Jun 072020
 

 

I’m not as prone as some writers around here to make exceptions to our rule about singing (I’m looking at you Mr. Synn), but I fell prone before all the singing voices in this selection of songs, and the music that accompanies them. But don’t worry… in the next installment of this post I’m sure I’ll revert to the usual nastiness.

OCEANS OF SLUMBER (U.S.)

I guess most people know by now that Cammie Gilbert has a stunning voice. If you don’t know, you’ll find out through this first song and video. You’ll also find out she has some very talented people behind her, including drummer Dobber Beverly, who plays in a lot more extreme bands than this one and delivers a beautifully nuanced performance. Continue reading »

Jun 072020
 

 

I’m way behind in putting together compilations of new music and videos that I want to recommend. Yesterday, after hours of listening, I assembled more than two dozen of them that I discovered just over the last week. I had the fantasy of presenting all of them in alphabetical order in this Overflowing Streams format (short on words and visual art but long on music).

This morning I realized that would be a herculean task, and I’m no Hercules. So I abandoned the alphabetical idea and have arranged the collection with different ideas in mind and divided the post into Parts — because I’m not sure how far I’ll get. There should be at least one or two more installments today.

By the way, I decided to do this instead of the usual SHADES OF BLACK post today, though I’ve made sure to include new black metal in the collection, beginning with…

AKVAN (Iran)

The Persian tar (a type of four-stringed lute) is the star of this first song, along with the mesmerizing, melancholy melody that it voices. It provides the beating heart of the song even after the music rises into a tumultuous storm of thundering drums, scathing riffs, and scorching vocals. Fascinating, fierce, otherworldly, and glorious, the song is a tremendous thrill to hear. Continue reading »

May 292020
 

 

This has been a weird week: Until now, I haven’t managed to assemble a single round-up of new music and videos. I have written a dozen premieres, some of those full albums or EPs, as well as getting other people’s writings ready to post, so it’s not as if I’ve been a complete slug. But even with all that, in a normal time I’d still manage to curate a collection or two of new things.

Instead, this week I’ve noticed that after mid-day I tend to fall into a malaise, and find it difficult to do much of anything except force myself to tend to the occasional demands of my increasingly not-very-demanding day job. I think I know why this is happening, and might explain it tomorrow. But for now I’ve roused myself enough to get this round-up completed before giving up again. I’m way behind and hope to do more tomorrow.

SELBST

In this first kaleidoscopic selection, you’ll be engulfed by riotous drumming and cascades of harrowing and blazing guitars, whose multi-textured sounds channel feelings of grim devastation and flashes of feral ebullience. The deep roaring vocals have a tormented countenance, and the dense sounds that surround them have a sweeping quality, creating a mixture of mayhem and extravagant brilliance. Continue reading »

May 262020
 

 

(So far, Neill Jameson (Krieg, Poison Blood) has shared with us (here and here) two playlists of musical suggestions to help us get through the current plague time, and today he follows those with a third selection.)

I’ve been a little slower than I wanted to be with this third quarantine playlist, slow to the point where the country decided the virus is like black metal and moved on to grind.  Or something like that, I’m probably mixing my irritations up. But much like your desire to hug all the homies “when this is over” these playlists aren’t going away. Well, after the fourth one it will, but let’s suspend disbelief for a minute because these are TRYING TIMES and my inability to get a haircut makes it illegal for me to be in close proximity to a school. Catch-22 though, there’s no kids in there anyway.

Moving on. I think the format to this is pretty much established, especially since I see a few people biting off it, terminology and all, so let’s get into it. Continue reading »

May 232020
 

 

We’re now continuing on with the mega-collection of new songs and videos we began here yesterday, resuming our march through the alphabet beginning with the letter S.

SEROCS (International)

To begin, we’ll throw your brain into a blender set to puree. “Building A Shrine Upon Vanishing Sands” is a brutalizing, electrifying, high-speed carnival ride. The percussive power of the song is punishing, and the vocals (also discharged at high speed) are rabid, while the darting and swirling fretwork is wild and exultant. The guitar soloing is nothing short of spectacular, and propels a song that was already an ecstatic thrill-ride way up into the stratosphere. If the track doesn’t leave you with an ear-to-ear grin, the virus may have mutated and given you facial paralysis. Continue reading »

May 222020
 

 

Time for me to resort to this format again in an effort to pack in as many new songs and videos as I can — a format that’s short on words (and cover art) and long on sounds. I’ve alphabetized the selections by band name and then divided this mega-roundup into two Parts. Part 2 isn’t quite finished, so you’ll have to tune in here tomorrow to catch the rest.

