Nov 012012
 

Here are some quick notes about a couple of noteworthy tours announced over the last 24 hours.

Nile has announced that it will tour the U.S. next March and April with 28 dates around the country. There are two interesting aspects to this tour. First, the band will be playing two full sets with only a brief intermission, which means fans are going to get a lethal dose of Nile, with time for the band to provide a thorough selection from their discography.

Second, Nile aren’t taking any supporting bands along for this ride. Instead, they’re asking promoters to pick the three best local bands from each locale the tour will visit. As Karl Sanders explained in a press statement:

Supporting local bands in each city is a way for us to give something back to younger bands and the metal scene.  We’ve asked promoters to keep ticket prices low, so that fans of all ages can come and join us for an evening of metal.  In these difficult times of our recessionary economy, an evening of killer metal shouldn’t have to break the bank

This is a cool idea, and of course it provides an opportunity for local bands to get some great exposure. Exclusive pre-sale tickets are available now at EnterTheVault.com. I checked the prices, and they range from $10 to $20, depending on the city. The price in Seattle is $18. The schedule is right after the jump. Continue reading »

Nov 012012
 

I learned through a post this morning by Full Metal Attorney that today — November 1 — is the 30th anniversary of the release of Black Metal by Venom. Here’s my own story about discovering the album.

I came to Black Metal very late in my education as a metalhead — as in about four years ago. I had only recently started listening seriously to black metal (the music genre, not the album), after having failed to appreciate the music when I first dabbled in it. At some point during my black metal explorations, I learned that the roots of the genre name could be traced back to Venom’s 1982 album.

So I listened to the album, and became confused — because it didn’t sound much like the black metal bands whose music I was exploring at the time — bands such as Immortal, Emperor, Gorgoroth, Darkthrone, Satyricon, and Rotting Christ. It was rough and raw and filthy enough, but much of it sounded like a mix of speed metal and punk with sneering growly vocals, the kind of music that seemed more connected to the development of thrash and more in line with Motörhead-style heavy metal, or even Morbid Angel-style death metal, than what I thought of at the time as “black metal”. I was missing the connection.

I also didn’t love the album. I tend to agree with Full Metal Attorney’s assessment — that it’s a real hit-and-miss affair. I’m sure my reaction was influenced by the fact that I was hearing the album so long after it made its early mark, but a lot of it sounded cheesy as hell, even annoying. As Full Metal Attorney writes in his post, “It is absolutely essential, but listening to the whole thing is not”: Continue reading »

Oct 312012
 

On the morning of October 1, in a surprising move that we reported soon after it happened, Death Grips put up their newest album, No Love Deep Web, for streaming and free download. Why was that surprising? Well, they had signed a contract with Epic/Columbia to release two albums this year, and No Love Deep Web was supposed to be the second one.

Releasing it for free download didn’t seem like something your average big-name record label would approve. But Death Grips apparently wasn’t happy with the label’s decision to postpone release of the album until sometime in 2013, so they just self-released it anyway. At the time this happened, I wondered whether Death Grips really had given a big-time FUCK YOU to Epic, or instead had just launched a really clever marketing campaign that the label might have even known about and condoned.

Well, we got our answer to that question not long ago, because Death Grips posted on their Facebook page an image of a confidential e-mail dated October 1 from Epic’s chief in-house corporate counsel to the man who appears to be Death Grips’ manager, accusing the band of breaching their contract and demanding that the free download be stopped and that masters of No Love Deep Web be turned over to Epic immediately. To get a better look at the e-mail, click on the image above and you’ll see a bigger copy.

As we know, Epic’s demands weren’t met. So what are we to make of this? And where does this scuffle stand now? Continue reading »

Oct 302012
 

Sweden’s Soilwork have been working with producer Jens Bogren on a new double-CD album, The Living Infinite, which will be released sometime next year by Nuclear Blast. Today, they announced the first North American tour in support of the album — and it’s a mammoth one. It will begin on March 12, 2013, in West Springfield, Virginia, and finish on May 7 in Worcester, Massachusetts.

