THE MONOLITH DEATHCULT: “V2 – VERGELDING: DAWN OF THE PLANET OF THE ASHES”

 Album Reviews  No Responses »
Apr 252019
 

 

This review is very late. The fault is mainly mine, though I do think the band share a certain amount of the blame. My first trip through their latest album damaged certain vital cognitive faculties (the ones that tell me who I am, where I live, and what day it is), and the injury became more severe as a result of subsequent trips. A memorial service for the fallen brain cells resulted in further delay, even though I was the only person who bothered to attend and the deceased had already been cremated (by the music).

Still, I should have done better, even under disabling circumstances, especially because V2 – Vergelding: Dawn of the Planet of the Ashes has been out since November 15, 2018, when there were still turkeys awaiting slaughter for Thanksgiving (I wonder how many farmers used a stream of V2 to exterminate them?), and I had even received a handsomely packaged (but not autographed) physical edition of the album. Amends must be made, and now they have been (I hope). Continue reading »

SEEN AND HEARD: GAAHLS WYRD, INTOTHECRYPT, SLAEGT, LEVITAS, SIASKEL

 Album Reviews, Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  7 Responses »
Apr 232019
 

 

I’m torn between the desire to back-track and continue to catch up on new advance songs that I failed to notice over the nearly three weeks when I couldn’t devote time to round-ups, and the steady impulse to focus on things “hot off the presses”. This particular collection reflects that schism: There’s a bit of both in here.

GAAHLS WYRD

The timbre of Gaahl‘s voice dominates the opening of “Carving the Voices“, which Metal Hammer premiered a week ago. Like a prophet who might actually be clairvoyant or an ancient enchanter who has just emerged from a centuries-long imprisonment within a gnarled oak, the deep resonance of his voice conveys the possession of wisdom both profound and full of dread. Continue reading »

SHADES OF BLACK (PART 2): DRATNA, GOD’S BASTARD, ZAKAZ, SERPENTINE APOSTLE, FUROR BREVIS

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  1 Response »
Apr 212019
 

 

To have any hope of finishing Part 2 of today’s column I’ve had to carve off some of the releases I had intended to write about too. Painful decisions to be sure, but between Part 1 and what follows in this Part 2, there’s probably too much music for any normal person to focus on already, and too many threats to your financial solvency if you like all of it well enough to go on a spending spree.

Part 1 was devoted to advance tracks from forthcoming releases (and one new single), but this installment includes complete streams of five new EPs, which ought to be enough to thoroughly burn this Easter to the ground. (Four of them are “name your own price” at Bandcamp.)

DRATNA

In the space of little more than a year, the Northern Ireland one-man black metal band Dratna (which is its creator’s name rendered in a medieval Irish language) has released three EPs of increasing quality and coalescing focus. The first two were Clíodhna and Altar (reviewed here), and the latest is An Cath (The Battle), which was on released April 20th. Continue reading »

XAON: “SOLIPSIS”

 Album Reviews  1 Response »
Apr 192019
 

 

(This is Andy Synn‘s review of the new album by the Swiss metal band Xaon, which was released on April 12th by Mighty Music.)

Somewhere along the way we’ve developed a bit of a reputation here at NCS as a site that primarily covers Black Metal (I suppose the fact that my last three reviews were for Darkened Nocturn Slaughtercult, Skald In Veum, and Mephorash might have contributed to that a little).

So, despite the fact that I’m currently in Norway, the home of Black Metal, I decided it was about time to write about something of a less corpse-painted colour, in this case the new album from Swiss Symphonic Melodeath maestros Xaon. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): DEVOID OF THOUGHT — “COSMIC APOPTOSIS”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Apr 182019
 

 

In October 2017 we premiered a demo named Astral Necrosis by the Italian band Devoid of Thought, whose name I thought would also describe the mental state of listeners exposed to the demo’s three tracks. The music was a whipsawing amalgam of death metal and thrash, with the kind of blazing instrumental performances and brain-spinning intricacy that might lead one to slap a “progressive” label on the ingredients as well — except the music seemed too maniacal and vicious for that word. It was insanely good, and also just insane.

Now Devoid of Thought are returning with a new EP, which proves to be just as severely destabilizing and perhaps even more ghoulishly fascinating than Astral Necrosis. Entitled Cosmic Apoptosis, it will be released on April 19th — tomorrow! — by Caligari Records, but we’ve got a full stream for you today. For those who’ve encountered  the earlier demo, you’ll have a decent idea of what’s coming. The following paragraphs are for everyone else — because it would just be cruel to expose newcomers to these three tracks without some kind of warning. Continue reading »

MEPHORASH: “SHEM HA MEPHORASH”

 Album Reviews  5 Responses »
Apr 172019
 

 

(This is Andy Synn‘s review of the new album by the Swedish band Mephorash, which will be released by Shadow Records on April 18th.)