CONVOCATION (Finland)

We begin with frightening yet enthralling funeral doom that has the gravitational force of a black hole yet also levitates — monstrous groaning and pounding heaviness speared by gleaming shards and surrounded by shimmering effervescence and shuddering feverishness, with a haunting instrumental break and an atmosphere that becomes one of ominous majesty.  The variable vocals (both harsh and clean) are absolutely stunning in their intensity, to the point of being terrifying…. and presented through a video that’s also fascinating. Continue reading »

May 202020
 

 

Maybe it’s the mental discombobulation that comes from being basically stuck at home for two and a half months, but I’ve noticed that I’ve started inserting things into these round-ups that don’t fit in with our usual musical interests and that sometimes violate our general (yet historically porous) rule about singing. I don’t want anyone to worry too much about this drift, because extreme underground sounds are always going to be my lodestar, but in today’s collection I’m once again indulging some musical interests that diverge from main lines of NCS.

And yes, there will again be a lot of singing. But just so you don’t get too freaked-out, I’m bookending the collection with some harsher recommendations.

DKHARMAKHAOZ

I found out about this first song just this morning, thanks to a timely message from Rennie (starkweather), who wrote: “Guitar tone is almost like early Portal, but, the bass has far more clank and clatter and then there are chord choices that are more informed by conventional black metal and folk melodies… vocalist sounds like a deadite.” Which made me lament the fact that I haven’t been clever enough to compare vocalists to deadites before. Continue reading »

May 182020
 

 

Formed in 2017, and making it their mission to create morbid black metal of utmost darkness and depravity, The Rite released a debut EP (The Brocken Fires) the next year, and then a demo (The First Sin) in 2019. Now this international group are fast approaching the release of their debut full-length, Liturgy of the Black, with a June 19 release date set by Iron Bonehead Productions.

On this new album The Rite continue along the path they began charting on those earlier releases, combining hope-extinguishing doom riffs, eruptions of merciless savagery, and saturations of gruesome atmosphere to create music that is laden with dread and fueled by the adrenaline of fear. A couple months ago Iron Bonehead provided a striking demonstration of the new album’s horrifying power through the debut of a track named “The Black Effigy“, and today it’s our fiendish pleasure to provide another as we premiere “Necromancy“. Continue reading »

May 172020
 

 

I spent some time yesterday and more time this morning trying to figure out what to include in this week’s SHADES OF BLACK column. It shouldn’t have been an anxious experience, but it has been, because there is so much I wish I could write about and recommend. Though I know no one will live or die based on the choices I have to make, it’s still painful to leave anything good behind.

At one point I took a break from mentally wrestling with myself over black metal and listened to other things. By pure chance I happened to listen to the first three songs in this collection right in a row, and thought they went together beautifully. I added the fourth one as a wake-up call, and as a transition to whatever I wind up including in SOB.

AMIENSUS

Minnesota’s Amiensus should need no introduction to faithful visitors to our site. We’ve been writing about their music, and occasionally hosting premieres of it, since 2013. Obviously, we are fans, and you should be too. If you happen to be newcomers, you’ll soon have a chance to get on board because Amiensus have a new album named Abreaction that will be released this summer by Transcending Records. Continue reading »

May 162020
 

 

I hope your weekend is treating you well. Because I didn’t over-do things during my usual Friday night virtual happy hours, I was able to spend some time catching up with new songs and videos this morning, and I picked these to share with you. It’s an eclectic mix, even by the standards that I usually apply to these round-ups in an effort to ensure variety (and to keep our visitors off-balance). Lots of videos in this particular collection, too.

TRIPTYKON (Switzerland)

To lead off, here’s a video of a live performance by Triptykon of “Rex Irae” from Celtic Frost’s Into the Pandemonium. The song is the first movement in the “Requiem” trilogy, which also includes “Grave” (performed for the first time at the same concert where this video was filmed) and “Winter” (which first appeared on Monotheist).

The performance of all three movements of “Requiem” took place at Roadburn 2019, and Triptykon was accompanied by the Metropole Orkest, by Hannes Grossmann on drums, and by vocalist Safa Heraghi. The orchestration was composed by Alkaloid and Dark Fortress frontman Florian “Morean” Maier, working with Tom G. Warrior. Continue reading »