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THEORIES: “VESSEL”

 Album Reviews  No Responses »
Apr 112019
 

 

(DGR reviews, in great depth, the new album by Seattle’s Theories, which will be released by Corpse Flower Records tomorrow — April 12th.)

It’s always a surprise when an album’s art manages to perfectly encapsulate the music within. We’re big fans of awesome album artwork around here, but the times when the art manages to leap past just being an awesome picture and adds to the listening experience are truly special.

I raise this observation in part because the album artwork for Seattle deathgrind group Theories‘ sophomore album Vessel manages to do just that, capturing both the spirit of the album and the production and atmosphere surrounding it.

After a spin of Vessel it’s not hard to imagine that this album was recorded in the same miserable underground dwellings that the album art portrays as the residence of that unfortunate victim. It could also very well be the chaotic soundtrack to what is going on in that individual’s head, as Vessel is a dark and brooding follow-up to its predecessor, 2015’s Regression, and one that finds the band deciding not to go with a straightforward successor in style, but creating an entirely different beast in its own right. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): INCULTER — “FATAL VISIONS”

 Album Reviews, Premieres  4 Responses »
Apr 102019
 

 

It’s fair to say, looking back, that the Norwegian thrash band Inculter have had a meteoric career so far. To mix the metaphors, they took off like a rocket that had an explosive lift-off but have then gathered speed and altitude as they’ve soared ever higher. It’s also fair to say that they’ve reached the stratosphere with their new album Fatal Visions.

I say this as someone who finds most thrash albums by modern bands quickly forgettable, and easily interchangeable. Fatal Visions (which will be released by Edged Circle Productions on April 12th) is neither forgettable nor floating in a sea of mediocrity with all the other nearly identical fish. Even for a fairly jaded thrash listener such as myself, it makes an explosive and thoroughly eye-popping impact. Continue reading »

FESTIVAL NEWS: SANGRE Y FUEGO PARA MICTLĀNTĒCUTLI II

 Metal News  2 Responses »
Apr 102019
 

 

We don’t make an effort to comprehensively post about every metal festival scheduled to occur around the world, which would be something close to a full-time job all by itself. But every now and then one catches my eye that seems worth highlighting, because of the risk that it might not receive the attention it deserves, and this is one of those times.

Formerly called “Penetrations of Darkness“, this event was originally scheduled for July 19th, but has since been rescheduled and expanded into something even more ambitious. The concert is now called “Sangre y Fuego para Mictlāntēcutli II” and is a two-day festival, which features 10 bands from all over the globe. The event will be hosted by HDX Circus Bar in Mexico City on Friday, November 1st and Saturday, November 2nd, which coincides with the end of the Día de Muertos celebration, also known as “Day of the Dead.” Continue reading »

DESECRAVITY: “ANATHEMA”

 Album Reviews  2 Responses »
Apr 102019
 

 

(We have already published one review of the Japanese band Desecravity’s new album, by Vonlughlio, but our contributor Karina Noctum has written one as well, which provides different perspectives on the music, and so we’re presenting it here.)

I remember when I first listened to Desecravity’s Morphic Signs and was in awe back in 2014. They play a perfect blend of tech and brutal Death Metal. Morphic Signs is a continuous blasting without breathing. If you appreciate the heavy-metal-inspired solos added for maximizing the climax effect after a series of ear-pummeling riffs a la Vital Remains (because more is more…), then Morphic Signs is the perfect album for you. If you like it, then you will love Anathema, their latest album, which is is a display of neoclassical virtuosity all made fast as hell. They have successfully taken the sound to a new level. Continue reading »

AN NCS PREMIERE: GODS FORSAKEN — “THEY CRAWL”

 Premieres  No Responses »
Apr 092019
 

 

Judging by the daily news headlines, most gods may have forsaken most of humanity, but the gods of Swedish death metal have not forsaken Gods Forsaken. To the contrary, they seem to have possessed this band and to live through them in riotous joy. Their new album, Smells of Death, already seems poised to take its place in the pantheon.

