Aug 032018
 

 

We probably won’t have as many posts at NCS today as we usually do. I’m on my way to Sea-Tac airport for a flight to a top-secret location in New Mexico where I’ll be engaged in various nefarious activities until Sunday night. I have an even longer trip next Tuesday that will take me away for that entire week, and posts will be scanty then as well.

I know we will have a very enticing premiere today, because I’ve already written it, and beyond that we might not have anything else. But before I zoom off into the clouds I thought I’d share a new video, two new songs, and a new item.

WOLFHEART

The news item makes those of us at our putrid site happy and hungry even though there’s no music to share yet: Finland’s Wolfheart will be returning with a fourth album on September 28 via Napalm Records. Its name is Constellation Of The Black Light. Continue reading »

Jul 252018
 

 

This is the completion of a post I began yesterday, collecting new songs and videos that by coincidence all happened to fall under the vast umbrella of death metal, or were at least close enough in sound or spirit to merit the “DEATH RITUAL” heading of this post. Between yesterday and today, one more track appeared that I couldn’t resist including, and I also decided to begin with a review of a new EP that I should have posted sooner — but better late than never.

DIRE OMEN

Our history with Dire Omen goes back to 2011, when I came across their second promo and wrote it up in the 27th MISCELLANY post (and I’m wondering yet again why I let that series die of neglect). Since then, they’ve released a 2012 EP (Severing Soul From Flesh), a 2014 debut album on the Dark Descent label (Wresting the Revelation of Futility), and now a new EP (also through Dark Descent), Formless Fire Embodied. Obviously, these Canadians from Edmonton haven’t been prolific in their releases, but the care they’ve taken hasn’t been for naught, as you shall see. Continue reading »

Jul 242018
 

 

This is basically a SEEN AND HEARD round-up of new music, but it dawned on me that a big portion of what I’d chosen either fits under the big umbrella of death metal or draws strength from the worship of death, so I’ve gone with a post title I’ve occasionally used before. And I picked so many new songs of this nature that I had to break it up into two parts. The second one will be up tomorrow, because we’ve cut a pretty wide swath through your head with new music today already.

KRISIUN

The cover art painted by Eliran Kantor for Krisiun’s new album, Scourge of the Enthroned, is so damned cool, and therefore it’s no surprise that Krisiun and Century Media chose a lyric video featuring the album art as a method for premiering the album’s first advance track, “Demonic III“. Continue reading »

Jul 192018
 

 

Continuing where I left off in Part 1 of today’s round-up (and I do plan on yet another round-up tomorrow, by the way), I’ve selected four more tracks that really can’t be grouped in any kind of logical order, and there’s really almost nothing that any of the songs have in common other than their appeal to yours truly. I’ve again kind of up-ended my usual tendency to move from better-known names to lesser-known names.

SCORCHED

This Delaware band is certainly better-known than they used to be, due in part to 20 Buck Spin’s release of Excavated For Evisceration earlier this year, which compiled the band’s non-LP material in one place, but they still need to become a lot better-known because THEY’RE SO GOOD! I have a feeling that will happen when the same label releases their new album on September 28th. Continue reading »

Jul 182018
 

 

Here are four songs, two of which come with videos, from forthcoming albums that I’m pretty excited about. A slew of other songs have appeared since late last week that I’m also excited about, and no doubt more will appear today. The thorny garden of metal is riotously fecund. We poor harvesters with bleeding fingers and bleeding ears can’t keep up, try as we might.

PLAGUEWIELDER

Ohio’s Plaguewielder made an eye-opening debut with their 2015 album Succumb To Ash on Dullest Records. They followed that last year with a single named “Writhing In Mental Torment“, which I had some positive things to say about, and just a few days ago they released another new single, “In Depths of Cold Hell“, which is a prelude to a new album entitled Surrender To the Void that will be released on August 12th. Continue reading »

Jul 162018
 

 

I’ll make this quick:

First, within the last hour or so, Behemoth announced a North American tour (Ecclesia Diabolica America 2018) with support from At the Gates and Wolves in the Throne Room. It begins on October 20th in Phoenix and ends on November 24th in Los Angeles, and includes stops in Montreal, Toronto, Calgary, and Edmonton, as well as 18 U.S. States. Here’s the current schedule: Continue reading »

Jul 162018
 

 

Editor’s Note: NCS patron HGD, who has been kind enough to send us recommendations of new music in the past, prepared the following round-up of new music, which we’re presenting here with his own introductory comments, and with our thanks. As he wrote, “The overarching theme here is death metal of the old school variety, but having said that there are still significant differences from song to song.”

DEICIDE

Deicide are the highest profile group amongst the bunch included here so it’s best to start with them. NCS has already covered the announcement of their new album Overtures of Blasphemy, due out September 14 on Century Media. The first single from that album, “Excommunicated“, was released last Friday. Continue reading »

Jul 132018
 

 

This is obviously a big end-of-week round-up. Today the size of the round-up will be in inverse proportion to the volume of words in my descriptions of the music, because I have three premieres to write and there would have been more except I exercised some rare restraint and started saying No.

What is it about this day that makes it so popular for premieres and releases? Could it be that there is only one other Friday in 2018 like it (and that one occurred three months ago)?

I arranged the music in alphabetical order by band name because I couldn’t think of a more logical way to stitch these sounds together.

BONEHUNTER

This time Bonehunter chose to keep the rampaging bear’s penis less prominent on the magnificent cover of their new album (rendered by Joe Petagno), to the disappointment of some and the relief of others (as long as they don’t look to closely at that tongue). But how does the music on Children of the Atom compare to the tunes on this Finnish band’s more prominently erect last record, Sexual Panic Human Machine? Continue reading »

Jul 122018
 

 

I suppose I ought to confess at the outset that as a resident of the Seattle area for a couple of decades, I became a devoted fan of Drawn and Quartered long ago. Because they’ve been long-time fixtures in the Seattle underground for a couple of decades themselves, that means I’ve been able to watch them perform on numerous occasions, and have always left with a sore neck and a crooked, fiendish smile on my face. It therefore won’t surprise you to learn that I’ve had their new album The One Who Lurks high up on my radar screen since it was first announced — especially since six long years have passed since their last one, Feeding Hell’s Furnace.

That confession, by the way, wasn’t intended as an acknowledgment of any kind of bias. This band earned my loyalty (and that of many others, both here and around the globe) because they’re just really damned good. I say it only because I was prepared to like the album, based on history, before I ever heard it.

But I will say that, even with that history of enjoying records and performances, this new full-length still surprised me. It proves not only that Drawn and Quartered have plenty of gas left in the tank, but that they’ve tapped into some kind of eldritch fuel source that ups the octane even further beyond the premium juice that has driven the pistons of this savage death machine before. Continue reading »

Jul 122018
 

 

Some weeks it seems I find a new favorite band as often as the sun rises. Today, that band is the Norwegian trio Nachash. And in their case I have no doubt they will keep a hard grip on my loyalty for many sunrises to come. This new song we’re about to present from their debut album Phantasmal Trinunity (due for an August 10 release by Shadow Kingdom) is a prime example of why that is. Its name, which is an immediate clue — but only one clue — to what the music delivers, is “Vortex Spectre“.

Combining elements of black metal and death metal, the music is decidedly supernatural in its atmosphere, but the band also display a keen grasp on the irresistible pull of propulsive rhythms and hook-laden heavy-metal riffing, and the result is a track that’s powerfully addictive. Continue reading »