(In this post, our man Andy Synn provides observations about the so-called Loudness War.)
The so-called “Loudness War” is an interesting – if ill-defined – phenomenon. Granted, it’s not a real war (as far as I know, no-one has died, nor have any regimes been overthrown or countries subjugated purely because of differences in mixing/mastering preferences), but it’s still a source of conflict among listeners, bands, and engineers.
To those of you unaware of the term (possibly due to being prematurely deafened), it is:
“a pejorative term for the apparent competition to master and release recordings with increasing loudness.” (Wikipedia)
And the main complaint about it is that it reduces/compresses the dynamic range of music, so you’re left with something aggressively homogeneous – with neither ups nor downs, neither highs nor lows… something actually less than the sum of its parts. Continue reading »













