Aug 272021
 

 

As I hoped, I had time to compile a second round-up on this Friday… and I have ideas for a third one tomorrow, so do check back. There’s no sandwich this time, unlike the first compilation today, just a severe case of whiplash as you go from the first song into what comes next.

DAWN OF SOLACE (Finland)

It appears that the revival of Dawn of Solace by Tuomas Saukkonen will be a lasting one, because a new album named Flames of Perdition is now set for release on November 12th via the Noble Demon label, and the first item I chose for this collection is a video for its first advance track, “White Noise“.

The emotional power and intensity of the song absolutely floored me. The intensity builds steadily, from its soft and wistful beginning through grim, heavy chords, neck-cracking drums, darting riffs, and the soaring, spine-tingling voice of Mikko Heikkilä (of Kaunis Kuolematon). It reaches a zenith of dark and moving impact via a stunningly beautiful and deeply moving guitar solo by Jukka Salovaara. Continue reading »

Aug 262021
 

 

As you can see, I found time to stitch together another round-up of new music today. As usual, it barely scratches the surface of new songs and videos I’ve spotted this week, but I thought the choices would collectively give our visitors whiplash, and it pleased me to think so.

The music I’ve chosen for today comes from three pre-established personal favorites and one newcomer that’s already made a very positive first impression.

GOAT TORMENT (Belgium)

We begin with a supercharged adrenaline rush, a track that delivers storming, Marduk-like sonic warfare which marries bullet-spitting and bomb-throwing drums, wild, incendiary riffing, dominating vocal savagery, and an exotic wailing solo with an Arabian flare. Continue reading »

Aug 252021
 

 

(Our old friend Justin C returns to NCS with the following review of the new album by the re-named Seattle band Filth Is Eternal, which will be released on August 27th by Quiet Panic.)

We’ve all been there. Grandma wants to hear some of the rock ‘n roll music the crazy kids are making these days, and Fucked and Bound is an obvious choice. Grandma needs a shot of adrenaline, not some droning doom, after all! But will the name be too off-putting? Especially after church?

Well, the band has made your life a little easier now with a new name, Filth Is Eternal. No, they haven’t changed the name in a craven attempt at Top 40 success, or probably even for Grandma. It just turns out that getting the word out about all your hard work during a pandemic, with no live shows plus social media platforms flagging you left and right for potentially being naughty content, your choice might come down to a name change or complete obscurity, as the band explained to Decibel last month. Continue reading »

Aug 252021
 

(Andy Synn would like to remind you all that only Death (Metal) is real)

I was doing an interview recently where I was asked “what makes a good Death Metal band?”

And, you know, for a moment I was stumped.

You see, they weren’t just asking about tuning, or tempo. Nothing so prosaic as that. They wanted something fundamental, something that transcended styles and sub-genres, something beyond technicality or brutality or melody.

But, eventually… it hit me.

It’s not about how fast you can blast, how low you can go, how huge you can groove… it’s all about love.

You heard me right. Underneath it all Death Metal is driven by love. Specifically the love of Death Metal.

And it’s the ability to convey and communicate that love, no matter what forms it takes, how technical or brutal, how melodic or symphonic, how dissonant or discordant or slam-tastic, which makes – or breaks – a band.

So let it be written, and let it be known… these three bands really love Death Metal.

Continue reading »

Aug 252021
 

 

The seasons trace a cycle of death and re-birth in the natural world. Winter is commonly regarded as the season of death, the descent of bitter cold and stricken leaves, of creatures in hiding and comforts lost. These days, of course, death seems more ever-present than ever, with no regard for seasons, even as we think of baking heat and burning landscapes rather than frigid domains. Sometimes it seems that we’re in the midst of an endless winter of the soul.

Winter is the main protagonist of the forthcoming second album by the Italian band Veil of Conspiracy, and when you hear the band’s mesmerizing amalgam of doom, death, and black metal, you can easily understand it as a transfixing portrait not only of the season but of the darkness of our own freezing journeys through grief, despair, and solitude.

Echoes of Winter is the album’s name, and today we have a full stream of it for you in advance of its release this coming Friday by BadMoodMan Music. Continue reading »

Aug 242021
 

 

For those familiar with the previous recordings of the California death metal band Ruin, it will come as no surprise that their new album Spread Plague Death is ruinous — ruthlessly unapologetically ruinous, in multiple ways. It’s titanically crushing, subhuman in its savagery, grotesquely filthy in its sound, and unrelenting in its devotion to building a macabre atmosphere of mutilating depravity and horror. It also happens to be perversely contagious and neck-wrecking as well as sadistically grotesque.

