Sep 052022
 

In our never-ending mission to drown people in heavy music we have another roundup to start the new week. We’re doing this even though today is a national holiday here in the U.S., and the culmination of a 3-day holiday weekend. Canada also celebrates the same holiday today, the first Monday in September. Much of the rest of the world observes a similar celebration, but does it on May 1st.

The holiday is generically in honor of “workers”, but really began as a celebration of the labor movement (or “labour”, as they spell it in Canada). “Union” has become something of a dirty word in the U.S. over the last 40 years (in that time the percentage of American workers who belong to a union has fallen by half), though labor organization seems to be experiencing at least a modest resurgence in places like Starbucks shops, Amazon warehouses, and Google’s cafeterias. More power to them.

The holiday has really become just another excuse to have a 3-day weekend of sleeping, eating, drinking, and hanging out with friends. Here in the U.S., tradition also has it that you’re not supposed to wear white after Labor Day, since it unofficially marks the end of summer. But you probably don’t wash your underwear very often anyway, so you’re good. And who wears white band shirts, I mean other than Andy Synn?

Where was I?

Oh yeah… drowning visitors in heavy music. That mission goes on, ’cause we don’t observe holidays at this clinically obsessive place (as if you couldn’t tell from the three posts that preceded this one today). Continue reading »

Sep 032022
 

A meteor didn’t hit my house, fast zombies didn’t attack, and I didn’t prostrate myself before the demon alcohol last night, so I was able to prepare this roundup of new songs and videos.

There’s obviously a lot to take in here, but after an opening trio of death metal malignancy and malevolence the music goes in lots of other directions, some of which I think you’ll find surprising. Lots of cool cover art too.

IMPRECATION (U.S.)

The opening of this first song creates an eerie and queasy mood, in keeping with its title. The main part of “Bringer of Sickness” also channels disease through its dense, writhing and roiling riffs, palpitating drums, and malignant growls. But Imprecation also administer savage, primitive slug-fests and disemboweling gouging, and bring in both supernatural organs and wraith-like soloing to make the experience even more hideously chilling. Continue reading »

Sep 022022
 

Because this is a Bandcamp Friday a ton of bands and labels have launched singles and other releases to take advantage of the opportunity for a bit more income. I wish I could put the spotlight on a dozen or more of them, but I just don’t have the time for that. Instead, I’m reduced to throwing a few mental darts into that great mass and pulling out what got hit.

Barring a meteor strike on my house, an invasion of fast zombies, or prostration before the demon alcohol tonight, I should have another roundup of new music for you tomorrow.

DYNG FETUS (U.S.)

To help propel the launch of a North American tour that starts today, Dying Fetus have released a new single (with a video) named “Compulsion For Cruelty“, which apart from a 2018 split is their first new music since 2017’s Wrong One to Fuck With. Continue reading »

Aug 302022
 


Goatwhore – Photo by Stephanie Cabral

 

This Tuesday roundup of new music will be shorter than usual, but hopefully you’ll still find it sweet. Without further ado…

GOATWHORE (U.S.)

Goatwhore have a well-deserved reputation for being one of the hardest-gigging bands around, and every one of the half-dozen times I’ve seen them they’ve played as if it would be their last show. You always get your money’s worth from these dudes when they hit a stage. But somehow they found time amidst all the touring — no doubt aided by the pandemic shutdown — to punch out a new album where, once again, angels will fear to tread. The title of this one is Angels Hung From The Arches Of Heaven.

It’s been a five-year wait since Vengeful Ascension, and Goatwhore have made up for that with 47 minutes of music. The album also includes the work of a new bass player (Robert “TA” Coleman) and it’s the band’s first production with Kurt Ballou who worked along with producer Jarrett Pritchard in his second effort with the band. Continue reading »

Aug 272022
 

I’ll dispense with the usual long-winded introduction to this Saturday round-up and just say that to assemble today’s collection I picked five songs from forthcoming albums, and chose them not only because I think they’re all extremely good and very intense, but also because the twists and turns from one to the next (and sometimes inside them individually) will keep you on your proverbial toes.

MORTUOUS (U.S.)

It’s difficult to pick out the most memorable aspect of the first song (“Graveyard Rain“) that I’ve chosen for today’s round-up, but it might be the spectral ring of mournful guitar (and perhaps piano) arpeggios that create a mood of haunting sorrow during the track’s slower and more magisterial movements.

