF CARTHAGO”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Jun 242021
 

 

2021 marks the 20th anniversary of the fascinatingly distinctive Italian black metal band Laetitia In Holocaust. To celebrate the occasion, the band have recorded a new three-song EP entitled I Fall With the Saints, and Brucia Records is releasing it on a limited run of tapes, along with a book that includes photos and an exclusive interview with the band covering much of their history. Today, in addition to sharing this news, we’re reviewing the EP and premiering one of its three songs, “Hair as the Salt of Carthago“.

For those who may only now be discovering this band despite their longevity, Laetitia in Holocaust was formed in 2001 by Stefano G. and Nicola D.A. That duo self-released two demos, one EP, and two albums before being joined by drummer Marcello M. for the release (by Third I Rex) of the remarkable (and enormously surprising) Fauci tra Fauci in 2019, which we had the thrill of premiering here. And they followed that with the release last year of the transfixing Heritage (via Nifihel Records).

It’s possible to make comparisons of this band’s idiosyncratic creations to the avant-garde stylings of a few other bands, but the truth is that they really don’t sound like anyone else I’ve encountered. Trying to sum up their music in succinct sentences would be a daunting challenge. Forgetting the music after you’ve heard it would be an impossibility. This new EP is a vivid demonstration of all that. Continue reading »

SEEN AND HEARD: MODERN RITES, BIAŁYWILK, VAELMYST, WITCH VOMIT, MAZE OF TERROR, DIMENTIANON, UNREQVITED

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  No Responses »
Jun 232021
 

 

Lots of good stuff in today’s round-up, with a variety of new black metal, death metal, and thrash, plus a towering exit song. All of the songs are off forthcoming records, with the exception of a just-released EP that I’ve sandwiched in the middle. You’ll see some really good cover art in this collection too.

Even though I and most of the NCS writers are in the U.S., the preponderance of the music we cover (along with half our readers) seems to emanate from outside U.S. borders. Thus it’s unusual that (coincidentally) almost all of the following music comes from U.S. bands.

MODERN RITES (U.S./Switzerland)

The opening song today, “Self Synthesis“, swells in sound, like what you might hear if gradually approaching an industrial metal-mangling machine, and then erupts in a hammering, searing discharge of instrumental and vocal intensity — with eerie, wraith-like tones swirling in sorrow above. It revisits those mangling sensations, which begin to seem apocalyptic…. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): SIDEREAN — “LOST ON VOID’S HORIZON”

 Album Reviews, Premieres  No Responses »
Jun 232021
 

 

The Slovenian band Siderean began their career under the name Teleport, and as Teleport they released a sequence of demos culminating in 2018’s remarkable Expansion. Afterward came the name change, and a refinement of sound, which was displayed on Siderean’s 2020 demo, aptly named Sidereal Evolution, which was released by Edged Circle Productions. And now, at last, Edged Circle Productions will soon release Siderean’s debut album, Lost On Void’s Horizon.

In their Teleport incarnation, the band drew influence from the likes of Gorguts, Voivod, and Australia’s Stargazer, with musical connections to contemporaries such as Blood Incantation and Sacriphyx. But as revealed on that 2020 demo and even more so on the new album (which includes those demo tracks), they’ve ventured out into more mind-bending and off-planet dimensions, creating a combination of progressive and technical death metal that’s as fascinating and enthralling as it is disorienting.

Thus, it’s with a genuine thrill that we present a full stream of the album just days away from its June 25 release, preceded by our review. Continue reading »

FRACTAL UNIVERSE: “THE IMPASSABLE HORIZON”

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Jun 232021
 

 

(DGR wrote the following extensive review of the new album by the French progressive death metal band Fractal Universe, which will be out on June 25th via Metal Blade.)

There are times when one can feel like some sort of mystic far-seer when it comes to an album release, hovering over whatever magical talisman grants them vision into other realms, timelines, worlds, various 7-11 bathrooms, and so on, and able to see an album like some sort of organic creature, as if it were a living plant, sparked from the seed of an earlier being, and you somehow feel like you can follow that trail all the way back to its genesis, point to it, and say “This, this right here, is what created this exact moment in time”.

Of course, given how music is written and that most musicians are more likely to have an idea come to them in the shower than any concrete expanding upon specific concepts, you’d mostly be dead wrong on that early prediction. Yet in the case of Fractal Universe‘s latest Metal Blade offering – the being known as The Impassable Horizon – it is difficult not to pontificate on what songs bore fruit from the group’s prior release and how it might have led to this one.

In this case, there is one song in particular on the group’s 2019 release Rhizomes of Insanity that seems to have grown into its own fifty-some-odd-minute album, and that song is the angular and prog-worshiping song that arrived near the end of that particular release, “Fundamental Dividing Principal”. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): IRAE — “DANGEROVZ MAGICK ZPELLS FROM THE MESZIAH OF DEATH”

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Jun 222021
 

 

If you are familiar with the catalogue of raw black metal assembled by the one-person Portuguese band Irae, then you will have some idea what to expect from the band’s new EP, intriguingly titled Dangerovz Magick Zpells from the Mesziah of Death — but you will likely still be surprised. The music is in many ways as idiosyncratic as the title, and its effect on the mind is confounding.

