This marks the fourth time we’ve written abut the music of Seattle’s Vermin Lord. The first time was a review of the project’s excellent 2016 album Anguish, and then we wrote about a single that was released in January of this year, followed in March by our review and premiere of a two-song EP (Visions Of A Cursed Warlock). And now we’re spreading the word about Vermin Lord’s new album Mourning, which is being released today.
Part of what makes Vermin Lord’s music so intriguing (and this is certainly true of the new album) is its unpredictable blending of disparate musical influences. This album in particular brings to mind the term “baroque”, which in one of the word’s dictionary meanings refers to a style of artistic expression “marked generally by use of complex forms, bold ornamentation, and the juxtaposition of contrasting elements often conveying a sense of drama, movement, and tension”. Continue reading »










