Mar 252016
 

0 - collage2

 

(Straight outta Norway, our friend Gorger is back with a new edition of his series recommending releases that we’ve managed to overlook. And be sure to check out Gorger’s Metal.)

“Hot on the heels” after part 8, here’s part 9 of stuff that Islander and other contributors have overlooked in the abundance of releases. Well, that’s what I wrote almost two weeks ago before slipping into a new hiatus anyway.

Today I bring you black metal and atmospheric/symphonic derivatives thereof, thrash, tech-death, blackened death, and a blackened thrash gem from down under that you could sort of sort under Islander’s Tourism posts. Not in that order, though.

Also, I originally increased this post from the usual four to five, as I recently came across an elder piece that I’ve fallen in love with. But than, when assembling the collage above, I realized that five just wasn’t doing, and thus it grew to six.

Let’s get to it, shall we? Continue reading »

Mar 252016
 

Benighted In Sodom

 

I’m working on a Friday round-up of new songs, but I decided I would carve these two out from the larger group and post them separately. Both of them are covers of well-known songs. The first one is actually a cover of a cover.

BENIGHTED IN SODOM

The prolific Matron Thorn seems to be one of those people for whom making music is as essential to his continued existence as oxygen and food are to the rest of us. He’s the principal creative force in Ævangelist — whose next release will be a split with Blut Aus Nord (!) — as well as a new project I’ve written about before named Death Fetishist, but one of his longest-running solo projects is Benighted In Sodom, and that’s the name under which he recorded the first song in this little collection. Continue reading »

Mar 232016
 

The Body-Full of Hell-One Day You Will Ache

 

(Early last month Allen Griffin brought us a round-up of three power electronics releases, and that provoked enough interest that he returns with another collection.)

It is time once again to go trawling around the abyssal outside of the Extreme Music scene to find the harsh and unknowable. But what is somewhat surprising this time around is how much some of these releases are popping up in more conventional circles.

THE BODY AND FULL OF HELL

Case in point is the new collaboration between The Body and Full of Hell titled One Day You Will Ache Like I Ache, out on March 25th via Neurot. Despite being classified as  a Grindcore/D-Beat band, Full of Hell are no strangers to harsh sonic abstraction and worked with Merzbow on their previous album. The Body are also no strangers to collaboration, bringing in guests on almost all their releases. What we have here is an intermingling of The Body’s punishing Industrial aesthetics with Full of Hell’s more experimental noise-based side. Continue reading »

Mar 232016
 

In Mourning-Afterglow

 

Here are a trio of selected songs that caught our eyes and ears over the last 24 hours.

IN MOURNING

As previously reported, Sweden’s In Mourning have a new album on the way named Afterglow, which features wonderful cover art by Kristian “Necrolord” Wåhlin and also marks the first appearance of the band’s new drummer, Daniel Liljekvist (ex-Katatonia). This morning the band debuted a lyric video for the first advance track from the album, a song named “Below Rise To the Above”. Continue reading »

Mar 222016
 

Withered-Grief

 

This is a collection of new songs and videos, most of which I intended to share yesterday before I discovered a torrent of other hot-off-the-presses debuts that appeared the same day. And of course, as a result of the delay I spotted more new things that appeared since then — including the first and last items in this round-up.

WITHERED

As previously reported a couple of weeks ago, Atlanta’s Withered are primed to release their first new album in more than five years. This one is entitled Grief Relic and it’s coming out on May 27 via Season of Mist. One song named “Husk” got its debut at DECIBEL on March 7, and today Revolver brought us another one named “Feeble Gasp”. Here’s a statement about the song from guitarist/vocalist Mike Thompson: Continue reading »

Mar 222016
 

Thrill Jockey logo

 

(Our old friend Leperkahn finally gets around to doing something he forecast he would do in early February, with a selection of music that includes not-metal as well as metal.)

I mentioned at the end of my overlong 2015 EOTY list about a month ago that there would be an addendum to said list.

Since the end of September of last year, I’ve been an intern at Thrill Jockey Records, assembling and packing all of your beloved records, among other things (if you’re looking to steal my fingerprints so as to implicate me in a crime later in life, now’s probably gonna be your best opportunity). The job has introduced me to a ton of new music, some of it of the metallic variety, some not, though I would contend that the non-metallic stuff that’s appealed to me might appeal to some of you, as open-minded music listeners who come from a primarily metal background, such as myself.