The band’s success in creating such tremendously obliterating destructiveness coupled with so many blood-congealing terrors, and doing so over the course of more than 44 minutes without overpowering a listener’s endurance isn’t a matter of happenstance but of calculation. It’s a testament to the band’s songcraft and an attention to detail that might not be expected, given how steadfastly brutal, morbid, and maniacal their strategies are.

You’ll have a chance to discover this for yourselves, assuming you’re not faint of heart, because we have a full stream of the album for you, just a few days away from its August 27 release by Nameless Grave Records and other allied labels. Continue reading »

Aug 242021
 

 

(Here’s DGR’s review of the latest album by the UK extreme metal band Necronautical, recently released by Candlelight/Spinefarm.)

Necronautical are a band we’ve been lucky enough to cover since their first record. They’re a somewhat familiar name around these parts since all of their releases have been here and they’ve been the subject of a Waxing Lyrical piece too. In fact, the group’s newest record – and second for Candlelight RecordsSlain In The Spirit is now my own third go for a review with this group. So there’s something of a written record of the band here as they’ve grown and evolved into the creature they are today.

We’ve watched as they’ve shifted in terms of both subject matter and the meaning of their name, expanding the group’s lyrical and philosophical reach into explorations of the mind. What was initially a sea-inspired voyage started to become journeys into deeper recesses of spirituality — still nautical, but less literally than before and, given the creeping influences of symphonic black metal on the group’s sound, increasingly ‘necro’ with every release.

Slain In The Spirit is the latest expansion of that, as it works as a natural evolution of what the band started on Apotheosis. The songs presented here are about as expansive as they were on the previous release but this time around, Necronautical have become a little bit more focused in the two years since Slain’s predecessor. Continue reading »

Aug 232021
 

 

Three excellent Greek black metal bands — Moeror, Human Serpent, and Kvadrat — have just released a split in support of a charitable endeavor which they describe as follows:

“All funds gathered through this split release are donated to help and support animals that were affected in the recent Greek wildfires. The consequences of which are going to heavily affect the hurt areas for the years to come. We witnessed the death of an ecosystem and we are facing a new reality that needs every bit of our help. Our goal is to gather funds that will cover the cost of medical care, food and the financial support for the early costs of an adoption”.

By now, many of us are painfully aware of the devastation that out-of-control fires have inflicted throughout Greece, a catastrophe that Greek Prime Minister Kyriakos Mitsotakis has described as a “natural disaster of unprecedented proportions”. It has forced the evacuation of dozens of villages and spawned rage against the government’s handling of the fires, but evacuations have not helped the animals caught up in the conflagrations. And thus the cause supported by this release is a worthy one.

As you’ll discover from our complete stream of the split at the end of this review, the music is also tremendously good, making the purchase of this release a true win-win situation. (The entire split is available now on each band’s Bandcamp page.) Continue reading »

Aug 192021
 

(Here’s Andy Synn‘s take on the new album by long-time NCS favourites Woman Is The Earth, whose new album is released tomorrow on Init Records)

They say, whoever “they” are, that bands are supposed to mellow as they get older.

And while, certainly, this is true in many cases (the new Wolves In The Throne Room, for example, which I almost wrote about instead of this one, definitely feels that little bit more reflective and restrained, and all the better for it) it doesn’t seem like anyone bothered to tell Black Hills trio Woman Is The Earth, as their new album – their first full-length release since 2016’s Torch Of Our Final Night, and their first release of any kind since 2017’s Thaw EP – is more than a match for anything they’ve done before, and proof that their last few years spent in the musical wilderness haven’t dampened their inner fire.

Continue reading »

Aug 182021
 

 

The three members of the Polish war metal band Wrath Division identify themselves by latitude and longitude coordinates rather than names. Finding nothing about the significance of these coordinates in the promotional materials for the band’s debut album, Barbed Wire Veins, we resorted to Google maps, and made these chilling discoveries:

Vocalist: 7°41’22″N 59°57’0″W — the site in Guayana of the 1978 Jonestown mass murder-suicide that killed over 900 men, women, and children
Guitarist/bassist: 34°24’N 132°27’E — the approximate location of the 1945 atomic bomb detonation above Hiroshima, Japan
Drummer/vocalist: 44°6’23″N 19°17’49″E — the town of Srebrenica in Bosnia and Herzegovina, site of the genocidal slaughter of more than 8,000 Bosniak Muslim men and boys during the Bosnian War

And if those examples of humanity’s capacity for self-destruction aren’t grim enough for you, wait ’til you hear the album.

You won’t have to wait long, because we have a stream of all 10 tracks today, just days away from its August 21 release by Godz Ov War Productions and Left Hand Sounds. Continue reading »