Jul 272015
 

Skepticism-Ordeal

 

I had thought I was finished posting things on our site today and would turn to what we have planned for tomorrow. But then my friend MaxR (Metal Bandcamp) linked me to what you’re about to see and hear — the debut of a video for a new song by Finland’s magnificent Skepticism from their new album Ordeal.

The song’s name is “The Departure”. You listen, and it’s not difficult to imagine being transported beneath the vault of a dim gothic cathedral, with the light of candles flickering on your face in the chill breeze cast by the passing of lost souls. Matti Tilaeus’s graveled voice is as staggering as the huge, dismal riffs and the ponderous drum blasts, and Eero Pöyry’s keyboards are soul-shaking. It’s as grief-stricken and sorrowful as a cancer ward, but tremendously moving, and yes… beautiful. Continue reading »

Jul 272015
 

Moro Moro Land-Through

 

(DGR has been pawing through great piles of new and forthcoming releases and has sifted out five of them especially deserving of praise.)

It has been a little bit since we’ve gotten a chance to do one of these — the chance to send me ping-ponging across the internet in a mad quest for new music, doing the equivelant of drunkenly stumbling into a band’s house after-hours, pulling up a chair, kicking my feet up on their table, and going, “So, tell me about yourself,” like I’m the leading authority on all things metal.

Sometimes, these Sifting articles tend to be built organically. At other times they’re built out of sheer desperation — a sense of “Oh god, I need to talk about this to some people now,” as we come across music. This one is a tad bit different, as it was brought on like most fun things in life, out of me opening my idiot mouth and promptly learning another lesson as to why, if I’m ever tempted to say anything, just to let it slide.

I’ve been part of the working world for ten years now, no longer a young’un by any means, but still stupid enough to occasionally slip up. You’d think by now I’d remember the #1 lesson of any workforce, which is to never, ever, EVER inform your boss of how much work you have left, especially when you’re getting to the downslope of your work pile. I made this mistake recently, gleefully informing my superiors that after I had done a certain number of reviews, I’d be in a holding pattern since most of the stuff that was coming out was spoken for — so really, that at the end of a certain week I’d be done for a bit. Continue reading »

Jul 272015
 

Mgła artwork

 

I spent most of this weekend catching up on new music (and making a few discoveries of older music, too). I compiled one round-up on Saturday, another one devoted to black metal yesterday, and that still wasn’t enough. So I’ve collected more new music or videos from five other bands in this post. Contrary to appearances, I do have a life — but it wasn’t devoted to much else besides metal since Friday.

MGŁA

Yesterday brought a most welcome announcement that I wasn’t expecting: The fantastic Polish black metal band Mgła has completed the recording of a new third full-length album named Exercises In Futility, and it will be released in the late Summer of this year on the Northern Heritage and No Solace labels. It includes six tracks and 42 minutes of music — and yesterday one of those tracks became available for listening. Continue reading »

Jul 262015
 

VI-album art

 

I’m still surrounded by excellent new metal, like a cork bobbing in the ocean. In a post yesterday I collected four recently released songs and videos, and I have more to recommend today. In this post I’ve included three more new songs and one new album stream, followed by music from two releases that are not quite as new but are new to me. The music here falls within the realms of black metal, although as you’ll find out, the tracks are still quite diverse.

This is a long post with a lot of music in it, and perhaps I should have broken it up into pieces. But though it may appear daunting in its length, I hope you’ll stick with it, because there’s a lot of good metal in here from some tremendously talented bands.

VI

This first new song caught my eye because the band — whose name is VI — has a line-up that includes current or former members of Aosoth and Antaeus. The cover art by the talented Alexander L. Brown is a real eye-catcher, too.

The band’s debut album De Praestgiis Angelorum is scheduled for release on September 25 by Agonia Records, in a 6-panel digipack CD and on vinyl. There’s also a shirt that features that cool cover art. Look at all this tasty stuff: Continue reading »

Jul 252015
 

Ahab-The Boats of the Glen Carrig

 

I didn’t do a very good job this past week posting about new songs that I liked as they were coming out, and as a result I have a big collection of them gazing up at me with sorrowful eyes.  I’ve picked four of them to recommend in this post, with the goal of keeping you off-balance. I’ve collected a few others for a “Shades of Black” post that I’m planning for tomorrow.

