Islander

Aug 302020
 

 

I’ll dispense with an introduction to this closing Part of today’s column. The intro to Part 1 was long enough.

LORD ALMIGHTY

Adam O’Day‘s cover art for Lord Almighty‘s forthcoming second album seized my attention before the music did, but man, the first advance track from that album turned out to be even more attention-seizing.

I didn’t know what to expect, in part because I hadn’t paid attention to this Boston group’s 2015 debut album, Paths, and in part because I hadn’t yet read anything about their new full-length, Wither. Later, I read that their base inclination is rooted in black metal, past and present, but that they bring into their music “a love for NWOBHM, sludge, hardcore, blues rock, and more” — all of which is borne out by “Cry of the Earth“. Continue reading »

Aug 302020
 


Necrophobic

 

I used to joke around here that I made my living as a drug mule, or as a secret adviser to world leaders who were flummoxed about how to solve shattering problems, or as a caretaker for a loris horde that would threaten human survival if I didn’t keep a close watch on their compound near the NCS headquarters. The truth is much more mundane (though I still suspect that covid was hatched in the loris lab). Not that I’m going to advertise the truth, because I still don’t think what I do here would be healthy for me in the world where I collect my paychecks.

Even a few months ago I thought my day job had settled into a long-lasting somnolence, leaving me an abundance of time to spend at NCS. But it has come roaring back. Not a completely shocking development, because the job has always varied among shifting states of intensity, but still a surprise. Last week was particularly demanding, and I fell way behind in paying attention to new metal. Thankfully, I was able to ignore it all day yesterday and spent the hours immersed in music.

Having surfed the tides of metal from near sun-up to sundown, I created the beginnings of half a dozen NCS posts, with four of them devoted to black and “blackened” metal. Most of those will probably remain little more than mind games once the new work week begins, but at least I’ve completed this two-part SHADES OF BLACK, which I hope you’ll enjoy. Continue reading »

Aug 292020
 


Fates Warning

 

(Because your humble NCS editor has done a shit job compiling new-music round-ups in recent weeks, our contributor Gonzo stepped up and offered to begin doing that himself on Fridays, and this is the first edition. It actually would have been posted yesterday, on Friday, except your humble editor fucked that up too.)

Suffice to say, it’s been a fucking weird year.

Weirder, perhaps, is the fact that so much new music keeps rolling out from all corners of the earth; weirder still is that most of it is quality material instead of half-assed live albums, comps, EPs, singles and cover albums.

Most of it.

(I’m looking at you, In Flames.)

Before I start spiraling into a tirade about my odious thoughts on the Clayman reboot, allow me to get right to it: Yesterday, August 28, marked another Friday in this endlessly bizarre, dystopian and occasionally terrifying timeline we all just call “2020,” and it marked another day of new metal coming to assault our eardrums.

This one’s a glorious mix of old and new, and some stuff I’ve been anxiously awaiting for a while. Continue reading »

Aug 282020
 

 

Today we’re helping spread the word about the release of the second album by the West Texas melodic death metal band Astringency, which follows their 2017 full-length debut, Sanguinarium. Entitled Of Vacant Planes, the album is an extravagant 11-track work that’s packed to the brim with intricate, technically adventurous, and tempo-dynamic performances, while incorporating evocative melodies that cross a wide emotional range.

Stylistically, the music draws from many wells, incorporating Scandinavian melodeath gallops, bursts of full-throttle thrashing, episodes of blackened malignancy and gloom, and a lot more. It’s definitely a “modern” take on the music of this old genre, and thus continues to breathe new life into it. As a further sign of that, Astringency call out the music of such bands as The Black Dahlia Murder, Fallujah, and Allegaeon as influences, in addition to the likes of Obscura, Deicide, and Cannibal Corpse. Continue reading »

Aug 282020
 

 

(This is Andy Synn‘s review of the new album by Expander (from Austin, Texas), which Profound Lore Records released on August 21st.)

We don’t often cover much Thrash, or Thrash-adjacent, material here at NCS. For whatever reason it’s something of a blind spot in our regular coverage, and it generally takes a particularly special (or audaciously strange) example of the style to attract our attention.

As you might have guessed, Neuropunk Boostergang is one such example, which is why, just a week after its official release, I’ve decided to write a few words about it.

