Jul 282022
 

Comparative references are useful but risky techniques in writing about new music — useful because they function as short-hand summing-up’s for experienced listeners, risky because they so often go awry, or remind you of how great the referenced bands are, and by comparison how far short the newcomer falls.

Those reflections occurred to us when seeing the press materials for An Eternity of Misery, the debut album by an Italian band named In Grief that’s headed our way in September from Iron Bonehead Productions. Those materials included this passage, which might naturally provoke skepticism among some readers:

“Like much/most melodically inclined doom-death, the spectre of “the Peaceville Three” – My Dying Bride, Paradise Lost, and Anathema – looms large here, but one can equally detect trace elements of the earliest works of Katatonia, The Gathering, and especially Tiamat‘s pivotal Clouds.”

That such words were offered in support of a band who only formed during the plague year of 2020, with only an EP and a demo to their name in advance of this album, is even more likely to inspire doubts. But it turns out those reference points are quite useful, and that In Grief‘s music indeed lives up to the billing. Continue reading »

Jul 282022
 

On the distant horizon we’re glimpsing the ominous approach of another full-length record by De Profundis , their sixth album since this UK band first coalesced roughly 17 years ago. In that span of time  line-ups have changed, and so have the group’s interweaving strands of metallic extremity. The changes have made each album an experience of discovery, undermining anyone’s effort to claim, “It’s De Profundis, you know what you’re going to get”.

The band’s latest creative endeavors are captured in a new album named The Corruption of Virtue, and it’s pegged for release on October 7th by Transcending Obscurity Records. So far, fans have received two excerpts from the album — a video for the song “Religious Cancer” and a stream of “Desecrating Innocence” — and today we’re bringing you a third one, in a track that invites us to “Embrace Dystopia“. Continue reading »

Jul 272022
 

Of all the genres of heavy metal our site covers, power metal is the one least-noticed by far. One glance at our site’s name suggests a reason, though that’s not the only one. However, we’re about to prove that there’s a way to present power metal that even attracts scoffing extremists such as ourselves, and we have Denver, Colorado’s Celestial Wizard to thank for that.

Should you happen to be familiar with this band’s 2018 debut album A Sinister Awakening, it must be said up-front that their second one, Winds of the Cosmos (just released on July 15th), reveals significant changes in their sound (plus the addition of drummer Tim Gillman to the line-up). Where the debut featured healthy doses of strings, choirs, and symphonic synthesizers to accompany their fantasy-inspired narratives, the new one places a big emphasis on hard-charging riffs — and extremely tasty ones at that — albeit without wholly abandoning their previous ingredients.

The band have continued to deploy death metal vocals (and other ingredients of melodic death metal), as well as the kind of singing familiar to power metal addicts, and that juxtaposition is certainly a big reason why this band’s hybrid sound has become appealing in dark corners such as ours. But those tasty riffs have a lot to do with the appeal as well, and the song “Revenant” is a fierce example of that. No wonder, then, that we happily agreed to premiere a guitar-playthrough video for that song today. Continue reading »

Jul 272022
 

In October 2018 when we premiered a song from Sinister Downfall‘s first album Eremozoic, we introduced it this way:

“It will become immediately apparent, through the song we’re about to premiere, that the shadowed ranks of funeral doom practitioners spread across the globe must make way for another band in their vanguard. The band is Sinister Downfall, the work of a single individual who in this debut album has already demonstrated an impressive mastery of these very dark arts.”

A follow-on album in 2020, A Dark Shining Light, strengthened that conviction, and now it will be cemented through the band’s third full-length, The Last Witness, which will be jointly released on September 24th by Funere (Armenia) and Weird Truth Productions (Japan). You’ll begin to understand why this is one of the most impressive funeral doom albums of the year when you listen to the song we’re premiering today. Continue reading »

Jul 262022
 

 

“A New Zealand-based grindcore/power electronics trio that take grindcore and fuse it with jungle, power electronics, and distorted sub-bass stabs. Imagine Atari Teenage Riot vs Napalm Death or Full of Hell and you’re halfway there”.

