Jun 042013
 

Unlike the usual “Scene and Heard” post, this one collects items of interest that I heard more than 24 hours ago. And the reason is that my blog time has been severely constricted since last Friday by a two-headed boa named Work and Party. The coils have been loosening a bit, so now I’m able to highlight the following new video, new teasers, and new song that I’ve been digging lately.

SAILLE

Andy Synn made this Belgian band’s second album Ritu (released earlier this year by Code666) the subject of one of his reviews in haiku: “Subtly symphonic / A glorious, sweeping sound / All hail the darkness”. For a three-line synopsis, that was pretty spot-on, but the record deserves more extensive praise. It really is a very fine album, multi-faceted and tremendously engrossing.

Lyrically, the songs deal with death rites in ancient cultures, as well as aspects of Lovecraft’s Cthulhu mythos. One of the songs, “Blood Libel”, takes as its subject the murder of a boy (William of Norwich) in Norwich, England, in 1144. The Jews of Norwich were falsely accused of killing him in a ritual murder (a “blood libel”). According to The Font of All Human Knowledge, similar accusations were made in other English towns over the next 40 years, leading to massacres of Jewish people in many communities, including the butchery of Norwich Jews in their homes in 1190. Continue reading »

May 312013
 

Normally I would have used the “Seen and Heard” label for this round-up of items I found yesterday while rooting through the interhole. But there’s something about these four items that suggested an alternate title . . . .

BEHEMOTH

Poland’s Behemoth have been busy recording their tenth full-length album — which is now projected for release by Metal Blade this coming fall — and yesterday the band announced that they’ve picked a name for it: The Satanist. Despite fame, some degree of fortune, and Nergal having survived multiple trips to court defending against charges brought under Poland’s laws against giving religious offense, Behemoth don’t fuckin’ back off, do they? Here’s a statement from Nergal that accompanied the news about the album title:

“It took us over two decades to come up with a title that…says it all. While our new songs artistically take surprisingly adventurous directions, our message stands steadfast—Proud and Radical. THE SATANIST stands for undying yearning for liberation and love for freedom in all aspects of life. Considering all our life experiences that often took dramatic curves I couldn’t think of more appropriate and fitting statement of who and where we are now.”

There will undoubtedly be a steady drumbeat of album updates from the band and Metal Blade over the summer. Undoubtedly we’ll post most of them here, too. Because, Behemoth! Continue reading »

May 292013
 

Today has brought an absolute flood of new streaming metal that’s pleasing to these ears (in addition to our own streams of new music today). And by “pleasing”, I mean music that will jam an icepick in your eardrum, pour nitroglycerine down the hole, and detonate it.  There’s so much to be heard that I’ll attempt to hold my own words to a minimum and let the music speak for itself. So here we go, in alphabetical order:

AUTOPSY

Autopsy’s new album, The Headless Ritual, comes out June 24 in Europe and July 2 in the U.S. on Peaceville Records. I’m awful hungry for it. Today Lars Gotrich continued with his ongoing mission to infect NPR with metal viruses and filthy-up the place by premiering a song from the album named “Arch Cadaver”. In his words: “‘Arch Cadaver’ is classic Autopsy, but it’s also a bit of a rock ‘n’ roll party. Sandwiched between a minute of deranged doom and a left-right-channel guitar-solo face-off, there’s a whiskey-swigging, Motorhead-pounding rhythm that boogies at an insane pace.”

That about sums it up. Go here to jam that shit. Continue reading »

May 292013
 

Anthropic Records is a Philadelphia record label “obsessed with heartbreaking chest crushing noise and doomed psychic soundscapes”. That’s what they say, and I believe it. Yesterday, I discovered via Facebook that they made available a compilation by the name of Anthrosphere IV. It’s free, except it only comes free with a purchase from the Anthropic web store, so I guess it’s only “sorta free”. But I’ll tell you what, at least in my case this doesn’t function as a bonus, but as a main draw.