AHAB

A couple of days ago Germany’s Ahab premiered a music video for the first complete track off their new album The Boats of Glen Carrig, coming from Napalm Records on August 28. The name of the song is “Like Red Foam (The Great Storm)”, and I’m thoroughly hooked on it. The riffs are enormous, and they drive the song’s bleak, somewhat dissonant melodic refrain into your head like railroad spikes. I’m more a fan of the enraged roars than the clean vocals in the song (what a shock!), but it’s a minor quibble. Continue reading »

Jul 242015
 

Fallen

 

(Grant Skelton contributed the following prose, and I thank him for it.)

In a year that has already produced some astounding funeral doom (Shape Of Despair, Bell Witch, Foehammer) and a whole lot more around the corner (Ahab, Skepticism, My Dying Bride), I thought it fitting to bring attention to another entry in the sepulchral annals of funeral doom.

Fallen were a Norwegian side project of Christian Loos and Anders Eek (both members of Funeral) and Kjetil Ottersen (also of atmospheric doom trio Omit). Their first and only album A Tragedy’s Bitter End was released in 2004. The album title was perhaps an ominous foreshadowing of the band’s future, as Christian Loos committed suicide in 2006. That fact drives a weighted hook through the soul of the music, adding a downcast despondence to the listening experience.

The vocals, while clean, are sullen and low. They are dour and dreary, structurally resembling Gregorian chant at times. The journey is comparable to scaling a hill during a thunderstorm while dragging a tombstone shackled to each ankle. Continue reading »

Jul 232015
 

Kataklysm-Belphegor tour

 

Just a few quick notes in here about three new North American tours that were announced within the last week. Two of the headlining bands — Kataklysm and The Black Dahlia Murder — also premiered new songs yesterday, so I’ve included a stream of them below as well.

KATAKLYSM / BELPHEGOR

This is an interesting mix of co-headliners — Canada’s Kataklysm (whose new album Of Ghosts and Gods was given an initial assessment by Andy Synn for us here) and Austria’s Belphegor (whose most recent album was 2014’s Conjuring the Dead). The complete schedule is below, but first, a video… Continue reading »

Jul 222015
 

Acrania art

 

(Here’s the final installment in a multi-part post that began last week, in which Austin Weber brings us his recommendations for some of the best albums released during the first half of the year. Part 1 is at this location, Part 2 is here, and Part 3 is here.)

Acrania

I know what some of you are thinking, that this is the somewhat well-known slam band from the UK who are also named Acrania. Well, it’s not. In fact, the UK Acrania broke up recently, and the one we are here to discuss today is based in Mexico City, having been a band far longer than the other Acrania anyways.

I first became acquainted with Fearless due to Eliran Kantor’s painted cover, which the artist shared on Facebook long before the album’s release. Yet, shamefully. I only got a chance to check out the record very recently. I’m really glad I did, because Acrania have a very interesting sound and take on mixing the old with the outlandish in pursuit of something new. Continue reading »

Jul 202015
 

Abyssal-Antikatastaseis

 

(In this post Dan Barkasi continues his monthly series recommending music from the previous month.)

June is long gone, but alas, there’s music that needs some light shed upon it!

Apologies for the delay on this one. Life finds a way – to get in the way of my getting this done faster. Thanks, Dr. Malcolm, for the line!

How good was June? It was loaded like a politician’s rhetoric, but not vomit-inducing. In other words, lots of audible goodies! A lot of styles represented, too, possibly being the month with the most diversity thus far.

Let it begin!

AbyssalAntikatastaseis

Chaotic as they are potent, Abyssal’s third album displays a band who continue to hone their craft to devastating effect. This sublime combination of black, death, and doom metal is so crushing that it gives a dinosaur a run for its money. There’s also a little bit more melody than the previous two discs, which is used to great effect. Continue reading »

Jul 202015
 

ni art

 

(In this multi-part post that began last week, Austin Weber brings us his recommendations for some of the best albums released during the first half of the year. Part 1 is at this location and Part 2 is here.)

ni

Ni are a French mathcore band whose madness you have to hear to understand, though to try to explain, they give off a demented Mr. Bungle vibe that’s paired with a hefty jazz influence and more mind-bending polyrhythms than you can possibly keep track of. Their new record, Les insurgés de Romilly, has been blowing my mind for the last week with its funky, headbang-inducing grooves and quirky, disorienting nature.

This record is an interesting exercise in combining highly technical, groove-oriented math-metal with prog and experimental inclinations. If death metal and other subgenres try to batter you with speed, then what ni do would be more akin to giving listeners a hit of acid and putting them in a vast, surreal labyrinth. Continue reading »