AN NCS PREMIERE: INANNA — “FAR AWAY IN OTHER SPHERES”

 Premieres  2 Responses »
Apr 072022
 

Almost four years ago I finally came across the Chilean band Inanna. At that time the band’s latest release was their second album, 2012’s Transfigured in a Thousand Delusions, and it absolutely blew me away (as I wrote in one of our now-moribund Miscellany columns).

I lost track of the band after that, and I suppose for good reason because the only release that followed my discovery of Inanna was a 2020 live album. But now, a decade following Transfigured…, they have completed a third full-length named Void of Unending Depths that’s set for release on April 25th by Memento Mori. It’s an album you definitely will not want to miss, because it’s one of the best that death metal has offered in the year so far — and should rank highly at year-end too. Continue reading »

AN NCS VIDEO PREMIERE: MORFER — “DARK WISDOM”

 Premieres  1 Response »
Apr 072022
 

 

In the 12 1/2 years this site has been active we have written about a grand total of one metal band (Kashgar) from the Central Asian country of Kyrgyzstan. Today we double that total.

Obviously, it’s still a rarity, and sent us off to get better educated, especially because the promotional material for Morfer, the band that’s the subject of today’s premiere, makes reference to their origins “among the rocky and snowy ridges, mountainous and hopeless forests of the Scandinavian Tien Shan”. What does that mean?!? Let’s learn together.

For those of us in the ignorant West, Kyrgyzstan is bounded by Kazakhstan on the northwest and north, by China on the east and south, and by Tajikistan and Uzbekistan on the south and west. It was conquered by tsarist Russian forces in the 19th century, later became a republic of the U.S.S.R., and declared its independence from the former Soviet Union on August 31, 1991.

Most of Kyrgyzstan’s borders run along mountain crests, including the Tien Shan, which is one of the great mountain systems of Central Asia (its name is Chinese for “Celestial Mountains”). That range stretches for 1,500 miles (2,500 km) and mainly straddles the border between China and Kyrgyzstan.

There is much more to be learned about the history, cultures, and fascinating geography of Kyrgyzstan, but let’s stop there and now ask again what could have been meant by that reference to “the Scandinavian Tien Shan“? Continue reading »

AN NCS PREMIERE: MOANHAND – BLEEDING BIRD

 Premieres  No Responses »
Apr 072022
 

(Andy Synn presents a brand new single from Moanhand – whose debut album, Present Serpent, was one of his top releases of 2021)

It’s impossible to begin writing today’s article without acknowledging the terrible elephant in the room.

It was just last year that I found my listening time dominated by numerous bands and albums from Russia, but now, in light of the ongoing invasion of Ukraine and the seemingly daily reports of new and fresh atrocities being committed there, that seems like a lifetime ago.

Some of you, I’m sure, will be very much against the idea of us covering any Russian bands right now, but one thing that has become clear to me – after seeing all the protests, hearing all the bands, artists, and organisations speaking out against the invasion – is that the Russian government is not the Russian people, and the voices inside Russia decrying this war deserve to be heard.

Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): VERMÖRD — “NOSTALGIC PREDICTIONS”

 Album Reviews, Premieres  2 Responses »
Apr 062022
 

 

Ghoulish faces with hollow eyes gaze through marble portals, mouths agape at a hooded wizard drawing lightning from a swirling pool of infinity. It’s an eye-catching scene that Matt Lawrence has created for the debut album by Baltimore-based Vermord, one that creates an amalgam of sensations — of unearthly ghastliness, mind-bending magic, and fathomless mystery.

The visual certainly spawns a feeling of excited intrigue about the music that Vermord have created within the realm of Nostalgic Predictions, but for those who heard the band’s first EP, 2015’s Dawn Of The Black Harvest (which we premiered here) or the Dissimulation demo that followed it in 2016, the seeds of intrigue about what might come next were already planted.

Many years have passed by since then, but now the band are ready to show us what they accomplished during a period of hiatus — and they have a lot to show, through 13 tracks and an hour’s worth of music, all of which we’re presenting today in advance of the April 8 release. Continue reading »

AN NCS PREMIERE: THOS ÆLLA — “BACKWARDS AFTERBIRTH FLOWS UNTO DREAMING TEMPLES”

 Premieres  No Responses »
Apr 062022
 

 

I, Voidhanger Records continues to prove that its owner’s musical interests are wide-ranging but persistently idiosyncratic. The releases usually don’t sound quite like anything else, because the artists almost always march to the beat of their own unusual drummers. And thus the label has become a home for adventurers, both those who make the music and those who listen.

