Islander

AN NCS ALBUM PREMIERE (AND A REVIEW): LUCIFUGE — “INFERNAL POWER”

 Album Reviews, Premieres  No Responses »
Apr 262021
 

 

The German band Lucifuge was born in 2018 as the solo project of Equinox, who wasted no time rapidly discharging a demo, an EP, and the Ride the Beast debut album that same year. The creative fires burned just as hot and bright in 2019, resulting in two more EPs and a second album, Der AntiChrist.

And just last year, Lucifuge released yet another full-length (The One Great Curse) and a single that proved to be the title track to Infernal Power, the latest and most accomplished Lucifuge album yet, which is rapidly approaching its April 30 release date via Dying Victims Productions — and which we’re premiering today. Continue reading »

SHADES OF BLACK (PART 1): DJEVEL, NIGHT CROWNED, MEDIUM

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  No Responses »
Apr 252021
 

 

Much like yesterday I got a very late start this morning, having enjoyed a long night of virtual carousing with a big group of co-workers at my fucking day job. Like yesterday I thought I’d just pull together a couple of things for this usual Sunday column so I wouldn’t be too late in posting it — and again reconsidered. Just too much stuff I want to share.

This two-part post thus provides a lot to take in. I’m confident that few people will enjoy everything I’ve chosen — though I’m equally confident you’ll find at least something to enjoy if you at least taste-test everything I’m recommending.

I organized this collection by beginning Part 1 with two singles that I thought were great companions for each other and then following them with a stylistically very different EP. Part 2, which I’ll post tomorrow, will include streams of five complete releases that I will only have time to introduce briefly.

DJEVEL (Norway)

Like the cover art for Djevel’s new album Tanker som rir natten, the second advance track released last week is lunar in its atmosphere, a wintry nightside excursion that’s deeply immersive. In its manifold sensations it’s dreamlike, depressive, menacing, and I’d go so far as to say romantic. But it’s as visceral as it is mesmerizing, thanks to Faust’s gripping drum performance (the vibrant timpani-like booming is an especially nice touch) and the warm companionship of the bass, performed by new member Kvitrim (Vemod, Mare), who also handles the harsh vocals. Continue reading »

SEEN AND HEARD ON A SATURDAY: PORTAL, REGARDE LES HOMMES TOMBER, MOROKH, THIS ENDING, MORTUARY SPAWN, NADJA, ALUSTRIUM, BEAST MODE

 RANDOM FUCKING MUSIC  2 Responses »
Apr 242021
 

 

Because I got a late start on the day and have a lot of personal shit to attend to, my original plan was just to pick a couple or three songs and make this an abbreviated round-up. But I kept coming across tracks and videos that I really wanted to share, so this collection mushroomed.

It also amused me, as it often does, to build in some stylistic whiplash, particularly in the arrangement of the last half of these picks. Hope you find something here that will make your day a better one.

PORTAL (Australia)

I probably overlooked one or more news missives, but I wasn’t aware until yesterday that Portal had a new album on the way. When I discovered that fact, it produced the kind of a blood-congealing yet spine-tingling experience I usually have when wondering what new horrors will be headed our way from this band. Continue reading »

AN NCS INTERVIEW: GOAT AGGRESSOR (MALUM)

 Interviews  No Responses »
Apr 232021
 


photo by Ville Ruusunen

 

(Karina Noctum has brought us the following interview of Goat Aggressor, a veteran drummer and member of the Finnish black metal band Malum, whose fourth album, Devil’s Creation, was just released by Purity Through Fire.)

In this interview with Finnish drummer Goat Aggressor we talked about his most recent release with the band Malum. The band offer a melodious harmonic sound with well-structured songs. Devil’s Creation is another gem for all those who like the Scandinavian underground. Continue reading »

AN NCS PREMIERE: MAJESTIC DOWNFALL — “A DYING CROWN”

 Premieres  No Responses »
Apr 232021
 

 

A persistent favorite of this site, the Mexican doom-death band Majestic Downfall have already provided abundant proof of their formidable talents, having erected, through five albums and a pair of splits, an imposing sonic edifice that’s as magnificent as it is heart-rending. And now they’re approaching the May 21 release date of their sixth full-length, Aorta, which will be released by the new but rapidly growing label Personal Records — and it reveals the band at the pinnacle of their soul-shaking power.

Written and recorded during the pandemic, Aorta consists of four songs that collectively span 70 minutes, and those songs are expansive in ways that transcend mere length, ranging in their sensations (to borrow the words of the PR material) “from suffocating to vibrating, damning to liberating, utterly devastated to strangely hopeful – but always crushing, and devastatingly so”.

As further evidence of the truth of those words, today we premiere an Aorta song named “A Dying Crown“. Continue reading »

HIDEOUS DIVINITY: “LV-426”

 Album Reviews, SHORT BUT SWEET  No Responses »
Apr 232021
 

 

(DGR tends to move in fits and starts with his NCS writing, and this week he’s had a fit, with this being the third of his posts for us in almost as many days. Today’s subject is the new EP by NCS favorites Hideous Divinity, which is being ejected today (like a blooming facehugger) by Everlasting Spew Records and Century Media Records.)