Anthrosphere IV features 10 tracks by 10 Philadelphia bands, as well as the excellent cover art you see above by Mike Wohlberg, who has done work for the likes of Cannibal Corpse, Children of Bodom, and The Acacia Strain. All 10 songs are brand new and they were all mastered by Chris Grigg (Woe). I’m only familiar with three of the bands on the line-up, but those three are really fuckin’ good, which made me quite interested in the other seven.

One of those four is Ashencult (the other two being Infiltrator and Sadgiqacea), and in a flash of fortunate coincidence I deduced (okay, I’m guessing) that the Ashencult song, “My Tenth Death”, must be the track that Ashencult contributed to Opus Serpens, the forthcoming vinyl split with Sweden’s Mephorash — whose own contribution we premiered just a bit earlier today (here). Man, “My Tenth Death” is a riveting piece of music, with dark, magnetic riffs that exert their hold from the first seconds and vocals that burn like a napalm storm. Seriously, it’s a great song.

And it’s not the only great song on this release. How do I know? Because all 10 of the tracks on Anthrosphere IV are streaming on Bandcamp. Continue reading »

May 292013
 

This post involves breaking news about two iconic figures in the world of heavy music — Trent Reznor and Dan Swanö. The news is that both will have new music coming, and we already have a taste of what Dan Swanö’s new project has been creating, with a song that premiered yesterday.

NINE INCH NAILS

This appeared late yesterday on the Nine Inch Nails Tumblr:

“I’ve been less than honest about what I’ve really been up to lately. For the last year I’ve been secretly working non-stop with Atticus Ross and Alan Moulder on a new, full-length Nine Inch Nails record, which I am happy to say is finished and frankly fucking great. This is the real impetus and motivation behind the decision to assemble a new band and tour again. My forays into film, HTDA and other projects really stimulated me creatively and I decided to focus that energy on taking Nine Inch Nails to a new place. Here we go!”

As we reported back in February, Reznor reformed NIN early this year, bringing King Crimson guitarist Adrian Belew, Telefon Tel Aviv’s Josh Eustis, and former NIN touring members Robin Finck, Alessandro Cortini, and Ilan Rubin into the fold for touring purposes. Now it appears they will be making a new album. Hallelujah.  Continue reading »

May 252013
 

This started as one long post collecting new stuff from three bands that I saw and heard yesterday, the common theme being what they will do to your head. Part 1 started in Germany, with Beyond. In Part 2 we jumped to Finland for a visit with Altars of Destruction. And in this finale, we’re taking the boom tube to Eugene, Oregon for some head-smashing by . . .

BANEWREAKER

I discovered Banewreaker because certain members of Arkhum, another Eugene band I’ve been high on for a long time, contributed to a new Banewreaker song that appeared on Bandcamp yesterday. Specifically, Kenneth Parker did the vocals and Arkhum bassist Nate Kelly added guitar parts. In addition, Arkhum guitarist Stephen Parker produced the new song — which is called “Masterful Wroth”.

I’m not certain whether the line-up that recorded the song, which also includes drummer Aidan Leger-Jeffrey and lead guitarist Josh Vincent, is Banewreaker, or whether Banewreaker is normally Josh Vincent’s solo project — because the Bandcamp page includes a demo instrumental track by Vincent alone. I’ll figure this out, but for now I just want to strongly recommend that you listen to both of these tracks. Continue reading »

May 252013
 

Yesterday I should have been doing the work that I actually get paid to do, or at least trying to finish some album reviews, for which I’m paid only by a sense that I may have done a good deed. Instead, I spent time surfing the web for something new that would leave my head a smoldering wreck. At that, at least, I succeeded. I found music from three different bands who are musically quite different from each other, but all of whom inflict some serious head wreckage.

Originally I had included all of this music in one post, but it seemed like a lot to take in, so I’ve broken it up into three parts, one for each band.

BEYOND

Is that album cover up there a thoroughly killing piece of art or what? It halted me in my tracks as soon as I saw it. It turns out to be the front cover created by Comaworx for a forthcoming album by a band named Beyond, which is projected for release by Iron Bonehead in the July/August timeframe this year. The album’s title is Fatal Power of Death.