For those who don’t already know, Gods Forsaken began with a veteran lineup consisting of guitarist/bassist Anders Biazzi (Just Before Dawn), vocalist Jonny Pettersson (Wombbath, Henry Kane, Ashcloud, etc.), and drummer Brynjar Helgetun (Just Before Dawn, Crypticus, Johansson & Speckman, Megascavenger, etc., etc.). The first album included some notable guest appearances, including solos by Gustav Myrin (ex-Blood Mortized). On this new album Mr. Myrin is again on board, this time as lead guitarist, and Alwin Bassphyx (Asphyx) joins in as rhythm guitarist. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): SANGUE — “CULŚ”

 Album Reviews, Premieres  1 Response »
Apr 092019
 

 

I’m having trouble describing this album, Culś, because it has done something terrible to my mind, which didn’t work particularly well to begin with, but which is now quivering like a mouse in the corner of a small room occupied by a wolf from hell.

Sangue’s music is horrifying, cruel, hallucinogenic, remorselessly abrasive, and crushing. It is a summoning of bestial chaos and wretched catastrophe on a titanic scale. It raises the evil of perverse gods to a pinnacle. It scalds the senses and freezes the blood. It evokes a fight or flight response — but mainly flight. Continue reading »

CROWHURST: “III”

 Album Reviews  1 Response »
Apr 082019
 

 

(Wil Cifer wrote this review of the new album by Crowhurst, which was released on April 5th by Prophecy Productions.)

This project of Jay Gambit and friends has always been a favorite of mine when it comes to American black metal as they are willing to deviate from what everyone else is doing, which is typically adhering to a steady diet of blast-beats. Though the opening song, sticks closer to a more traditional form of black metal, blast beats are used more as an accent than as a rule of thumb.

Its on “ Self Portrait with Halo and Snake” that things get interesting. Their sound begins to take on a more post-punk feel. Low baritone vocals carry a haunting melody. The guitar has a more indie-rock angle to it. The song does swell into harsh vocals, but everything is very smooth. Continue reading »

AN NCS PREMIERE: IRON FLESH — “MALIGNANT KINGDOM”

 Premieres  1 Response »
Apr 082019
 

 

(Andy Synn introduces our premiere of a track off the forthcoming new album by the French quartet Iron Flesh.)

This site’s relationship with French Death Metal fanatics Iron Flesh – originally the solo project of Julien Helwin (ex-Otargos), but soon expanded to a full-powered four-piece – goes back a couple of years now, beginning when we stumbled across their debut EP, Worship the Necrogod, and continuing through our coverage of the band’s follow-up, Scourge of Demonic Incantations, last year.

On a more personal level my own relationship (if you want to call it that) with Julien goes back to when he was filling in on drums for Mithras in 2016, which is when I first met him (and saw how good he was behind the kit), and I’ve been eagerly following his career ever since.

As a result it fell to me to pen a few words about “Malignant Kingdom”, the first track to be released from the band’s upcoming full-length debut, Forged Faith Bleeding, which we’re delighted to be able to premiere for you all today! Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): SKULLDRIVER — “L.D.C.”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Apr 082019
 

 

Skulldriver picked a damned good name for themselves, given the kind of music they crank out on their new EP, L.D.C. It locks into the part of the brain responsible for reflexive skull movement and takes over, rudely throwing the conscious part into the back seat and jamming the gas pedal to the floor while your head pounds like a piston. And in addition to packing in more grooves than is strictly legal, Skulldriver’s music is hotter than hell, meaner than a junkyard dog, and with enough non-stop high-voltage energy to power industrial turbines.

“Redneck metal” is what they call it, and the fact that they’re from southern Finland (Liljendal) rather than the southern U.S. doesn’t hold them back in the slightest. They’ve nailed down a mix of groove-laden thrash, hardcore, and backwoods, swamp-infested, roadhouse brawling, and it’s got a ton of primal appeal.

L.D.C. will be released by Elitbolaget on April 12th, and we’ve got a stream of all four tracks for you today. Continue reading »

BRUTUS: “NEST”

 Album Reviews  No Responses »
Apr 082019
 

 

(Andy Synn reviews the new album by the Belgian band Brutus, released on March 25th by Sargent House.)

Contrary to what you might believe, there is, on occasion at least, a certain methodological madness to the way we do things here at NCS.

Primarily this manifests itself in the way that certain posts and reviews are timed to coincide with album releases or song premieres or some other such item of note, but there are also other, much subtler, forces at work here and there.

Case in point, while I could have held this review back for later in the week, I felt that bright and early on a Monday, at a time when many of our readers will likely be looking for (and most open to) something a little different to energise and invigorate them for the trials ahead, might well be the best time to introduce people to the crisp, captivating catharsis of Brutus. Continue reading »

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