Jan 102014
 

(Guest writer Leperkahn reviews the new EP by Mutoid Man.)

2013 was the year where I finally came to accept the EP. In years past, I had been a bit of a quantity guy with music: I found it hard to pull out my hard-foraged earned cash to buy less than an album’s worth of music. However, extremely strong EP (and shorter) efforts from Black Crown Initiate, Bolzer, Obliterations, and Exmortus, among others, luckily broke that habit, as I now would easily go for 20 minutes of great music over an hour of decent stuff.

I say this because, had I not kicked that habit, I might never have listened to Mutoid Man’s new EP, Helium Head.

Granted, there were some very strong reasons unrelated to length that spurred me to press play; namely, that this is a “supergroup” featuring Ben Koller of Converge and Stephen Brodsky of Cave In in its ranks. Also, that cover art is pretty alluring.

Thus, I did indeed press play, especially now that the release is Bandcamp-able. Turns out, I should have done this about a month ago when this was released. Continue reading »

Jan 082014
 

I noticed a lot of new things yesterday. A few of them are collected in this post — an alliterative line-up of new videos and/or songs from Sólstafir (Iceland), Shining (Norway), and Shitfucker (Detroit), plus some welcome news from Wildernessking (South Africa).

SÓLSTAFIR

Yesterday, I spied not one, but three new things from one of our site’s favorite bands, Iceland’s Sólstafir. The first is a new song that appears on a forthcoming 7″ split with another Icelandic band named Legend.  For this split, each of the bands has covered a song by the other. In Sólstafir’s case, the song is Legend’s “Runaway Train”, the original of which you can find here.

I was hooked from the first compulsive drumbeats and darting guitar notes. From there, Addi Tryggvason adds his gritty vocals to what becomes a dark, urgent, hard-rocking take on the original, enhanced by keyboards and an unexpected chant in the mid-section. Damned catchy. Continue reading »

Dec 282013
 

Between the time I’ve spent with family and friends over the holidays and pushing out the biggest year-end LISTMANIA series our site has ever published, I’ve been constricted in my ability to listen to new songs and forthcoming releases. But I keep lists. I keep lists like a hoarder of names. Never mind that actually making it through the lists is a frail hope, given that they keep growing, and growing, and growing…

But yesterday, I made a small dent in them and came away with four songs I’m really high on. Two of them are new tracks by bands whose past work I’ve admired, and two of them come from bands who I’d never heard before. Musically, the four songs have very little in common, other than the fact that they are all winners — and they all have darkness in their souls.

HAIL SPIRIT NOIR

Hail Spirit Noir’s first album, Pneuma (reviewed here), was unlike anything else I heard in 2012. It was exceedingly strange and yet brilliant, a splicing together of black metal, 60′s flower-power pop psychedelics, 70′s prog rock, 80′s New Wave dance beats, melodic doom, and even cool jazz. Each song was distinctively different from, though related to, the others, like cousins on a gnarled family tree. Continue reading »

Dec 232013
 

(DGR felt compelled to review the new album by a Russian group named Inner Missing before this fine year draws to a close. Approach this with an open mind, won’t you?)

I still haven’t written my top list. I know the site is in the midst of Listmania, but there are still albums that came out this year that I feel like we owe something to. This is always the case at the end of the year, though. A million discs come out and we swear up and down we’re going to get to them, but we never do, for whatever reason. And thusly, we find ourselves playing catch up, or in my case discovering shit that came out way earlier this year that I really enjoy and want to share with you fine folks. Such is the case with Perjury, the 2013 self-released disc by St. Petersburg, Russia-based group Inner Missing.

Somehow, the band’s video for the song “The Sea Of Grey” wound up in our staff discussion space, and I really took a shining to it. I know everyone else reacted pretty strongly to it, but for some reason I was drawn to this band’s style. Maybe it is the whole underdog nature of it all: a Russian group who take themselves very seriously put out a disc that is incredibly goth, so much so that all the tropes of that style of music are identifiable to a ‘T’ from the get-go. For some reason, I found it so goddamn endearing that the group has always been on the back of my mind, and only now have I found myself determined to review this album.

So, for a change of pace and something a little different from the usual No Clean Singing slate of madness, I give you Inner Missing’s Perjury. Continue reading »

Dec 182013
 

Collected in this post are a handful of new songs (and three new videos) that I heard and saw last night. There’s a little bit of everything in here, culled from a lot of other things I found in my rambling through the interhole. Two of the new things are exceptions to our rule, and two involve female vocalists. Hope you like all of this diverse music as much as I did.

NOCTURNAL

Nocturnal (pictured above) are a German band who came to life around 2000 “out of the ashes of Bestial Desecration”, dedicated to churning out teutonic thrash in homage to bands such as Destruction and Sodom. Yesterday they released a new video for a song named “Rising Demons”, which will appear on the band’s forthcoming album Storming Evil — their first in almost four years. It will be released by High Roller Records on February 28, 2014.

The song is a hell of a lot of evil-sounding fun — with whirling dervish riffs, a straightforward but nonetheless compulsive drumbeat, and Tyrannizer’s blackened howling vocals, which sound like a wildcat with esophageal cancer. The DIY video is also fun — B-movie clips interspersed with band performance clips, all in B&W of course. So strap on your bullet belt and spiked gauntlets and check out this thrashing unholiness: Continue reading »

Dec 162013
 

For various reasons, including a long vacation, a buttload of work and work-related travel that confronted me in my day job upon returning from said vacation, and the dedication of space to our ongoing year-end LISTMANIA series, I’ve not been doing a very good job of spreading the word about new music and videos. Much new music and videos of interest have been accumulating. I’m collecting five of the recent videos and one new song in this post. Many of them lean more toward hard rocking that the kind of extreme metaling I usually feature in these round-ups, but it’s all good stuff.