In a move of unprecedented cronyism and self-promotion, I’m going to use this post to take you through a tour of some recent TJ output, some of it metal, some not. Admittedly, this isn’t a perfect addendum to a 2015 best-of list, since some of what’s featured came out in the first few months of this year, and some came out before 2015. But truly, good music need not consider age; so let’s get on with it. Continue reading »

Mar 212016
 

The Wretched End-In These Woods, From These Mountains

 

Yesterday I had collected a handful of excellent new songs for a “Seen and Heard” post today. And then today began, and our in-box rapidly filled up with notices of still more song premieres from bands I like (along with one that invited me to “Have Fun Tonight With Asian-Grils”). I’ve decided to save my earlier collection for tomorrow — though there’s an equal chance that tomorrow will bring still more new stuff — and devote this post to music that’s a bit more “hot off the presses”.

THE WRETCHED END

As all connoisseurs of fine metal should know, The Wretched End is the collaboration between former Emperor and Zyklon guitarist Samoth, Mindgrinder/Windir vocalist/guitarist Cosmo, and Dark Funeral drummer Nils “Dominator” Fjellström. They have a new album coming out on April 22 via Indie Recordings named In These Woods, From These Mountains. Continue reading »

Mar 202016
 

Nabaath-Common Graves

 

This is the delayed completion of a three-part post I began early last week, collecting and reviewing mostly new songs, EPs, and albums in the orbit of black metal. Part 1 is here, and Part 2 is here.

One benefit of the delay is that I happened across a very recent song that’s the fourth item in this final installment, which includes music from six bands that I’ve been enjoying. Most of what I’ve collected here falls on the “atmospheric” side of the black metal spectrum.

NABAATH

In a previous edition of Shades of Black that appeared the day after Christmas 2015, I wrote about a striking video for a live performance by a band named Nabaath (who are Russian but now based in Ukraine), accompanied by dancer Mariya KarMa. The name of the song was “Iron In Your Throat”, and it’s one of nine on Nabaath’s third album, Common Graves, which was released last fall and is now available in full on Bandcamp. Continue reading »

Mar 192016
 

Ashcloud-Children of the Chainsaw

 

Last week was another one in which I noticed lots of new songs and videos but didn’t have time to round them up, in part because I was writing about a flood of new songs that we were premiering ourselves. So now I’m doing what I failed to do earlier — but because I waited, the round-up has become jumbo-sized. Consequently, I’ve kept my introductions to the music brief and haven’t taken the time to consistently add album art or links as I usually do. When I did something like this last weekend (except with even fewer words), I said I didn’t intend to make a habit of it. I still don’t.

For those who pay attention to such things, I also failed to post Part 3 of the Shades of Black series I began at the start of the week. But I will do that tomorrow. Now, presented in alphabetical order, here are new songs and videos from 17 bands.

ASHCLOUD

On May 1, Xtreem Music will release the new album by Sweden’s Ashcloud. The album’s title tells you a lot of what you need to know about the music: Children of the Chainsaw. Here’s the title track — smoking, tree-felling, crusty Swedish death metal that’s awfully damned sweet. Continue reading »

Mar 152016
 

Schammasch-Triangle

 

You might think that after posting a round-up on Sunday that included recent music from 39 bands, I would be all out of discoveries to write about. Nope, not even close. From Sunday’s flood of music streams I diverted some to which I wanted to dedicate closer attention, and since then I’ve found even more. All of it happens to be in the orbit of black metal, and so I’ve collected the music in a new edition of Shades of Black.

However, the volume of what I want to write about is so great that I’ve divided this edition into three parts. I will post Parts 2 and 3 tomorrow. Five excellent bands are included in this first installment.

SCHAMMASCH

We’ve already written quite a lot about Triangle, the new triple album by the Swiss band Schammasch, and until yesterday we hadn’t yet heard any of the music. But now we all have a song to hear, a long track named “Consensus“. According to the band, this is the first of three tracks that will be revealed prior to the album’s release. Continue reading »