Black Metal, as we all know, contains multitudes. And within these multitudes it also contains (and practically revels in) a multitude of contradictions.

For instance, despite the genre’s seemingly endless (and not entirely unjustified) fixation on issues of authenticity and artistic purity, it’s also one of the most image-obsessed styles of Metal in existence.

That’s not necessarily a bad thing though. In fact I have a lot of respect for those bands who go to the extra effort of ensuring that their visual aesthetic – from their album art, to their promo shots, to their stage get-up – both reflects and complements their musical identity.

Oh, I’ve definitely seen it go very wrong in the past… just throwing on some cheap robes you bought off Amazon doesn’t suddenly make you more “occult”, and no amount of corpse-paint is ever going to make someone like Carach Angren look or sound any less embarrassing… but those bands who really go the extra mile, bands like Mephorash, who match their appearance to their art in every possible aspect, truly offer something a cut above the standard Black Metal experience. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): COSMIC PUTREFACTION — “AT THE THRESHOLD OF THE GREATEST CHASM”

 Album Reviews, Premieres  No Responses »
Apr 162019
 

 

Those of you who are already familiar with Gabriele Gramaglia‘s work in his progressive black metal project The Clearing Path, or his progressive-sludge-post-metal endeavors under the name Summit, know that he is technically accomplished, compositionally inventive, and continually evolving. In his new project, Cosmic Putrefaction, he has turned all those talents in the direction of death metal — and the results are predictably unpredictable.

With the aid of some talented guests, he has recorded a debut album entitled At the Threshold of the Greatest Chasm, which will be released by the always-distinctive I, Voidhanger Records on April 19th, and today it’s our fiendish pleasure to present a full stream of this savagely head-spinning record. Continue reading »

FRACTAL UNIVERSE: “RHIZOMES OF INSANITY”

 Album Reviews  1 Response »
Apr 162019
 

 

(This is TheMadIsraeli’s review of the new album by the French progressive death metal quartet Fractal Universe, scheduled for release by Metal Blade on April 19th.)

I am a HUGE fan of Fractal Universe and what they do.  I find myself, as a result, actually pretty perplexed (from within my small window view) at the extremely mixed opinions on this band across the scene.

It’s progressive death metal with the sort of oddball cross-genre hybridization that I feel we need more of.  The biggest complaint I’ve always heard about this band is that these guys don’t quite have an identity, or that they sound confused in terms of what they want to be. I strongly disagree with this assessment, and honestly wonder if people just don’t “get” it.  I don’t mean that in a pretentious way. I simply mean that I think people don’t get where this band is coming from, or make comparisons that are, in my mind, plainly wrong. Continue reading »

GLOSON: “MARA”

 Album Reviews, SHORT BUT SWEET  No Responses »
Apr 162019
 

 

(This is DGR’s review of the new EP by Sweden’s Gloson, which was released on April 5th by Black Lion Records.)

The sinister atmospherics that run throughout Gloson’s newest EP Mara — coming in two years after their excellent full-length Grimen — are entirely by design and not a happy accident. If any band has shown a keen mastery of the frightening undertone to their music in recent years, Gloson would be included in the discussion. Our premiere of Mara’s first song “Usurper” touched on the song’s sense of presence early in the writeup, drawing contrast to our compatriot Andy’s review of Grimmen and then highlighting the continued intensity that “Usurper” picks up and carries forward on their newest release.

Gloson describe the concept behind the EP on their Bandcamp page for Mara as such:

The concept of our new EP Mara is about our subconsciousness while being asleep; being stuck between the realm of dreams and reality. Portraying personal demons has usually been the agenda of Gloson, and the most graphic and terrifying ones occur during such states.

So if there was any thought that the almost sixteen minutes of crawling sludge and doom across two songs was going to play nice, then Gloson seek to wipe that away fast. Continue reading »

SKALD IN VEUM: “STRIDSLYSTEN”

 Album Reviews  2 Responses »
Apr 152019
 

 

(In this post Andy Synn reviews the new album by the Swedish black metal band Skald In Veum, which was released on April 12th.)

Although I’m not at all religious myself, and have probably broken several key commandments in my time (I’ve definitely coveted my neighbour’s ass on a few occasions), I have to admit I’m still endlessly fascinated by those bands who manage to bring some proper Old Testament fire and brimstone to Black Metal.

After all, while these days it’s become more of a mainstream-friendly corporate conglomerate, the roots of Christianity are awash in just as much blood and dirt, and home to just as many devils and demons and strange superstitions, as any other major (or minor) religion, and the various artefacts and apocrypha left over from this period have provided fertile inspiration for both believers and unbelievers alike over the years.

All of which brings us nicely to Stridslysten, the debut album from Swedish celebrants Skald In Veum, whose particular approach is less “turn the other cheek” and more “rain of fire, pillars of salt”.

So hold onto your hats, ladies and gentlemen, it’s about to get biblical… Continue reading »

 Older Entries  Newer Entries