I’m sure I’ll see this tour, especially because it’s coming to a relatively compact venue in Seattle, but also because I still have a warm spot in my heart for Soilwork despite a musical trajectory over time that’s been less than completely satisfactory, given my tastes. With a new double-CD worth of new music to promote, I suspect there won’t be much room for the really good, hard, older stuff, but we’ll see.

Also, Jeff Loomis is along for this ride, and I’d see this show even if he were the only name on the bill.

The line-up on the whole is curious — you certainly can’t accuse the organizers of lacking a taste for musical variety. In addition to Soilwork and Loomis, the tour will include Blackguard, The Browning, and Wretched. As for me, I’ve never been able to get into Blackguard, The Browning are a guilty pleasure, and Wretched — they kick ass. And what do you think? Continue reading »

Oct 302012
 

Every day brings shitty news, both large and small. We usually don’t write about shitty news. We usually try to write about things that make the shit in life more tolerable. So I guess you could call this post a different kind of Exception to the Rule.

SANDY

Who came up with the name of “Sandy” for this storm? Sandy is a freckle-faced girl with a beaming smile and sparkling eyes, wholesome and playful, the girl next door. If the hurricane naming gurus wanted an “S” name for this thing, they should have gone with something like Shedim.

Sandy made landfall at 8 pm, Eastern Time, last night, with hurricane-force winds extending up to 175 miles from the center of the storm and tropical-storm-force winds spreading out 485 miles from the center. At least 17 people have been killed so far and this morning more than 7 million people are without power in a multi-state region.

Businesses and schools are closed, roads are closed, subway and commuter trains have been shut down, more than 13,000 airline flights were canceled, even the Erie Canal was shut down. In Manhattan, waves topped the sea wall in the financial district, sending cars floating down streets and flooding the Ground Zero construction site. The Jersey Shore was devastated. A well-known replica of the H.M.S. Bounty was sunk off the North Carolina coast. And on and on and on.

The fuckin’ thing has even extended its reach into the Midwest. Chicago officials warned residents to stay away from the Lake Michigan shore as the city prepares for winds of up to 60 mph and waves exceeding 24 feet well into Wednesday. And though the storm has been downgraded from hurricane status to a tropical storm, it’s not finished wreaking havoc on the Northeastern US and Canada. Continue reading »

Oct 292012
 

This is just a quick note about three full-album streams, two of which began today and one that started last Friday. In my humble opinion, these are albums worth hearing. They provide, after all, a better vehicle than any review for deciding whether the music is worth getting.

DRAGGED INTO SUNLIGHT

I’m very high on Widowmaker, the new album by UK’s Dragged Into Sunlight. I explained why in this review. I also pointed out that the album is really best considered as one long song divided into three parts. At the time of my review, the only thing available for public streaming was a preview clip. That was better than nothing, but for an album conceived and executed as a single work, there’s really no substitute for hearing it in that way. You can (and should) do that at the Terrorizer site: HERE

A BAND OF ORCS

We’ve written quite often about California’s A Band of Orcs. Because we are no fools. Because when the Domination comes, only select humans will be spared. By sucking up relentlessly, I figure we’re improving our odds of survival. Orcs are mercurial and prone to unpredictable behavior when their blood is up, so there are no guarantees. So I’m performing a further act of obeisance by telling you that the Orcs’ debut album is now streaming in full. Continue reading »

Oct 242012
 


We’re getting awfully damned close to November (when we will turn 3 years old!), and November usually begins three traditions here at NCS that together take us on out to the end of the year and into the beginning of the next one.

The first is my long annual vacation, which cuts down on my blogging time and therefore leads me to beg for guest submissions so that our small cadre of regular writers don’t have to pick up the load all by themselves. The second, which usually begins by early December, is our series of year-end lists for best albums and short recordings. And the third is the daily rollout of my choices for the Most Infectious Extreme Metal Songs of the year.

This year, unfortunately, I won’t be having a long vacation, or much of any vacation. A combination of family and work demands means I won’t be able to get away from Seattle in November like I usually do. BUT I’m going to solicit guest posts anyway. I’ve really enjoyed all the guest submissions we’ve gotten in previous years since starting this tradition, and I don’t see any reason to stop now just because I may not need them as desperately as I have in the past.