But a stupefying death metal maelstrom surrounds those moments — a massed assault of maniacal riffing, thunderous drumming, and truly abyssal growls that sound like the fury of an ancient crocodile god. However, despite the breathtaking power and ferocity of the barrage, the song is also home to some killer riffs, and a magnetic solo, and the tornado of sound doesn’t obscure them. Continue reading »

Aug 242022
 

 

Maybe you noticed that I posted no round-ups last weekend, neither the usual Saturday SEEN AND HEARD nor the usual Sunday SHADES OF BLACK. An annual two-day event connected to my day job proved to be too disruptive, even though it was a shitload of fun. So, the grab-bag of new music has swollen, continuing to fill since the weekend. I kind of blindly stabbed into the bag this morning until my hands filled up, and here’s what I chose from those handfuls.

I imagine these selections will cause people to feel like they’ve been blindfolded, spun around a dozen times, and then let loose to stumble about and run into hard objects at every turn. It’s a fun thing to think about.

BOTCH (U.S.)

Okay, I fibbed a little. It wasn’t blind groping that led me to this first song and video but a surprising press release and a torrent of “Holy Shit!” from assorted friends online. About what you’d expect when you get the first new song in 20 years from an influential and much-beloved band like Botch (especially beloved up here in the U.S. Pacific Northwest where they originated). Continue reading »

Aug 182022
 

The last 24 hours brought forth a deluge of new songs and videos, from names both prominent and obscure. It completely messed up my plan to use today’s column as a way of continuing to catch up with new stuff that emerged over the last week. Hopefully I’ll be able to get back to that, but everything in the following collection is hot off the presses.

AUTOPSY (U.S.)

Prepare for a heaving and stomping death/doom horror of massive proportions that screams, roars, and leaves pain and madness in its wake… and also convulses in outbursts of mindless marauding savagery, all of it accompanied by a suitably chilling video. So deep into their career, Autopsy still know how to make even long-lived metalheads sit up and take notice. Continue reading »

Aug 172022
 

We had another rare day today when there were no premieres on the calendars. Because I write almost all of those, this gave me some extra time to use in compiling another roundup of new songs and videos. But then my fucking day job unexpectedly reared its head like a hungry serpent, and greedily consumed almost all that extra time. So, this roundup wil be short, but hopefully you’ll find it sweet.

BLACK LAVA (Australia)

I always get a thrill when I see a new cover painting by Paolo Girardi. One of these days I’ll then discover that some album adorned by his artwork turns out not to be worth recommending. Maybe that has already happened at some point in the past, but if so I’ve forgotten it. It didn’t happen today.

What I saw today, and what you now see, is Paolo‘s cover painting for a debut album named Soul Furnace by Melbourne-based Black Lava. Lots of molten vulcanism in that verbiage, and the just-released title track provides some justification. Continue reading »

Aug 152022
 

This is a rare weekday when we have no music premieres on the calendar, and thus I had some uncommitted time to use in sifting through the murky metal flood in search of other shiny nuggets. Coincidentally, it leads to the fifth day in a row when I’ve been able to pull together a round-up of new sights and sounds, creating our own flood. May you keep your nostrils above the tide.

For moi, part of the fun of these exercises is not just the process of making selections but the arranging of them. What comes first, what comes next, how to end? It’s as close as I’ll ever come to being a DJ. I wouldn’t be a very good one in any event, because the idea of enabling people to flow fairly smoothly from one thing to the next in a similar sonicsphere is usually uninteresting to me. Sometimes it’s more fun to create whiplash through abrupt shifts and jarring juxtapositions.

APHONIC THRENODY (International)

Aphonic Threnody never indulge any temptation for half-measures. The immense power of their funeral doom has proven to be unyielding, and so has the volume of the output. This year marks the third in a row to witness a new Aphonic Threnody album, following on the heels of The All Consuming Void and The Great Hatred. Moreover, those two were hour-long records and the one we’ll receive this year — The Loneliest Walk — is a double-album that’s almost 2 1/2 hours long. Continue reading »

Aug 132022
 

 

This makes three days in a row where I found enough time to compile a roundup of new music and videos. I can’t remember the last time that happened, but it was surely long ago. And not only was I able to do this three days in a row, but time also allowed me to pack an extravagant amount of music into this third compilation.

I also think it’s fair to say that what I picked ranges far and wide — and I’m not just talking about the bands’ global locations. I suppose it’s possible there’s someone out there who won’t find one damn thing to like among these seven songs, but I’d be surprised if that were true.

LIGHTLORN (Sweden)

I don’t usually lead off these collections with an unknown band’s very first published song, but this one dropped my jaw. I became so enthusiastic about such a welcome surprise that I would have been ashamed at myself if I hadn’t put it in the starting position. Continue reading »