Album Reviews Archives - Page 368 of 557

SHORT BUT SWEET: HISSING — S/T

May 232016

(Allen Griffin reviews the new self-titled 7″ EP by Hissing.)

Seattle trio Hissing is one of the latest additions to Southern Lord’s formidable roster and they are poised to release their self-titled 7″ in early June. Consisting of two crushing tracks, a little over eleven minutes of music, their sound can be described as an amalgamation of abyss-trawling blast beats, thick gutter sludge, and oppressive, mysterious atmosphere.

While drawing from a range of influences, Deathspell Omega, Portal, and Autopsy are the most obvious touchstones, and while these are not uncommon influences in the current scene, Hissing succeed where others often fail. There is a certain x-factor bands of this ilk rarely possess, but Hissing seem to have in spades. The material here, inspired by the human psyche trying to survive in hostile urban environments, is utterly convincing in both composition and execution. Continue reading »

SHADES OF BLACK (Pt. 2): SXUPERION, COSCRADH, CAVEMAN CULT, BLACK CEREMONIAL KULT, SOLAR MASS, SORROW PLAGUES, VIOLET COLD

Album Reviews, SHADES OF BLACK 1 Response »

May 222016

I continue my efforts to char your weekend to a crisp with this second part of a two-part post I started yesterday, collecting music in a blackened vein that I’d like to recommend. This collection is heavy on blackened death metal rather than unadulterated black metal, with a couple of other twists and turns thrown in. Yesterday’s offerings were mostly on the melodic side of the extremity scale. We’ll eventually get to something like that today, but not until the end. In the meantime, prepare for some monstrous, apocalyptic experiences.

SXUPERION

I discovered Sxuperion only this past January through the band’s split release with a Nebraska black metal band named Verräter (discussed here), although Sxuperion had preceded that split with two full-length albums and an array of shorter releases. For those who might not be familiar with Sxuperion, it’s the solo project of the drummer (Matthew) for two other excellent bands, Valdur and Weverin. Continue reading »

SHADES OF BLACK (Pt. 1): SOL SISTERE, TERRA TENEBROSA, CVINGER, VELNIAS, THRAWSUNBLAT

Album Reviews, SHADES OF BLACK 12 Responses »

May 212016

Over the last week I’ve accumulated a long list of new advance tracks and recent releases that I’d like to recommend. As usual, it’s too much stuff for me to cover completely or in depth. What I’m planning to do is make two collections for this weekend, focusing on black (and blackened) metal, and then compile some additional releases for a Seen and Heard post on Monday. So here’s the first part of a two-part Shades of Black post; the second one will appear tomorrow.

SOL SISTERE

Sol Sistere are a Chilean melodic/atmospheric black metal band composed of veteran members from other groups. Their debut album Unfading Incorporeal Vacuum (which follows a 2014 EP on the Pest Productions label) is set for CD release on June 6 by Hammerheart Records, but a digital version of the album has recently become available for download on the label’s Bandcamp page.

Hammerheart describes the music as a “combination of past elements such as Dissection, Vinterland and Dawn, completed by influences of today” — referring to such bands as Altar of Plagues, Drudkh, and Wodensthrone. These are all worthy reference points, and pretty accurate ones as well (though there’s also a noticeable post-metal ingredient in play as well). This album was intriguing on a first listen and my affections for it have only grown stronger with repeat spins. (The album cover by Misanthropic-Art is also fantastic.) Continue reading »

WITHERED: “GRIEF RELIC”

Album Reviews 2 Responses »

May 202016

(Andy Synn reviews the new album by Withered.)

Make no mistake, despite the almost six-year gap between albums, and a significant line-up shift in the intervening years — with Primitive Man’s Ethan McCarthy and renowned uber-bassist Colin Marston stepping in to replace the departed Mike Longoria and Dylan Kilgore – Atlantean (shut up, that’s the right word) filth-mongers Withered are back with a vengeance… even though I’ll admit Grief Relic didn’t quite “click” with me the first time around. Continue reading »

AN NCS PREMIERE (AND A REVIEW): IN TWILIGHT’S EMBRACE — “TREMBLING”

Album Reviews, Premieres, SHORT BUT SWEET 4 Responses »

May 192016

For me and many others, The Grim Muse by Poland’s In Twilight’s Embrace was one of 2015’s highlights — a multifaceted and uniformly strong melodic death metal album loaded with fantastic riffs, memorable lead-guitar melodies and solos, powerful performances by the rhythm section, and absolutely ferocious vocals. The band are now following that stand-out album with a new three-song EP entitled Trembling, which will be released by Arachnophobia Records on May 25 (which is also the day set for Arachnophobia’s release of a vinyl edition of The Grim Muse). Today we bring you a full stream of the new EP.