Like much of raw black metal, and perhaps especially that produced by the Portuguese cults, the music is willfully abrasive — yet this EP still manages to be enthralling. The moods are often harrowing in their displays of inner torment, but equally capable of reaching heights of tortured grandeur. The garage-band sound of the drums is primitive, but the beats are invigorating and head-hooking. The songs generate auras of blood-freezing, supernatural terror, but somehow still harbor beckoning, magical melodies that are spell-like and seductive.

We have further, more detailed, thoughts below about the fascinating contrasts within these unsettling yet beguiling compositions, which are not soon forgotten, but we also have a premiere stream of the EP for you, in advance of its June 24 release by Signal Rex. Continue reading »

THE ABSENCE: “COFFINIZED”

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Jun 222021
 

 

(This coming Friday, June 25th, M-Theory Audio will release the fifth album by Tampa-based The Absence, and here we have DGR’s deep dive into the new record.)

The first time I ever crossed paths with The Absence was around the time of their first album, From Your Grave. Featured as one of the many bands on those twenty- to thirty-track sampler discs you used to be able to buy at your local mall-topic, the first time I ever heard the song “From Your Grave” it caught me by surprise. Providing a bit of historical perspective of course: As a young adult just growing into his own as a metal fan, melo-death projects served as a gateway to so many different genres, and at the time, with At The Gates being a long accepted – yet broken up – pillar of the style, it seemed like melo-death was one of those styles that remained firmly in the grasp of Europe at large, while the U.S was launching itself deeper into the metalcore trend that would eventually lead to boy-band-esque crooning in just about every song vs times where it might actually be effective musically.

Thus, a band hailing from the U.S. that seemed to have a proper grasp of that ceaseless one-two heartbeat of a drumming style alongside the endlessly catchy melo-death riffs was almost mind-blowing to someone who was just starting to submerge themselves into the underground. I became a longtime fan of the band – and still recommend 2007’s Riders of The Plague to people.

Afterwards would see the solid follow-up in Enemy Unbound and then a very long period of dormancy from the band. The Absence would release two other singles in that time, in 2013 and 2016, but three-year gaps for just one song each was getting brutal. Continue reading »

SEEN AND HEARD: NETHERBIRD, HOODED MENACE, BAT MAGIC, LEILA ABDUL-RAUF, VERMINLORD, ÆNIGMATUM

 Metal News, RANDOM FUCKING MUSIC  1 Response »
Jun 212021
 


Netherbird

 

Lo and behold, I had time this morning not only to prepare a round-up of new songs and videos but also (unlike the last few I’ve done) to add some completely unnecessary commentary. What you’ll find is a bit of this and a bit of that, with some well-known names and a couple you’ve possibly never heard of. Everything I chose today consists of advance songs from forthcoming records. And with that, let’s begin:

NETHERBIRD (Sweden)

First in today’s collection is “Towers of the Night“. Packaged with a lyric video, it does indeed become towering. Initiated by rumbling and battering drums and by whining, wailing guitar harmonies that radiate anguish and despair, the song further includes sinister fanfares, doses of slashing and jolting savagery, and scalding snarls. The song also reveals a dreamlike yet menacing interlude and anthemic soloing that’s primed for arenas filled with headbangers (whenever such a thing is possible again). Quite a thrilling experience…. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): PRAYERS OF SANITY — “DOCTRINE OF MISANTHROPY”

 Album Reviews, Premieres  No Responses »
Jun 212021
 

 

Without healthy doses of experimentation and evolution, metal (like all forms of music) would stagnate. And of course where innovation succeeds it can be especially exciting. But that doesn’t mean that bands who faithfully honor tradition are doomed to fail — far from it. It depends on how good they are at what they choose to emulate — on the strength of their songwriting prowess, their instrumental skill, and the authenticity of their spirit.

Which brings us to the Portuguese band Prayers of Sanity. This trio — bassist Carlos, guitarist André, and vocalist/drummer Tião — joined forces for the purpose of reminding everyone that ’80s thrash metal was still alive and kicking. They took their cues from such classic bands as Exodus, Nuclear Assault, and Testament, while charging their music with the raw intensity of punk and hardcore.

But while Prayers of Sanity devoted themselves to an old genre loaded with stand-out names and die-hard fans, their music is anything but stagnant. Even fans who’ve grown jaded about thrash (and that includes this writer) are going to have their eyes popped open by this group’s newest album (their fourth full-length), Doctrine of Misanthropy. It’s so riotously explosive (yet sharply executed), so vicious, and so immediately addictive, that it provides a huge thrill from beginning to end. And we are thrilled to let you hear all of it today in advance of its June 25 release by Rastilho Records. Continue reading »

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