That’s the come-on we received for the new music of Bloodbox, a grotesquely masked trio who’ve bounced around the world and now seem intent on bouncing the world around, and cutting it up with knives. We’re told that after the dis-banding of the New Zealand based experimental death metal act Vext in 1999, the core members (CyZERNOBrG and Megalith X) moved to London and eventually to Ireland, and that during that time they were inspired to push their music in a more radical and chaotic direction, and in early 2001 Bloodbox was born. Continue reading »

Jul 262022
 

 

The Cleveland band Wyld Timez began life in 2019 during the pandemic as an off-shoot of the formidable black metal trio Burial Oath, whom we’ve praised repeatedly at this site, but they’ve really caught fire in the last year, with a self-titled EP released in April 2021, and another one named Let the Devil In that hit the streets just last month.

The releases so far were written and tracked by vocalist/guitarist J, creating a blend of speed metal and metal/punk in the vein of Venom, Motörhead, and The Casualties, but the live band also now includes drummer Luis and bassist Rob. You’ll get to see all three of them in action in the video we’re premiering today for a hell-raising track named “Burn” off the latest EP. Continue reading »

Jul 252022
 

What you’re about to hear is a piece of music that may make you imagine you’ve been taken hostage, with no real understanding of how it happened or why. Blindfolded and hands bound, strapped to a chair in a cold, lightless place, you hear the workings of brutal machinery and eerie vibrations that don’t seem to originate from any earthy transmitter. Your unseen captors go on horrific tirades that seem un-moored from sanity and magnify your fear and confusion. Trembling, you become convinced — this isn’t going to end well, and there’s no escape.

Well, those are one person’s nightmare impressions of the unnerving experience created by “This Body Aweigh“, which is the track we’re premiering today along with a video that manages to make the disorienting audio even more chilling. Continue reading »

Jul 252022
 

 

In March of this year we premiered a remarkable video for a remarkable song off the then-forthcoming fifth album by the experimental black metal band MRTVI. Entitled The ExiZentialist, the album was released last month by Life As A Dream Records, and today we premiere yet another video for yet another song off that fascinating record.

When we made that previous premiere we explained that although all of MRTVI‘s albums have been rooted in the experiences and thinking of their sole creator, Damjan Stefanović, this newest one is even more autobiographical. It was inspired by his own experience of being uprooted long ago from his homeland in Serbia (to escape from war), transported to live for roughly 20 years in the UK (where he began MRTVI), and much more recently returning to the country of his birth.

In that previous premiere we also included extensive comments from Damjan about the album as a whole and the song in particular that we premiered (“Lake of Memories“). All of that is well worth reading, but today we’ll focus on this one song that’s the subject of the video, a song called “Home“. Continue reading »

Jul 232022
 

 

Would one four-song roundup yesterday have been satisfactory? Were two of them too many? Is it overkill to add music from four more bands today, for an even dozen of them? I hear your answers to those questions, all those deafening howls of “NO!!! WE WANT MORE!!!””

So, on we go….

DEATH BREATH (Sweden/U.S.)

It took me almost a week to catch up to Death Breath‘s two-track EP, The Old Hag, but once I did I haven’t been able to get enough of it. It does its dirty work in just a bit more than 7 minutes, which makes it really fucking easy to keep going back to it whenever I need a musical riot to rocket me out of the doldrums and make me feel like fighting the bastard world. Continue reading »

Jul 222022
 

Two years have passed since the release of Live Burial’s striking second album, Unending Futility, and now these British ghouls have crawled from their crypt again, bearing a third album in their monstrous claws. As with the second album, the new one will be released by Transcending Obscurity Records, and it is again embellished with the cover artwork of Luke Oram. In February 2020 we premiered a song from the second album, and now we’re doing it again for the third one.

The name of the new full-length is Curse of the Forlorn, a title that suits the music, which carries forward the band’s doom influences, and does indeed sound cursed. Death metal through and through, these songs slug with gruesome, bone-shaking force, create horrifying supernatural nightmares, and explode in convulsions of maniacal fretwork and frenzied percussion.

The music is capable of both suffocating hope and supercharging the senses with high-voltage energy. It’s muscular enough to pack a wallop and creepy enough that its horrors shiver the spine, and the embroidery of the guitar-work has become even more technically accomplished and elaborate than before, adding to the music’s dynamism. We have a great example of all these qualities in the song we’re presenting today — “Blood and Copper“. Continue reading »