Dec 112013
 

Continuing my effort to catch up on news and new music I missed while on vacation the last two weeks, here are three more items of interest, again presented in alphabetical order.

SOREPTION

If I had a dollar for every time I’ve seen the phrase “long-awaited and highly anticipated” in a press release about a new album, I could buy a nice new car, or maybe two. But it’s a phrase that absolutely fits this Swedish band’s second album, Engineering the Void. More than three years have passed since the release of their excellent debut album Deterioration of Minds. Even when the band finally released an exciting teaser of new music last June, there was no release date.

Finally, while I was away, the band announced that the album would be released by Unique Leader Records on February 18, and then just two days ago we got a lyric video for the first full advance track from the album, “Breaking the Great Narcissist”, and goddamn, is it good. Continue reading »

Dec 102013
 

The pace of metal is molten, as in the pace of a pyroclastic flow. So much news and noteworthy new music erupts each day that I can barely keep up with it even when I’m paying attention. And over the last two weeks while on vacation, I wasn’t paying attention, or at least not much. Trying to catch up with everything that happened while I was away would be foolhardy — because while digging back through even two weeks’ worth of events I’d be missing a lot of what will happen over the next two weeks.

Having said that, I do want to make at least a partial stab at catching up, based in part on messages I received from my NCS co-writers and in part on a few random forays of my own while on vacation. There’s a high likelihood that many of you already know about what I’ve chosen to feature in this multi-part “Catching Up” series, but some may not, so I’m forging ahead. In this first part of the series I’m collecting release information plus new songs or videos by three excellent bands, in alphabetical order.

BEHEMOTH

These Polish titans have a new album entitled The Satanist that will be released by Nuclear Blast on February 3 in the UK, February 4 in North America and Poland, February 5 in Japan, and February 7 in the rest of Europe and the world; it’s now available for pre-order in Europe here. While I was gone, the talented artist Denis Forkas Kostromitin revealed the album’s cover art, which you can see above. It’s a piece entitled “Chalice of Severance” and is described as “acrylics, gilding and blood on linen” — the blood being that of Behemoth’s frontman Nergal. Continue reading »

Dec 092013
 

(Guest writer Alain Mower is back with recommended releases appropriate for the season.)

As prophesied in ice and fire, winter has come and – as pointed out in Ben’s guest article ”At the Heart of Winter” – with the change of seasons into the most dark and frostbitten of them all, in conjunction with the beginning of hunting list season, we need a little extra something to help offset the fact that we can’t just hibernate this season of stillness and death behind us.

Also, while undeniably a necessary part of any tried and trve vinter, I’m going to try and leave off the classics in favor of featuring some (relatively) modern releases that are more recently bidding for the throne of winter. It’s not that Immortal, Windir, and Ulver haven’t put out the most quintessential albums of the season, it’s just that some young wolves are just getting their first real taste of fresh blood, and they deserve some mentions too.

Also, not all the releases listed here are metal, but I will argue to the death that all of them are Winter. So, without further longwinded gusto, here are ten albums guaranteed to help you meet the heart of winter head on. Continue reading »

Dec 092013
 

(In this guest post, our friend Booker both features some of the metal videos he has enjoyed most during 2013 and offers opinions about the evolution of music videos generally and about their proper use — and misuse.)

Okay, so I’ll warn you up front, I don’t know where I’m going with this post. Also, it contains some NSFW imagery. Blind leading the blind through the land of boobies? Or probably more likely: a rambling fool preaching to the much more knowledgeable choir? Sound good? Okay, let’s go…

This all started with a few videos I’ve seen that stuck with me recently, which set off that dangerous process called “thinking”; particularly hazardous in the hands of the uninitiated. First up, there’s somewhat of a process of déjà vu here, in that Andy Synn has previously posted a foray into the art of the music video about 2 years back which is still just as relevant today:

https://www.nocleansinging.com/2011/11/07/f-videos-how-do-they-work/

Let’s get into some of the video goodies that perked my interest – some of these have featured on NCS before. Continue reading »

Dec 082013
 

(You can’t say we don’t take care of our broke-ass readers. DGR brings you word of some free Bandcamp releases that are worth your time.)

We’re broke, we’re all broke. We were broke before the holiday season and we’ll be broke after it. One of the huge unifying things among musicians and fans these days, especially the most fervent ones, is that it seems like we’re always fucking broke. That’s why when a band releases something for “name your own price”, which is usually code for “free”, and it is really good, I try to get it out there. While it is always suggested that you donate generously to these groups, it’s nice to get these experiences, and truly enjoy some artwork with serious passion behind it, for little up-front.

So, I found myself slowly (very slowly) collecting free projects over the past few months that had just come out that I found enjoyable and wanted to spread out to the world. This time, the collection includes a bedroom guitar virtuoso project — ever the staple of the name your own price scheme –, a grind band hailing from the Pacific Northwest, and a melodeath project hailing from lovely Corona, California, home of many things and places that are within the city limits of Corona, California. Continue reading »

Dec 082013
 

(Our supporter xBenx has compiled a series of guest posts, this being the ninth installment. Each one focuses on a different band that he fears may have been overlooked by the masses, and today the spotlight is on the now-defunct UK band My Cross To Bare.)

There’s nothing worse than wasted potential, especially in music. The number of bands I pine over for having released only one album, or worse, one demo, is endless, though it’s not as if my grief will subconsciously force them to release anything more. My Cross to Bare falls into this category. They should have gone on to become one of the UK’s best (extreme) bands. They were even on Siege of Amida at one point (at a time when that label was on a signing frenzy) for their second album, and this made me beyond excited.