These three new songs were recorded by the band during the same sessions that produced The Grim Muse, but were set aside with the idea of this EP specifically in mind. True to the band’s penchant for creating variations in their core sound, each song is distinctive, no one of them quite like the other two — yet all three are both dark and blistering. Continue reading »

SKULL SMASHERS: AMONG GODS, DECEPTIONIST, GRIMUS, HIPOXIA, MINDWARP, MINOTAUR HEAD, TREACHEROUS, SLOMATICS, VEX, VIMIC

Album Reviews, RANDOM FUCKING MUSIC, SHORT BUT SWEET 8 Responses »

May 182016

Is this too much? Songs, albums, and EPs from ten bands collected in a single post instead of divided up and spread out over time so you can have recovery periods in between the skull-fracturing? I’m afraid it might be too much, but obviously not afraid enough to change the plan. Mainly, I’m too impatient to share all this fine new metal to worry very much about your cranial integrity.

In fact, you can think of this as a test for the hardness of your skull. If you can make it to the end, you have a Granite-Level Skull and should consider applying for employment as a crash-test dummy. People with Eggshell Skulls might not make it through the first track; R.I.P. Those of you in between are degrees of semi-hard and semi-soft, kind of like cheese.

AMONG GODS

Three-and-a-half years have passed since I last wrote about this band from Bergen after discovering them through a listening session for a MISCELLANY post. But the opportunity for a rediscovery has arrived, because on June 27 Argonauta Records will release their new album, Ghost Empire. Continue reading »

OKKULTOKRATI: “SNAKEREIGNS” / “NIGHT JERKS”

Album Reviews 2 Responses »

May 182016

(Allen Griffin reviews the last two albums by Norway’s Okkultokrati — which have recently been reissued by Southern Lord in advance of the band’s new album due later this year.)

In anticipation of their upcoming fourth full-length, Southern Lord is reissuing the second and third albums by Norway’s Okkultokrati, 2012’s Snakereigns and 2014’s Night Jerks, respectively. Both show a group at the top of their game, one with a unique identity but also one that’s constantly evolving.

Snakereigns is probably the heavier of the two, at least in the traditional sense. The sound is an amalgamation of metallic hardcore mixed with punishing bits of doom and sludge. What sets Okkultokrati apart, both then and now, is the pure bile they spit through the speakers, a mix of punk snarl and rock-and-roll swagger. Continue reading »

BEST OF GERMAN — AST / THRÄNENKIND / TODTGELICHTER

Album Reviews 6 Responses »

May 172016

(Andy Synn assembles a trio of reviews for recently released albums by German bands.)

A couple of weeks back I put together a collection of reviews under the banner of “The Best of British 2016, Part 1”, chronicling three albums, each from a different artist, currently taking the UK underground scene by storm.

And although I’m currently in the process of putting Part 2 together, you’ll note how I’ve gotten slightly side-tracked by a plethora of sterling releases from our Germanic cousins, all with their roots, historically at least, in the general sound and aesthetic of Black Metal, but all of which offer something strikingly different to the more open-minded listener. Continue reading »

BENEATH THE NCS RADAR (PART 13)

Album Reviews 6 Responses »

May 162016

(Our Norwegian comrade Gorger returns with yet another collection of releases we haven’t previously reviewed. To find more of his discoveries, visit Gorger’s Metal.)

The 13th chapter in the infamous “bellow radar” series is fittingly compiled on Friday 13th [but posted on the 6th because the editor was asleep at the switch — Islander]. If it will air on the same date is too early to tell, and no religion has any “gods of the internet” to turn to.

Still, I hope the date rubs off, and that you have just a little bit of bad luck today. Not much, though. We wouldn’t want that. Continue reading »

THE WRETCHED END: “IN THESE WOODS, FROM THESE MOUNTAINS”

Album Reviews 2 Responses »

May 162016

(Andy Synn reviews the new album by Norway’s The Wretched End.)

So, from one band of Emperor-fixated whippersnappers we move to another group of grizzled veterans masterminded by ex-Emperor guitarist Samoth himself. Sun rise, sun set…

Now I’ve said before that not every band has to innovate to be worth your time. It’s still possible to do something unique, even within the confines of an established sound or style. It’s all about character.

Case in point, you’d be hard-pressed to call what The Wretched End do particularly innovative, but then it doesn’t really need to be… the band have still managed to forge themselves a distinctive identity all their own, firmly rooted in the fertile soil of Death/Thrash and based around the simple ideal of writing kick-ass songs packed full of murderously infectious riffs, humongous drums, and visceral, rib-tickling hooks.

The band’s third album, In These Woods, From These Mountains, does deliver a few surprises of its own, however, the most obvious of which is how much more overtly “blackened” it is than either of its predecessors. It seems you can take the boys out of Black Metal, but you can’t take the Black Metal out of the boys… Continue reading »

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