Of course the fact that we’re turning our gaze towards the realm of Thrash right now, just after the sad and untimely passing of Power Trip frontman Riley Gale, adds an extra dose of poignancy to this write-up, especially when you consider that, much as PT could never be fully summed up by the over-simplistic “Thrash” tag most often applied to their music, likewise Expander don’t fit neatly within the confines of the genre either.

Which is probably why I like them so much. Continue reading »

Aug 282020
 

 

(Here’s TheMadIsraeli’s review of the new fourth album by the Swedish band Nonexist, which is being released today – August 28th – by Mighty Music.)

By my measure, Nonexist are one of the most criminally underrepresented European death metal bands in the entirety of the genre metal.  They are so criminally overlooked I’d wager that ignorance of them should count as a human rights violation.  The project, spearheaded by longtime Swedish scene vet Johan Reinholdz of Skyfire and Andromeda fame, has been one of metal’s best kept secrets since 2000.  Originally a two-piece band consisting of Johan and ex-Arch Enemy vocalist Johan Liiva, the project has been consistently dedicated to preserving an image of melodic death metal at its most pure and un-compromised.

What do I mean by that?  Well… Continue reading »

Aug 272020
 

 

in late March of this year the Catalonian band Morta self-released their second work, a half-hour album (or EP if you prefer) named Fúnebre. There seems to have been a very limited vinyl release accompanying the digital version, but the Portuguese label Signal Rex obviously decided that such a gripping combination of ruination and revelation shouldn’t be allowed to languish in obscurity, because Fúnebre is now set for an August 28 re-release by Signal Rex on CD and tape.

Once you hear Fúnebre — as you will be able to do at the end of this post — it’s not difficult to understand why that decision was made. The album is devoted to black metal of an undeniably rough, raw, and riotous fervency, capable of manifesting bestial terrors, but the riffing is always targeted to evoking emotional responses, and the nature of those moods may surprise you. Continue reading »

Aug 272020
 

 

(This is Andy Synn‘s review of the new album by Maryland-based Cavern, which will be released on August 28th.)

I know what you’re all thinking.

First Ulver and their polished, provocative Synth-Pop. Now Cavern and their moody, mellifluous Post-Rock. Has our beloved Andy Synn gone soft?

Or, worse, has he… sold out?

The truth, as always, is far more mundane. This is just what I felt like writing about this week.

But don’t worry, I’ve got something much rougher and riffier lined up for tomorrow…

Until then, though, it’s time to immerse ourselves in the glistening, atmospheric waters of Powdered. Continue reading »

Aug 272020
 

 

(Andy Synn prepared the following introduction for our premiere of a video by the multinational band Lebenssucht for a song from their 2020 debut album.)

Is there any greater joy than discovering a band early on in their career and then following them as they grow, develop, and evolve into something truly special?

I suppose some people might say parenthood but… those people are wrong.

Case in point, we first came across the bleak malevolence of multinational Black Metal coven Lebenssucht way back in 2016, and even ended up hosting a premiere for their first video, “Beloved Depression”, not long after.

In April this year the band released their debut album, -273,15°C, which built upon the potential demonstrated on their EP by going even deeper, darker, and bleaker than ever, and today we’re once again pleased to host another video premiere for the group, this time for the record’s sinister second track, “A Hole In My Heart”. Continue reading »

Aug 272020
 

 

(Earlier this year the Heavy Psych Sounds label announced a series of splits called Doom Sessions, and Volume I (released in mid-July) featured songs by the UK’s Conan and Italy’s Deadsmoke. This prompted Comrade Aleks to reach out to the label and the bands with a few questions, and we present the results today, along with music from the split.)

It’s important to keep some unity during this shitty time. Paradise Lost says “Faith divides us, Death unites us”, but indeed there’s a damn lot of things which divide us – politics, Covid, politics again, etc. Split albums always offer this sense of unity inside the heavy scene, and here we have one.

As Heavy Psych Sounds Records have launched a series of splits entitled Doom Sessions, I made the decision to support it with such short interviews as you’ll find below. Doom Sessions first edition includes songs from the almighty crushing Conan (UK) and their younger sludgy brothers Deadsmoke (Italy). A few words from the label’s founder Gabriel Fiori (Black Rainbows band) clarify a few details about this series as well. Continue reading »