Having been transfixed by the artwork, I went in search of music. Lo and behold, what did I find but the album’s title track and a second song called “Whirlwinds of Chaotic Carnage”, which Iron Bonehead had just uploaded to SoundCloud. I’m probably lucky that only two songs were uploaded, because they alone came close to caving in my damned skull.

The title song, “Fatal Power of Death”, is an absolute howling storm of distortion, pierced by some blistering solos that race up the scale like liquid fire and the reverberation of crippling, cavernous death metal vocals. In the mid-section, the pace slows and an Oriental-sounding melody surfaces over the subterranean grinding, changing the atmosphere — until the riff monsters and heavy-artillery percussion return for a big finish. Continue reading »

May 242013
 

I’ve collected here new music from three bands and older music from a fourth, all of which I came across yesterday. It’s all good, all worth hearing. So read on and listen up . . .

MERCENARY

Denmark’s Mercenary has finished work on their seventh album, Through Our Darkest Days, and it’s due for release on July 26 through NoiseArt Records. It follows an album — 2011’s Metamorphosis — that received a decidedly lukewarm reception from critics. Yesterday the band debuted the new album’s title track, which I found out about via a tip from my NCS comrade TheMadIsraeli. His first impression? “It sounds like the Mercenary of 11 Dreams is back”.

I never heard that 2004 album, though I’ve certainly seen a lot of praise heaped upon it, so I can’t comment on how the new track compares to 11 Dreams. But I do think this new song is a good one, mixing Scandinavian riff chugs, a very catchy keyboard/guitar melody, and an extended guitar solo that’s quite nice, with vocals that are a mix of harsh howls and raspy cleans. As I listened, I was reminded of late-stage Soilwork. I’m curious what other people who know Mercenary’s previous music better than I do think of this. Continue reading »

May 232013
 

You may remember that last August Converge and Napalm Death released a split, both digitally and as a 7″ vinyl record. (If you missed that, it’s still available here.) Converge contributed two songs to the split, a song called “No Light Escapes” and a cover of Entombed’s masterful “Wolverine Blues”. The cover song included a multitude of guest vocals. It turns out that when Converge created the cover track, each of the guest vocalists recorded a full version of the song, which Converge then used to compile the final version included on the split.

Today, Converge released a digital EP entitled Pound For Pound: The Wolverine Blues Sessions, which includes the complete mixes of each guest vocalist’s recording (as well as Jacob Bannon’s and Nate Newton’s), presented as five unique versions of the song, to wit:

1. Wolverine Blues w/ Aaron Turner (Isis, Old Man Gloom, etc)
2. Wolverine Blues w/ Jacob Bannon (Converge, Wear Your Wounds)
3. Wolverine Blues w/ Kevin Baker (All Pigs Must Die, The Hope Conspiracy, etc)
4. Wolverine Blues w/ Nate Newton (Converge, Doomriders, Old Man Gloom, etc)
5. Wolverine Blues w / Tomas Lindberg (Disfear, At The Gates, etc) and Kurt (Converge, etc)

Check out a full stream of this unusual EP right after the jump. You can get it here.  Cool cover art, too. Continue reading »

May 232013
 

In today’s first post I commented about the fact that we usually don’t post press releases, or much of anything else that doesn’t involve the release of actual music, as opposed to forecasts of music to come. One exception to that general rule, as happened in that first article, occurs when we find disclosures of eye-catching album art. We’re making another exception in this post — because it involves fuckin’ CARCASS!!!

The news is this: After weeks of hinting around, Carcass has revealed that they’ve signed with Nuclear Blast for the release of Surgical Steel, their first album in something like 18 years. We’ll have to wait until an unidentified date this fall to get our mitts on it, but since we’ve been waiting for 18 years, what’s a few more months?

As noted, there’s no music to be heard, yet, but we do have this statement about the new album by Nuclear Blast owner and founder Markus Staiger: “It is a perfect mixture of Heartwork and Necroticism with a massive production to boot. The album is without a doubt just as perfect and lethal as surgical steel itself, and exactly what both old and new fans have waited for eagerly all of these years!”

Be still my beating heart. Continue reading »