The latest proof of this is Sempiternal Mobocracies, the forthcoming second album by Thos Ælla, which is the solo project of guitarist Derrik “Ghoul” Goulding from Father Befouled (who released a new album of their own just a couple weeks ago). And it truly is a head-spinning adventure, as you’ll discover for yourselves through the two songs we’re streaming for you today — one of them the first advance track from the album and the other a song we’re now premiering. Continue reading »

AN NCS PREMIERE: INTOLERANCE — “DEATH BEFORE SLAVERY”

 Premieres  No Responses »
Apr 052022
 

Although we have no special insight into why this Spanish death metal band chose Intolerance for their name, we might guess from the music that they have no tolerance for weakness or mercy, nor for the manifold failures of humanity. Instead, their rank and rabid revels seem fueled by revulsion and rage. They see with clear eyes the Dark Paths of Humanity, and have so named their forthcoming debut album.

To be fair, the past for them is not a total graveyard of degradation and disappointment. They follow an inspirational beacon lit in the late ’80s and early ’90s by such bands as Bolt Thrower, Grave, Asphyx, Morgoth, Entombed, Convulse, Obituary, and Unleashed. That’s a broad swath of music from a now-hallowed age, and somehow Intolerance pay homage to all of it in crafting music that’s grimy and gritty, morbid and malicious, creeping and crazed.

In other words, they damned well know what they’re doing, and they do it damned well — as you’ll discover through the song we’re premiering today, which proclaims “Death Before Slavery“. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): BURIAL CURSE — “BURIAL CURSE”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Apr 052022
 

The well-educated among you may say, “How is this a premiere? That Burial Curse EP came out in June 2021!” And so it did, both digitally and in a very limited run of tapes via Famine Records.

But the beast that was that EP refused to slink away into silence and instead continued to snarl and roar in such violating fashion that Dawnbreed Records picked it up for a reissue that will happen on April 8th in multiple formats. Not only that, the EP has had an upgrade in sound, thanks to a new mix and master by Alex from Obscured By Evil Productions.

So if you haven’t heard the EP before now, it’s a good time to discover it. And if you have heard it, you might now hear it in a way you haven’t before. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): ABHORRENT EXPANSE — “GATEWAYS TO RESPLENDENCE”

 Album Reviews, Premieres  No Responses »
Apr 042022
 

I confess that when I first read that all 10 tracks on the debut album of Abhorrent Expanse were improvised live, my reaction was one of “uh oh” anxiety mixed with intrigue. Improvisational music of any genre tends to be a mixed bag, but improvisational death metal? Maybe even riskier than usual.

On the other hand, the fact that this band’s members hail from such groups as Zebulon Pike, Celestiial, Obsequiae, and more, well that’s what kindled the intrigue, and even a rising feeling of optimism.

So what won out in the end? The pessimism born of being subjected to other unsuccessful experiments that proved to be un-entertaining exercises in musician self-indulgence? Or the intriguing hope that Gateways To Resplendence might live up to its name?

I suppose the answer is evident from the fact that you’re now reading this, and are about to have a chance to listen to all 10 tracks at this site before the album’s April 8 release through Amalgam Music and Lurker Bias. Why did the optimism prove to be justified? Read on…. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): MROME — “BARBARIC VALUES”

 Album Reviews, Premieres  4 Responses »
Apr 042022
 

 

Here at this site we haven’t paid nearly enough attention to the Polish band MROME. Even after marveling in print at their 2018 second album Noetic Collision on the Roof of Hell, we said not a word about their next full-length, Leech Ghetto, which dropped in 2019, nor did we notice their debut album, 2016’s The Basement Sophisma.

Well, they have no use for record labels and they don’t work with a PR machine. They don’t tour and they’re uninterested in promo photos or social media. In their own words, they exist “to say FUCK YOU to messengers of dread and obedience”, and do this by making concept albums in which the music, the words, and the graphics are interrelated.

Metal-Archives labels them “Thrash Metal”, which is like calling a cut and polished emerald “a greenish mineral”. Yes, they’ve been known to thrash, but their musical evolution has turned them into something that’s significantly more multi-faceted. Even in the case of that 2018 album, we dropped references to Hail Spirit Noir, Mantar, and “infernal death rock” (not “deathrock”). Their newest album Barbaric Values, which drops today, is even tougher to pigeon-hole. Continue reading »

AN NCS PREMIERE: CULTIC — “WARLOCK”

 Premieres  No Responses »
Apr 012022
 

Rebecca Magar is one of those people whose diversity of talent just make you shake your head, feeling humbled. I mean, look at that cover art up above that she painted for her band Cultic‘s new album, Of Fire and Sorcery. And then also look at her painted cover art for the band’s preceding debut album, High Command:

And then consider that she’s also Cultic‘s formidable drummer. And then further consider how marvelously interwoven her cover art is with the music she and her equally formidable husband Brian (guitar, vocals, keyboard, and arrangements) have made under the Cultic name — which we’ll give you an immediate chance to do through our premiere of the new album’s second single, “Warlock“. Continue reading »

 Older Entries  Newer Entries