Regrettably, it wasn’t meant to be. Apparently, that second album was recorded but never unleashed, with no explanation as to why or how. All that’s left was their monolith of a debut, which combined death, grind, and a dash of hard/noisecore so emphatically that it was startling. A fitting epitaph it seems: Continue reading »

Dec 072013
 

(In this extensive guest post, Booker details the history of Greek band Chaostar, reviews the band’s discography, and provides lots of sample music and videos.)

Every now and then some of our favourite metal musos delve into that ‘other’ territory of music – you know, that strange place that incorporates all those non-metal genres. It’s terrifying to think some people actually enjoy pop for example, but the world is a dark place, full of all kinds of horrors and outlandish fetishes. While we’re all familiar with fusion of metal with other genres, what I’m talking about here is when metal musicians release entire albums with their feet squarely planted in non-metal territory. And if you’re reading this blog you’d probably agree with me that metal can boast some of the most amazing musicians on the planet, so it can be interesting to see what their minds produce when put to other ends.

Which brings us to the topic of this here rant – Christos Antoniou, of Septic Flesh, not only sports some of the greatest dreads in metal, but has revealed himself over the years to be quite a creative individual indeed, and with a degree from the prestigious London College of Music, it should be no surprise that he is responsible for the symphonic elements in Septic Flesh’s works, particularly more prominent on their latest albums. But probably lesser-known is that he has also been the helm of a side-project in the form of Chaostar – a neo-classical “band” he uses to pursue his more experimental side as a composer.

Over the years the band has also included other members of Septic Flesh — Spiros Antoniou (aka Seth Siro Anton, vocalist; who has also done some of the band’s artworks), and now Fotis Bernando (drummer for Septic Flesh) — as well as a cross-over of musical elements between the bands. So if you’re in the mood for a retrospective look over their discography of experimental, often gothic, but largely non-metal, works, read on… Continue reading »

Dec 072013
 

(Our supporter xBenx has compiled a series of guest posts, this being the eighth installment. Each one focuses on a different band that he fears may have been overlooked by the masses, and today the spotlight is on the sadly departed Boston band Grief.)

Grief were such a mystery to me, in the sense that when I first discovered them there was miniscule info to latch upon (shows how old I am). Yet, tracking down most of their albums was pretty easy, even ten years ago. Now it’s more arduous, although Come to Grief’ is, somewhat strangely, on iTunes. But I digress. What about the music?

It’s tortured, misanthropic sludge of the highest order, for me, even higher than that of Eyehategod. Controversial I know, but Grief just had a broader sonic palette and better songs that can worm their way nefariously into your brain. Continue reading »

Dec 062013
 

(In this guest post, Johan Paulin features an eye-popping list of metal bands, all of whom hail from the same relatively small town in northern Sweden. Tons of music in here, too.)

As most metalheads with more than a fleeting interest in extreme metal know, Sweden has been a forerunner ever since Quorthon struck his first minor chord back in the 80’s. The explanations for how a population the size of Sweden’s could spawn so many good metal bands have varied, and I won’t get into them now, but it’s safe to say that the great band / population ratio is over the top. Still, for  all the bands you do know, dozens more toil in more or less obscurity and deserve a better fate. Thus, when Islander called upon us readers to contribute while he took a well-earned vacation full of cloudgazing and Krokodil [http://en.wikipedia.org/wiki/Desomorphine], I decided to take the opportunity to champion some of the great bands that originate from my hometown of Umeå, Sweden.

Umeå is located in the northern part of Sweden and has a population of about 120,000 in the whole municipality, making it the 12th largest city in Sweden according to The Font of All Human Knowledge. If that may seem laughable to many of you, you’ll be rolling on the floor when I tell you that the population of London is equal to the population of my whole country! So, fuck demographics and let’s get on with the metal. Continue reading »

Dec 052013
 

(In this guest post, Booker identifies works of literature that he was inspired to read as a result of metal, along with the specific music that provided the push. If you’ve had similar experiences, we’d like to hear about them in the Comments, along with any thoughts you might have about Booker’s post.)

Well, if you’re reading NCS, you’ve probably come to the conclusion that metal is one of mankind’s greatest creations. When I’m feeling generous I’d even expand that to music in general. You know what one of human beings’ other greatest creations is? Sending humans to an orbiting lunar body in specially controlled atmospheric craft and protective suits? Pfft, no! Using a modified virus to evoke lasting immune responses to deadly diseases? Meh.

What I’m talking about is writing. That’s right, writing, without which those other achievements wouldn’t even be possible. When you think about it, it’s pretty mind-blowing that we can scrawl lines on paper, and now digital displays, and someone else can look at those hieroglyphics and almost instantaneously discern meaning, enabling us to convey ideas and thoughts to someone else without even talking to them! From one side of the planet to another, or even from one mind to another across the abyss of time and the divide of death. Think about that after smoking a few pipes (oh my god, it’s like there’s people reading my mind!… over the internet!… and I’m reading some thoughts from someone who’s dead!… woooaahh).

And with writing came literature (and humorous toilet graffiti).  Not surprisingly, given the vast array of ideas and storylines conveyed by literature, some of those works have in turn inspired musicians to craft musical works covering the same themes, and when metal musicians do it you get what I’d call a veritable orgy of humanity’s greatest creations – metal meets literature, all getting off over each other. That’s what I’m talking about! But what I’m going to cover here is taking this one step further – not just metal albums inspired by literature, but albums/songs/bands that have in turn inspired me to go back to the source and read the inspirational literature in question. Continue reading »