Feb 072018
 

 

Very few grindcore bands have lived as long, or have been as influential, or have remained as true to the genre’s roots as Italy’s Cripple Bastards. In this year, they celebrate their 30th anniversary, and one way in which they’re doing that is through the release of a monster box set of music that in itself has been years in the making. Entitled The Outside World, it’s a collection worth investigating by any die-hard grind fanatic, not only as a historical “document” but also because the music has remained relevant and powerful straight up through today. And at the end of this post we have streams of a couple of songs to prove that.

The discography of Cripple Bastards includes a vast number of singles and EPs (the reason for which we’ll come to in a moment), and this box set includes all of them in one place — every single non-album track, including those which appeared on compilations, that the band has recorded since 1988. Equally significant, the recordings have been retrieved from their original archived sources (the original reels, DAT tapes, etc.) and remastered to provide maximum sound quality.

The box set also includes a lot of other rare and previously unreleased material, including songs from a 2003 studio session, rare demos, and live tracks. All told, the collection includes 362 tracks (!) housed in five LPs and two CDs, accompanied by a lyrics book and a photos book. Continue reading »

Feb 072018
 

 

The song we’re about to present is “Menvra“, from the album Mundus Cereris. The musicians are a spellcasting quartet from Sardinia, Italy, who go by the name Charun. They have no vocalist; I have a feeling that if they did, the vocals would interfere with the mesmerizing effect of the music, unless perhaps the vocals consisted of nothing more than the whispering of ghosts.

Menvra” lasts for about nine minutes. The immediate temptation is to cycle back through it again as soon as it stops. It’s so easy to get lost in the sound, to be transported into realms of the imagination — and so difficult to shake yourself and return to the here and now. The effect isn’t exactly hypnotic, because there’s granitic weight in the music and head-moving rhythms, too. The body wants to respond while the mind is moving away; it’s a trance that works on two levels. Continue reading »

Feb 062018
 

 

A few weeks ago we had the pleasure of premiering a track from the debut album Sacramentum Obscurus by the Los Angeles-based black metal duo Cultus Profano. The album will be released on February 23rd by Debemur Morti Productions, and today we bring you the debut of this impressive new album’s final track: “Cultus Profano, Op. 9“.

In writing about the previous song we premiered (“Under the Infernal Reign, Op. 10“), I observed that from the hate-filled scowls of their corpse-painted visages to the Satanic mysticism that inspired their song titles and lyrics, Cultus Profano fuel their creations with loathing and abhorrence, seemingly guided by visions of fire and plague, and of the ascendency of evil and the triumph of sin. But, at least to my ears, I thought the mood of that previous song was one of intense sorrow and desolating despair — and it proved to be a hauntingly memorable song as well. Continue reading »

Feb 052018
 

 

After releasing a debut demo in 2011 (In Life We Trust), a debut album in 2012 (Surrounded By Pain), and a single the following year (“Edges of Insanity“), the Belarusian metal band Victim Path are returning at last with a new two-song EP. Entitled Faceless Nameless, it will be released tomorrow via Bandcamp, but we have a stream of both tracks for you today.

The band’s lyrical focus, as they explain it, is on themes of “misanthropy, pain, the loneliness of a human being who is deprived of a right to be god’s creation,” and “the denial of religious postulates, rules and dogmas of everyday life”. And beyond the lyrics, the music on this new EP is itself an expression of grief and pain, one that draws upon the stylistic tools of black metal but employs other musical styles as well. And so perhaps resorting to the more vague but more encompassing term “dark metal” could be appropriate. Continue reading »

Feb 022018
 

 

The Croatian band Duskburn have latched on to a winning formula, but it’s an unusual and unusually gripping one, a kind of alchemical sorcery that combines disparate ingredients to produce powerful (and disturbing) effects on their listeners. Duskburn’s new album, which is the culmination of a decade-long stylistic evolution, is called Serpentide. It’s being released today as a digital download by Cimmerian Shade Recordings, with a tape release planned in the near future, and to help spread the word we’re premiering a full stream of the record today.

