Apr 022018
 

 

The wail of an air-raid siren ends the song you’re about to hear, but it comes too late — by then, the bombs have already fallen, the damage has been done, and it’s damage on a cataclysmic scale.

The name of the song is “Of Gods and Goats“, and it’s the opening track from A Low Winter’s Sun, the new full-length album by the Vancouver sludge/doom band Heron, which will be released on Friday the 13th of April. The album follows on the heels of two Heron EPs, their self-titled debut in 2015 and Fire Twin in 2016. Continue reading »

Apr 022018
 

 

In the far northwestern corner of Portugal in the town of Viana near the Lima river estuary is a 16th-century fortress whose name is Castelo de Santiago da Barra. On the night of March 24th, in a chapel within the old castle, two talented funeral doom bands put on a memorable performance. One was Seattle’s Bell Witch, whose name has become well-known far and wide. The other is a Portuguese duo whose name is just beginning to spread. But what might now be only whispers about the band are likely to rise to an enthusiastic clamoring once more people discover their music.

That Portuguese duo, who have taken the name Oak, are both members of Gaerea, a tremendous black metal band who themselves have a new album on the horizon (you can hear the first single from the album at this location). Not long ago we had the pleasure of premiering a video for a live studio recording of an Oak composition called “Sculptures“, and today we present a professionally shot video of their set on March 24th at Castelo de Santiago da Barra. Continue reading »

Mar 302018
 

 

Fourteen months ago we premiered a barbaric battle song named “The Horde” by the extreme metal band Ominous Eclipse from Ottawa, Ontario. Since then another single from their forthcoming album Sinister has surfaced, one that spiraled into insanity last fall at DECIBEL’s site. And today we bring you one more, and it’s the title track from Sinister, accompanied by a video of the band’s performance.

In that previous premiere we observed that as the evolution of Ominous Eclipse has progressed, the band have hybridized a seething core of death metal sound with elements of thrash, black metal, and melodic death metal, and with “The Horde” they reached for new levels of monstrous and electrifying destructiveness. Electrification, destructiveness, and rage are also on display in “Sinister” (the song), along with a heavy dose of body-moving grooves and scintillating guitar lunacy. Continue reading »

Mar 302018
 

 

Neutron Breed is so blindingly explosive, so uncaged in its dedication to sonic violence, and so eye-popping in the speed and technical precision of its execution that it has the capacity to suck the air from your lungs while it turbocharges your own pulse rate. Worry about breathing later… prepare now to give yourself over to a maniacally vicious death metal rocket ride.

Neutron Breed is the new EP by the Italian band Quantum Hierarchy, which is being released today by Everlasting Spew Records, and it’s our privilege to help spread the word through the premiere of a full music stream. Continue reading »

Mar 302018
 

 

Like the vast majority of all grand estates and even medium-sized garden plots on the landscape of the internet, most sites that offer writings about metal are captives of the culture of clickbait. They are honey traps for lazy flitting bees, offering precious little intellectual sustenance of any lasting value, or even much fleeting value. They mainly just make the frenetic buzzing of their visitors grow louder, but no more coherent.

But there are exceptions. The extraordinarily ambitious essay by R.M. Temin published by Toilet Ov Hell a few days ago is one of those. For most of its considerable length, it is a history of transgressive music, mainly focused on metal. It takes Black Sabbath as its starting point (after first drawing connections to the Beat Generation and “hippie counterculture”) and charts the course straight through to the present. Its overarching theme has to do with the connections between metal and politics, and ultimately about the rise and persistence of far-right politics within certain sectors of extreme music. It’s title is: “Rock Against Anything: How Metal Became So Fucking Reactionary and What To Do About It“. Continue reading »

Mar 292018
 

 

Vahrzaw’s first demo turned 23 years old earlier this year, relatively young in human years but relatively ancient in the annals of extreme metal. After a couple of other releases of a similar vintage, the band’s recording endeavors went quiet for about a decade, but they re-emerged in 2006 and discharged a trio of EPs, several splits, and two albums over the next decade. However, after roughly 25 rough years of inflicting black/death violence, it appears they’ve “really had enough of the bullshit associated with producing albums, and even EPs” — so says Blood Harvest Records, who will be releasing what will likely be this Australian group’s final recording on April 23rd.

This probable swan-song is an eight-track album named Husk. Despite what the title might suggest, and despite the band having bitterly reached the end of their long rope, it’s not a hollowed-out or desiccated affair. To the contrary, it leaves us thinking that it would be a damned shame if this in fact proves to be Vahrzaw’s last hurrah. If it is, they’ve definitely not made their exit meekly or half-heartedly. As Exhibit A, we offer “King In Yellow“. Continue reading »

Mar 292018
 

 

This makes the third time I’ve written about the Finnish band Hukutus at our putrid site. The first occasion (here) was at Thanksgiving 2016 when I discovered their unusual video (in which the band take off their clothes and run through forests, pausing for t’ai chi routines with glow sticks before pushing on toward the shores of frigid lakes) for a single called “Nadiirit“. The second time was almost exactly one year ago when we premiered a track named “Metsä ja yö“. And now we have another premiere.

Koitus” is the band’s third single, and also the final harbinger of the band’s debut album, which we can announce is entitled Oksitosiini (“Oxytocin” in Finnish) and will be released by My Fate Music on April 27, 2018. Like the first two singles, this one is a riveting experience. Once again, Hukutus have proven themselves to be wicked mutagenic agents, altering the DNA of metal in arresting ways. Continue reading »

Mar 282018
 

 

There’s such a potent rhythmic drive to this song, like a big powerful engine with pistons hammering, and all that robust torque propelling a heavy machine forward in a way that elevates the pulse rate. We’re the passengers, carried along but also wanting to move our heads like pistons too, locked in to the movements of this gear-shifting juggernaut as it eats up the pavement.

As you’ll discover, that’s only one aspect of the song we’re helping to premiere today, but it’s an aspect with a primal, charismatic attraction. It’s a testament to the imagination of the Polish band Hegemone that what they’ve built around such a muscular musical drivetrain is equally seductive.

The song is “Π“, and it comes from the band’s new album We Disaappear, which will be released on May 11th by Debemur Morti Productions. Continue reading »

Mar 272018
 

 

Chaos Doctrine fuel their high-octane music with ingredients that range from death metal to thrash, from groove to industrial, but they supercharge their hybrid metal machine with undiluted rage.

This quintet from Johannesburg, South Africa, have been releasing singles from their forthcoming debut album since last year So far, videos for three of them have been launched — “Cult”, “The Genocide Number”, and “FTG” — and today we’ve got a fourth one (and an accompanying video) primed and ready to rampage through your skull. It’s the second part of a two-part composition called “My Demise“, which Chaos Doctrine’s vocalist Dr. D explains in these words: Continue reading »

Mar 272018
 

 

The Norwegian musician and vocalist Ole Alexander Myrholt has had a long and prolific career, one that began more than two decades ago and ranged across a multitude of groups and personal projects, but seemed to enter a hiatus around 2011 when his band Tremor was put on hold indefinitely. However, something changed when Myrholt stepped in to play drums for the Norwegian black metal band Mork in December 2016.

Since then, adopting the name Myrholt, he has been recording again, performing all instruments and vocals. Myrholt released a multitude of singles and two albums last year, as well as a two-track EP named Vinter earlier this month. And now a new EP entitled Mørketid has been readied for release, which we are happy to present it to you through a full stream of its five tracks. Continue reading »