Hideous Divinity‘s chosen subject matter of different films to frame their overwhelmingly hostile take on brutal death metal has proven fruitful for them over the years. The recent Cronenberg deep-dives have given them much to work from as they take their chosen genre and morph and contort it to fit their musical equivalent of a bulldozer being launched downhill in a mudslide into a suburb. Often stretched into full-albums, the film nods have been blatant, but LV-426 represents the biggest and most upfront statement of subject matter to date.

It’s already struck a chord around here, given the NCS crew’s fondness for the Alien moves to begin with, and so the group’s decision to tackle a more focused subject over the course of an EP was one we were guaranteed to be looking into. LV-426 consists of two original songs and one out-of-left-field yet surprisingly pragmatic cover song for a total of sixteen minutes of blindingly fast music. Continue reading »

SEEN AND HEARD: DÖDSRIT, ANGSTSKRÍG, YOUR FAULT, GHOSTBOUND, UNENDLICH, HAGEL, GOATBLOOD

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  1 Response »
Apr 222021
 

 

If extreme metal were a big map pinned to a wall and you got a running start and hurled the contents of a bucket of paint at it, the scattered blots would give you something like the following collection of songs and videos — though one of the splashes lands off the map altogether (I put that one dead center in this playlist, surrounded by everything else).

DÖDSRIT (Netherlands/Sweden)

I’m leading off with “Shallow Graves“, because it so thoroughly swept me off my feet right from the start, thanks to the thrill of its opening riff, the pulse-pounding impact of the racing drums, and the grandeur of the panoramic cascades. The song changes, moving through a variety of rhythms and tempos as well as variations in the riffing that alters the moods, though the vocals are blisteringly intense at all times. Continue reading »

STRANGE TRIPS (PART 2): GHOSTS OF ATLANTIS (“3.6.2.4”) AND TIDES OF KHARON (“TITANOMACHY”)

 Album Reviews, Exceptions to the Rule  2 Responses »
Apr 222021
 

 

(DGR has been spending his listening time with some strange musical creatures and has offered his thoughts about them in a two-part collection of reviews, of which this is the second. Go here to check out Part 1.)

GHOSTS OF ATLANTIS: 3.6.2.4

At this point in my metal fandom I think its safe to admit that there will always be room in my heart for something a little more theatrical when it comes to music. I’m a sucker for things appearing larger than life, buried in bombast, and suffocated by symphonics. If you’re incredibly ambitious and it seems like you may be swinging for the fences on even your first release and coming off just a little bit campier than expected, then you’ll probably have someone who enjoys what you’ve got right here.

Of course all those things don’t necessarily have to apply, so they can be larger than life without having the veneer of a B-grade horror movie, but sometimes the stars align just so that I can’t help but be attracted to it. Like I said, a larger-than-life spectacle can often be just as interesting for me in the world of the extreme, which is how I landed at the debut album from Ghosts of Atlantis. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): ALTARAGE — “SUCCUMB”

 Premieres  2 Responses »
Apr 222021
 

 

In 2015, which seems like a geologic epoch ago at this point, we came across a two-song debut demo by Altarage from the Spanish Basque Country and summed it up as “primitive, poisonous, electrifying music from a band that’s now squarely on my radar screen for the future”. They stayed squarely on our radar screen over the course of three subsequent albums, even though they eventually left it in sharp shards of wreckage.

We characterized 2016’s Nihl as “a monster of an album… that will melt your insides”, combining “sheer malignant intensity” and “catastrophic dirges” capable of “dragging your staggering body down into an abyss of despair”. Then came 2017’s Endingent, which we described as “dealing in a brand of pitch-black sonic horror” (“horrifically dense and devastating”), creating an atmosphere “so thick and choking that this album isn’t recommended for anyone who suffers from even a hint of claustrophobia”.

Altarage followed that with 2019’s The Approaching Roar, which we found even more “grim and gruesome” — “one of those records that hits you like a veritable force of nature, and leaves you with no other option except to kick and struggle as hard as you can to keep your head above the water”.

And now comes Succumb, the new Altarage album that Season of Mist has authorized us to put before you in full, the day before its April 23 release. What should you expect? Continue reading »

AN NCS PREMIERE: HADIT — “THE QUEST FOR HEARTS AND CONQUEST OF TIME”

 Premieres  1 Response »
Apr 212021
 

 

We’ve all had the experience of being misled by PR descriptions of forthcoming metallic extremity, when the night-blooming rhetoric proves to be an exaggeration or a calculated inaccuracy. And so we take such linguistic previews with a grain of salt, even when they generate a reflexive eagerness to listen.

In the case of the new album by the Italian death metal band Hadit (from Varese), the advance press variously portrays the music as “an obfuscating spell of dark cosmological death metal destruction”, “occult ritualistic divinations of total aural chaos”, “sonically annihilating and aesthetically majestic”, “impenetrable and supernatural”, and “hallucinations shrouded in mysticism and esotericism”.

How sad it would be if such evocative and enticing written flourishes weren’t well-founded! Even though Hadit’s last release, the 2015 EP Introspective Contemplation of the Microcosmus, already provided a solid foundation for those descriptions, that was six years ago after all. The question is whether their debut full-length, With Joy and Ardour Through the Incommensurable Path, lives up to the advance billing.

Well, you know where we’re going with this: The answer is Hell Yes It Does. The fact that it’s being jointly released (on May 7th) by such tasteful labels as Caligari Records, Sentient Ruin, and Terror From Hell Records is evidence of that, and so is the song we’re premiering today: “The Quest for Hearts and Conquest of Time“. Continue reading »

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