RED FANG

Red Fang have consistently produced videos that are sure-fire chuckle fests. Their new one is no exception. Directed by Whitey McConnaughy, it’s for “Blood Like Cream”, one of the songs on the band’s latest album Whales and Leeches. It’s a twist on the zombie theme. These undead monsters want PBR instead of brains — but it is fuckin’ Portland, so that’s not a total shock.

Yeah, there’s clean singing in the song, but it’s crunchy, it rocks out, and it gets its hooks in your brain meat. Chug-a-lug, chug-a-lug. Continue reading »

Nov 292013
 

I may have mentioned that I’m on vacation through December 8. In addition to not writing much for NCS, I’ve also largely abandoned my daily routine of reading press releases and roaming the web looking for metal news and video or song premieres to feature on the site. However, today some of my NCS comrades gave me a slew of links that together make a tidy package of extremely diverse new things worth writing about.

KAMPFAR

First, Andy Synn wrote me as follows: “New Kampfar. Put that in your pipe and smoke it”. I tried to smoke it, but the song smoked me instead. It’s name is “Mylder”, and it will appear on this excellent Norwegian band’s new album Djevelmakt, due for release on January 21 via Indie Recordings.

If I could shriek “Helvete!” like Kampfar’s vocalist, I would, because that’s what I want to do when I listen to “Mylder”. It’s an electrifying, dynamic song — with plenty of reaping, roaring, stomping, and jabbing, but also infiltrated with an ethereal flute melody (among other unexpected elements). It’s a great combination of black metal savagery and memorable songwriting. Djevelmakt can’t come soon enough. Continue reading »

Nov 252013
 

Are you like me? Do you think packing for a long trip is much more fun if you wait until the last minute and then scurry around like a rat with rabies, thereby increasing the odds that you’ll forget a bunch of things and then feel like a dumbass when you get where you’re going? Yeah, I thought so. Everyone loves to do that. Which is why I’m sitting here banging out this round-up of diverse new items I saw and heard over the last 24 hours instead of packing for my vacation trip, which begins . . . (shit!) . . . in a few hours.

AVICHI

I saw that Profound Lore’s first release of 2014 will be the much-delayed third album by Chicago-based Avichi, Catharsis Absolute, which was recorded by Andrew Ragin (The Atlas Moth) and mixed by Sanford Parker (Nachtmystium, Twilight). The official release date is January 21. This album will be entirely the solo work of Andrew “Aamonael” Markuszewski (also in Lord Mantis). PL has also begun streaming one of the album’s new songs, “Lightweaver”.

“Lightweaver” is a study in winding the coil and then letting it go. Avichi builds the tension, ratcheting it upward with storming, tremolo-picked scales . . . and then lets the storm break in a rocking beat with a bounding bass line . . . and then proceeds to tighten the spring again. And so it goes, back and forth. And through it all, Aamonael howls like a winter wolf while weaving a trilling (and thrilling) guitar melody, chaining together chaos and something approaching beauty. Listen next: Continue reading »

Nov 192013
 

(DGR reviews the new album by Arjen Lucassen’s Ayreon project. This is obviously an Exception to Our Rule.)

I have a deep and abiding love for the Ayreon project. Describing it to people on the occasions when I can do so has proven to be an endless source of entertainment because it always ends with someone just going, “That sounds ridiculous”. They’re right too. Ayreon is a ridiculous project, one in the business of making space metal operas filled with multiple characters represented by multiple singers and then having insane guestlists of musicians written up for each one as well.

It’s not so much that I love Ayreon for how well Arjen Lucassen does with the music, but more so because of the absolutely insane amount of ambition that the project has required. He has told stories that span galaxies and cover millenia in the blink of an eye, and he has wrangled some of the best vocal performances out of an amazing array of musicians that I’ve ever heard. It just seems so grand, and when it comes to that, The Theory Of Everything is at face value a concept disc about a father/son team of geniuses working to unite physics of the macro and quantum levels; yes, the whole thing just seems… ridiculous.

No matter how hard outlets like Popular Science, Bad Astronomer, and Io9 try, physics at a granular level isn’t a sexy subject (although googling ‘sexy physics’ has provided hours of entertainment), but the results are. When broken down into layman’s terms and punctuated with pretty pictures, physics can seem incredible, but physics is much like meeting your heroes/watching your favorite food being made. It loses a lot of that appeal when you realize how much bookwork/math/study goes into it. The idea of Ayreon tackling this subject, whilst also dealing with the ideals of a father who feels inadequate because his son ranks somewhere high on the savant/autism range, is remarkable. Continue reading »

Nov 112013
 

Here are three new recommended videos that premiered in recent days, two of them this morning. Recommended by me, because I like them.

SATYRICON

When Andy Synn reviewed Satyricon’s self-titled 2013 album for us, he wrote this about the song “Phoenix”: “Instantly divisive, seemingly designed to be hated, its clean, almost bluesy vocals (courtesy of Sivert Høyem) and ringing guitars initially like a step beyond all bounds of the group’s history. But look closer. Those drums, those slow-blooming riffs, they retain the essence of the band. Listen to what the song represents. They have rediscovered their spark, their fire, and their roots – but not perhaps in a way that they, or any of us, would have thought. It’s strange. It’s unexpected. It’s provocative… It’s Satyricon through and through.”

On September 8 Satyricon performed “Phoenix” as part of their concert with the Norwegian National Opera Chorus in the Norwegian Opera House in Oslo. That performance has now become the first official music video from the new album, and it again features Sivert Høyem on vocals. I love this song (and yes, I know it’s nothing but clean vocals), and the video is damned cool, too. Watch it next. Continue reading »