AN NCS EP PREMIERE (AND A REVIEW): ASCHENVATER — “LANDUNGSFELDMASSAKER”

 Album Reviews, Premieres, SHORT BUT SWEET  2 Responses »
Apr 292021
 

 

“The band name ‘Aschenvater‘ is inspired by the universe of Warhammer 40K. The sound is raw and destructive, like the rotting battlefields of the drop site massacre. Oldschool Death Metal is the perfect way for us to bring the content and the energy of the lyrics together with the music. The HM-2 is sculpting the violence and brutality of the fights in clay”.

This is how this German death metal trio introduce themselves, along with references to the inspirations of Bolt Thrower and Hail of Bullets. And to underscore the influence of Warhammer 40K, they named their debut EP Landungsfeldmassaker, in memory of a battle on Istvaan V, the “drop site massacre” as rendered in German, which is the language used for all the EP’s lyrics.

But when you listen to the EP’s seven songs you’ll come away convinced that this is no game, but is instead a viscerally powerful rendering of the mayhem, the bloodshed, and the desolating misery that plagues all human warzones. The grooves in the music are often massive and the riffing often highly infectious, but the overarching atmosphere of the EP is one of shattering decimaton and soul-crushing hopelessness.

And today we invite you to experience all of that for yourselves via our premiere of a complete stream of Landungsfeldmassaker in advance of its April 30 release (tomorrow!) by Dead Center Productions. Continue reading »

CHOCOBO BAND: “TALES FROM OTHER WORLDS”

 Album Reviews, Exceptions to the Rule  No Responses »
Apr 292021
 

 

(TheMadIsraeli returns to NCS with the following recommendation of a new album released by Chocobo Band from Italy.)

I’ve been working on a big project for the website (hence the lack of activity, but trust that I’ve been keeping up with the music), and I’ve been gaming a lot, so I had a real excuse to just sit down and listen to music. I’m currently replaying through Blasphemous (great game btw) while I check out all the albums I personally give a shit about. I wrote an article this year about the relationship and instances where video games and metal intersect, but I was covering it from the perspective of the video games including the metal and not vice versa.

Todays subject of review, Tales From Other Worlds by Chocobo Band, is the inverse. This is a group of metalheads wanting to express their love for one of the most important landmark gaming franchises of all time, and to pay fitting tribute to Nobuo Uematsu, one of music’s greatest compositional virtuosos of ALL TIME.

A proper attempt by people who understand metal covering Final Fantasy music has rarely been attempted, especially this convincingly. Sure there’s one-man cover guys on YouTube, but it’s just never the same. There is always a disconnect between Westerners’ understanding of metal and translating Japanese works into it that feels like the one covering the music just doesn’t quite “get” it. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): BUNKER 66 — “BEYOND THE HELP OF PRAYERS”

 Album Reviews, Premieres  1 Response »
Apr 282021
 

 

Way back in 1970, advertising executive Jerry Della Femina wrote a book in which he asserted that advertising is “the most fun you can have with your clothes on”. Advertising? Really? Easy to scoff at that claim, and to conclude that Jerry’s horizons were way too limited. We’d feel much more confident in claiming that listening to the new Bunker 66 album is the most fun you can have with your clothes on, even if it might make you feel like ripping them off and running wild into the streets.

Even for an audience of dyed-in-the-wool metalheads, we know that’s an audacious proclamation. But this new record, Beyond the Help of Prayers, really is a completely exhilarating thrill-ride, and today you’ll have the chance to discover that for yourselves via our full stream of the album in advance of its April 30 release by Dying Victims Productions. Continue reading »

BONGZILLA: “WEEDSCONSIN”

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Apr 282021
 

 

(We present Gonzo’s review of the new album by Bongzilla, which was released on April 20th by Heavy Psych Sounds.)

Unlike a fine wine, weed doesn’t age well. Even if you keep it stored at just the right temperature, it’ll lose its potency and flavor at around six months to a year. This is quite obviously a bummer and just proves you should embrace the moment and roll up that joint you were going to smoke. Do it quick, before you forget what you were gonna d… wait, what were we talking about again?

Ah, right. It’s been 16 years since we’ve heard anything new from stoner metal mainstays Bongzilla, but as they fire up the amps and pack a fresh bowl for Weedsconsin, they’ve proven that they’re far more resilient than the ephemeral shelf-life of their favorite substance. Continue reading »

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

 Album Reviews  6 Responses »
Apr 272021
 

(It’s the end of the fourth month, so here’s Andy Synn with four killer cuts you may have missed)

As we come towards the end of the month… I take a look at my life, and realise there’s nothing left.

No, wait, sorry, that’s “Gangsta’s Paradise”. Let me start again.

As with every month, April was filled with delights, disappointments, and a diverse array of albums which we simply didn’t have time to cover.

So, in what may or may not end up becoming something of a regular feature, I wanted to dedicate today’s article to providing some short but sweet summations of a handful of high-quality records which might have flown under your radar over the past several weeks.

Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): LUCIFUGE — “INFERNAL POWER”

 Album Reviews, Premieres  No Responses »
Apr 262021
 

 

The German band Lucifuge was born in 2018 as the solo project of Equinox, who wasted no time rapidly discharging a demo, an EP, and the Ride the Beast debut album that same year. The creative fires burned just as hot and bright in 2019, resulting in two more EPs and a second album, Der AntiChrist.

And just last year, Lucifuge released yet another full-length (The One Great Curse) and a single that proved to be the title track to Infernal Power, the latest and most accomplished Lucifuge album yet, which is rapidly approaching its April 30 release date via Dying Victims Productions — and which we’re premiering today. Continue reading »

SHADES OF BLACK (PART 1): DJEVEL, NIGHT CROWNED, MEDIUM

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  No Responses »
Apr 252021
 

 

Much like yesterday I got a very late start this morning, having enjoyed a long night of virtual carousing with a big group of co-workers at my fucking day job. Like yesterday I thought I’d just pull together a couple of things for this usual Sunday column so I wouldn’t be too late in posting it — and again reconsidered. Just too much stuff I want to share.

This two-part post thus provides a lot to take in. I’m confident that few people will enjoy everything I’ve chosen — though I’m equally confident you’ll find at least something to enjoy if you at least taste-test everything I’m recommending.

I organized this collection by beginning Part 1 with two singles that I thought were great companions for each other and then following them with a stylistically very different EP. Part 2, which I’ll post tomorrow, will include streams of five complete releases that I will only have time to introduce briefly.

DJEVEL (Norway)

Like the cover art for Djevel’s new album Tanker som rir natten, the second advance track released last week is lunar in its atmosphere, a wintry nightside excursion that’s deeply immersive. In its manifold sensations it’s dreamlike, depressive, menacing, and I’d go so far as to say romantic. But it’s as visceral as it is mesmerizing, thanks to Faust’s gripping drum performance (the vibrant timpani-like booming is an especially nice touch) and the warm companionship of the bass, performed by new member Kvitrim (Vemod, Mare), who also handles the harsh vocals. Continue reading »

HIDEOUS DIVINITY: “LV-426”

 Album Reviews, SHORT BUT SWEET  No Responses »
Apr 232021
 

 

(DGR tends to move in fits and starts with his NCS writing, and this week he’s had a fit, with this being the third of his posts for us in almost as many days. Today’s subject is the new EP by NCS favorites Hideous Divinity, which is being ejected today (like a blooming facehugger) by Everlasting Spew Records and Century Media Records.)

Hideous Divinity‘s chosen subject matter of different films to frame their overwhelmingly hostile take on brutal death metal has proven fruitful for them over the years. The recent Cronenberg deep-dives have given them much to work from as they take their chosen genre and morph and contort it to fit their musical equivalent of a bulldozer being launched downhill in a mudslide into a suburb. Often stretched into full-albums, the film nods have been blatant, but LV-426 represents the biggest and most upfront statement of subject matter to date.

It’s already struck a chord around here, given the NCS crew’s fondness for the Alien moves to begin with, and so the group’s decision to tackle a more focused subject over the course of an EP was one we were guaranteed to be looking into. LV-426 consists of two original songs and one out-of-left-field yet surprisingly pragmatic cover song for a total of sixteen minutes of blindingly fast music. Continue reading »

AGELESS OBLIVION – SUSPENDED BETWEEN EARTH AND SKY

 Album Reviews  No Responses »
Apr 222021
 

(The long-awaited new album from Ageless Oblivion comes out next week on Apocalyptic Witchcraft Recordings, and Andy Synn wants you to know all about it, and why you should buy it)

It’s a common, and widely accepted, truism that you should never meet your heroes, because chances are they’ll only disappoint you.

The same could, and perhaps should, be said about listening to the long-awaited follow-up to one of your favourite albums, an album which has become accepted by many to be a modern-day classic.

After all, there’s simply no way it could live up to or even come close to satisfying the sheer weight of expectations surrounding it.

…or could it?

Continue reading »

STRANGE TRIPS (PART 2): GHOSTS OF ATLANTIS (“3.6.2.4”) AND TIDES OF KHARON (“TITANOMACHY”)

 Album Reviews, Exceptions to the Rule  2 Responses »
Apr 222021
 

 

(DGR has been spending his listening time with some strange musical creatures and has offered his thoughts about them in a two-part collection of reviews, of which this is the second. Go here to check out Part 1.)

GHOSTS OF ATLANTIS: 3.6.2.4

At this point in my metal fandom I think its safe to admit that there will always be room in my heart for something a little more theatrical when it comes to music. I’m a sucker for things appearing larger than life, buried in bombast, and suffocated by symphonics. If you’re incredibly ambitious and it seems like you may be swinging for the fences on even your first release and coming off just a little bit campier than expected, then you’ll probably have someone who enjoys what you’ve got right here.

Of course all those things don’t necessarily have to apply, so they can be larger than life without having the veneer of a B-grade horror movie, but sometimes the stars align just so that I can’t help but be attracted to it. Like I said, a larger-than-life spectacle can often be just as interesting for me in the world of the extreme, which is how I landed at the debut album from Ghosts of Atlantis. Continue reading »

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