Besides, even though I won’t be fucking off someplace warm and sunny with beautiful clouds and turquoise water, your submissions WILL allow me to fuck off right here in Seattle, and that’s a plus.

So here’s the deal: If you’ve ever toyed with the idea of writing something for publication at NCS or some other metal blog, now’s a good time to give it a shot. Or maybe you’ve been generous enough to submit guest posts here in the past and might be willing to do it again. Or maybe you’re already writing for another blog and you’re willing to upgrade the content quality at NCS (good luck with that).

Regardless of your situation, we want your writing! Details after the jump . . .

Continue reading »

Oct 242012
 

Here’s another round-up of things I saw and heard over the last 24 hours that I didn’t have room to include in yesterday afternoon’s post (the one that included new offerings from Aeon, Tardive Dyskinesia, and Zubrowska): New videos from Hellish Outcast (Norway) and Rwake (U.S.), new Paolo Girardi artwork and bittersweet news about Blasphemophagher (Italy), and a new song from Momentum (Iceland).

HELLISH OUTCAST

Please tell me you already know about this band.  If you can’t tell me that, then please read Andy Synn’s review of their 2012 album, Your God Will Bleed. It included such gems as this:

“Not only do Hellish Outcast not do black metal, they also don’t do nice. Or comfortable. Or anything less aggressive than a rabid pit-bull that’s been force-fed a diet of sand and barbed wire. In fact, this album is so damned aggressive, so utterly hate-filled, that it should come with a warning label along the lines of:

Danger – the levels of testosterone and aggression on this album could cause permanent damage to your underlying genetic structure.”

Or maybe you read Andy’s review and skipped the music because you wished to preserve your current genetic structure. If so, then you’ll probably want to skip Hellish Outcast’s brand new official video for “Djinn”. Since I already have a mutated genetic structure, I dived right in.

Fuckin’ love this song, from the skin-flaying death/thrash start straight through to the infernal melodic slow-down at the end. Video accompaniment is live performance footage from the Inferno Fest, edited by the band’s vocalist Thebon (Keep of Kalessin).  Prepare to be mutated. Continue reading »

Oct 212012
 

THis news is way too fucking awesome to wait until tomorrow for posting. Thanks to Lambgoat, I’ve just seen the news that Gojira, The Devin Townsend Project, and The Atlas Moth are teaming up for an early 2013 tour of North America. And I used to think men couldn’t have multiple orgasms.

I’m still sort of in disbelief that someone was smart enough to pull these three bands together on a single tour. It’s clearly going to be a huge profile upgrade for The Atlas Moth to be tagging along with the likes of Gojira and DT, and it will likewise be a boon to the many fans who’ll get a chance to hear them for the first time.

And the opportunity to see Gojira and DT sharing the same stage . . . well, that’s something I’ll spend the next three months salivating about. Given how much I drool on even a normal day, this is going to be embarrassing.

The tour was apparently exclusively announced during Full Metal Jackie’s show Saturday night (October 20), and tickets are supposed to go on sale October 26 and 27.

The dates and places as reported by Lambgoat are after the jump. I haven’t yet seen any other official announcements. Continue reading »

Oct 192012
 

For me, where I’m currently located, Friday has barely begun, but it has already brought a flood tide of news and music that I think are worth sharing. So much, in fact, that the only way I can squeeze it all into a single post is to cut my own verbosity to a trickle. This is painful, of course, because it goes against the grain. But I will do my best to be brief.

MORS PRINCIPIUM EST

In late July, I posted a bunch of news about this excellent Finnish band, which included the fact that they were finally recording a new album after many long years following the release of 2007′s Liberation = Termination. And then in August, I learned the album’s title (…And Death Said Live), I found out it would be released this December (on AFM Records), I found the cover art (which you can see above), and I posted about all that news.

At that point I also learned from the band that the album will include guest appearances from shredders Ryan Knight of The Black Dahlia Murder and Jona Weinhofen of Bring Me the Horizon and I Killed the Prom Queen.

And today, finally, we have music from the album. Or to be more precise, Metal Injection has music from the album — a song named “Destroyer of All”. The song kills. Go HERE to listen, and then please come back and give us your reactions. Continue reading »