Duskburn first took shape in 2006, but the shape of their sound has changed over the course of a debut album in 2009 (Soldering the Seven Streams) and a quartet of EPs released from 2010 through 2013. Over those years, the band moved from an early manifestation of death metal in the direction of sludge and doom, but this new album embraces an even more atmospheric and much more mercilessly vicious take on what they created with their last EP. These are the colossal, high-intensity sounds of mortifying catastrophe. Continue reading »

Feb 022018
 

 

Ashtabula, Ohio, is a port town located at the mouth of the Ashtabula River on Lake Erie, across from the province of Ontario, Canada, and about 60 miles outside Cleveland. According to The Font of All Human Knowledge, the name Ashtabula is derived from ashtepihəle, which means “always enough fish to be shared around” in the Lenape language. But if you were to Google search “Ashtabula”, one of the first results comes from the Urban Dictionary, who define it as, “A city in Ohio known for being more worthless than a pile of shit.”

Whoever came up with that nasty witticism obviously hasn’t been listening to the metal coming out of Ashtabula, which is powerful enough to fracture foundations in Cleveland and send tidal waves across the lake toward Canada. It’s home to Homewrecker, and it’s also ground zero for two other bone-breakers — Crypt Rot and Cringe.

Those two bands are participating in a new split consisting of an EP from each group — Nocturnal Deterioration from Crypt Rot, and Memento Mori from Cringe. The split will be jointly released as a digital download on  February 9 and in a cassette tape edition on February 23 by the sibling labels Redefining Darkness Records and Seeing Red Records. Today we’re bringing you the premiere of a song by each band from this hell-raising split. Continue reading »

Feb 022018
 

 

(Andy Synn introduces our premiere of a song from the new album by Horizon Ablaze, which is set for release on February 17.)

 

When I was asked to select a song from the fantastic new Horizon Ablaze album, The Weight of a Thousand Suns (out Feb 17th), to premiere here at NCS, I really did have to think long and hard about it, as literally every single one of the record’s eight tracks is worthy of celebrating.

However, seeing as how the band chose to lead off with “Insidious” – the album’s proggy, moodily melodic final track – as the album’s first single/video, it only seemed to make sense (not to mention appeal to my love of poetic symmetry) to pick the album’s blistering opener as our gift to you all today. Continue reading »

Feb 012018
 

 

Prepare yourselves for a bewildering and bewitching piece of sonic sorcery, as we premiere a track appropriately named “Trismegistus” from the third album by the Australian experimental black metal band Arkheth. The album, entitled 12 Winter Moons Comes The Witches Brew, will be released on February 20th by Transcending Obscurity Records.

This new song, like all the others on 12 Winter Moons…, makes you wonder how it could have been conceived from a blank slate, and then makes you wonder further how the ideas could have been realized so well in the execution. It is a strange and wondrous cornucopia of sounds, almost labyrinthine in its abrupt twists and turns, and with psychoactive properties as well, producing an effect on the listener that’s disorienting but also beguiling. Continue reading »

Jan 312018
 

 

A big brainless chunk of the internet seems to be losing its mind over Elon Musk’s new $500 flamethrower. Save your money. If you want to scorch yourself or blister someone else, just pick up Hammr’s debut album. It costs much less, it’s even more hellish, and unlike that flamethrower novelty, it won’t wear out its appeal after the first week (or the first visit to the ER).

The completely spot-on name of the album is Unholy Destruction, and it will be released by Hells Headbangers in a variety of formats on February 23rd. A couple of incinerating tracks have already appeared (one of which caused me to froth at the mouth over here), and we’ve got a third red-hot offering from the record for you today. This track, also brandishing a spot-on title, is “Sadistic Poison“. Continue reading »

Jan 312018
 

 

We tend to take the often extravagant rhetoric in press releases about forthcoming records with a grain of salt. The one we received about the new split by Sartegos and Balmog, which is being released on vinyl by Caverna Abismal Records today, concluded with the claim that it “is essential short-length listening for those sworn to the dark”. In this instance, the music backed that claim to the hilt. The split includes only one song by each band, but each one is diabolically brilliant.

As gratifying as it was to make that discovery, it really was not at all surprising. Both of these bands from Galicia in Spain have already proven their worth and earned the allegiance of discerning followers in the black metal underground. These tracks prove it all over again.

We have premiere streams of both at the end of this post, preceded by some introductory remarks about the bands for those who might be new to them, and impressions of the music. Continue reading »