Album Reviews Archives - Page 384 of 557

AN NCS ALBUM PREMIERE: JESUSEGG — “JESUSEGG”

Dec 222015

If you have any sense of irony at all, you would have a hard time thinking of a better date than Christmas Day for a band named Jesusegg to release an album named Jesusegg via a label named Seeing Red Records, especially when that album has not one fucking thing to do with peace on earth or good will to men (or women). You’ll see (or rather, hear), because if you scroll down in this post you’ll be able to listen to a full stream of the album.

Jesusegg come from Cleveland, a town I think of as one of America’s premier spawning grounds for extreme music that embodies politically charged rage and does so in ways that have lasting power. While hardcore may be the Cleveland genre that comes to my mind first, Jesusegg are split-personality grindcore militants who take their cues from the likes of Human Remains, Discordance Axis, Nasum, Rotten Sound, and Anal Cunt.

This new album collects recordings that span the band’s history from 2003 – 2007, most of which are previously unreleased. It’s intended as a laying of groundwork for new material that’s projected for discharge by the same label before next year ends. Continue reading »

LYCHGATE: “AN ANTIDOTE FOR THE GLASS PILL”

Album Reviews 1 Response »

Dec 182015

(We present this guest review of a fine album by Allen Griffin, who makes his first appearance at our site.)

Dedicated fans of Extreme Metal often suffer from an embarrassment of riches when it comes to finding bands who can competently produce the sounds they yearn for. What these same fans often lack are acts that can provide a sense of surprise and excitement, a feeling we might not have felt since the early days of diving headlong into the genre.

This is what makes Lychgate’s second full-length, An Antidote for Glass Pills, such a startling discovery. This group consists of Vortigern, also of The One (vocals), G.A. Chandler, also of U.K. group Esoteric (vocals), T.J.F.Vallely of Macabre Omen (drums and percussion), S.D. Lindsley (guitar), A.K. Webb (bass), K.J. Bowyer (organ), and F.A. Young (piano). Obviously, with some members being involved with other well-known projects (at least in underground circles), there is some indication this is a side-project, which would be a shame as this group seems to be at least the equal of just about any band out there. Continue reading »

AN NCS ALBUM PREMIERE: SUPREME CARNAGE — “SENTENCED TO THE CROSS”

Album Reviews, Premieres 4 Responses »

Dec 172015

On December 18, Redefining Darkness Records will release Sentenced By the Cross, the new album by Germany’s Supreme Carnage, and today, on the eve of its release, we bring you a full stream of the entire album.

This is music for fans who want lots of juicy red meat in their death metal. It’s not overly complex or wildly inventive. The approach to song-writing is straight forward, with traditional verse-chorus structures. And though they’re from Germany, the band have clearly aligned themselves with old-school legends from the Swedish school such as Asphyx, Grave, Entombed, and Bloodbath — with an embracing of Bolt Thrower as well.

But although Supreme Carnage aren’t out to reinvent the wheel, they are very, very good at what they’ve chosen to do, and Sentenced By the Cross is tremendously satisfying from beginning to end — the songs are heavy as hell, compulsively headbangable, and ridiculously infectious. Continue reading »

KEVINP’S ALBUMS OF THE MONTH — DECEMBER 2015

Album Reviews, Listmania 15 Responses »

Dec 172015

(Here’s the last of KevinP’s monthly selections for 2015, naming his Top 5 favorite albums released or scheduled for release during December.)

Since I’ve had plenty of time with this month’s releases to formulate my list, along with the fact that things start to get slow once Xmas week arrives, you’re getting this a little earlier than normal. Also, my Top 25 Albums and Top 5 EP’s of the Year will be posted the first week of January. Nothing else profound to say, so let’s get on with it. Continue reading »

SEEN AND HEARD ON A SATURDAY: REBEL WIZARD, SHRAPNEL STORM, THE BODY, OCEANS OF SLUMBER

Album Reviews, Exceptions to the Rule, RANDOM FUCKING MUSIC, SHORT BUT SWEET 13 Responses »

Dec 122015

That post title is a little misleading. I’m writing this (somewhat hurriedly) on a Friday afternoon, because the place of employment for my fucking day job is having its annual holiday party tonight, and the odds are I will get fucked up and be in a world of hurt on Saturday morning — because (obviously) I have all the self-control of a three-year-old.

So, this is a selection of new music that I heard and liked on a Friday, presented for your eyes and ears on a Saturday. As you will no doubt expect by now, no two songs sound remotely alike.

REBEL WIZARD

“Rebel Wizard” is the name of a solo project by the Australian musician Nekrasov, whose work under that name is probably better known in certain circles than Rebel Wizard (and whose most recent release I reviewed here last month). The first Rebel Wizard recording that I heard (and reviewed here) was an EP released in July named Negative Wizard Metal. Just yesterday another EP was released on Bandcamp, this one entitled Invocation of the Miserable Ones. It has many of the attributes that made me like the last EP so much. For example: Continue reading »

BENEATH THE NCS RADAR (PART 5)

Album Reviews 5 Responses »

Dec 112015

(Here’s Part 5 of our Norwegian friend Gorger’s entertaining multi-part feature on bands we seem to have overlooked at NCS. Part 1 is here; Part 2 is here; Part 3 is here; Part 4 is here. And be sure to check out Gorger’s Metal.)

Intro shmintro. Now, with those formalities out of the way, lets get to it.

KHORS – THE FLAME OF ETERNITY’S DECLINE (Re-Release)

Ukrainian Khors celebrate the ten-year anniversary of their début, and mark this occasion by releasing the album in remastered edition with new cover art. My two previous meetings with the band, their fourth and fifth albums Return to Abandoned (2010) and Wisdom of Centuries (2012), left me with a decent impression, but not much more. I haven’t forgotten the albums though. At least that’s a good sign.

Something seems to have been lost along the way, for my impressions of The Flame Of Eternity’s Decline are a good deal better. The music here eagerly grabs me and drags me along from the very beginning. Continue reading »

UN: “THE TOMB OF ALL THINGS”

Album Reviews 9 Responses »

Dec 102015

(We present Grant Skelton’s review of the debut album by Seattle-based Un.)

“All is vanity. What does a man gain by all the toil at which he toils under the sun…All things are full of weariness; a man cannot utter it…”

Ecclesiastes 1:2-3, 8

Do you remember the last time you listened to an album, metal or otherwise, that you connected with? I don’t mean an album of good, or even great, music. Not something you put on as background noise. I mean music that sounds like it was written expressly for you. Have you ever heard a metal song, perhaps even without knowing the lyrics, and felt like the music was telling the story of your own life? Something so personal that you’d swear the songwriters were watching your very life and innermost thoughts? For me, Un’s debut The Tomb Of All Things is one such album. Continue reading »

SHADES OF BLACK (PART 2): BLOT, DENIGRATA, LUSTRATION, NOCTURNAL DEGRADE

Album Reviews, RANDOM FUCKING MUSIC, SHADES OF BLACK 7 Responses »

Dec 082015

Here’s the second part of a post I began earlier today reviewing and recommending a selection of albums, EPs, and individual songs I’ve been enjoying recently that are (mostly) in the vein of black metal. Once again, no two bands sound alike, though their music is fueled in part by elements of black metal.

BLOT

Long-time NCS reader and musician CarlSk sent me a very strong recommendation for this next band — so strong that I bought their new album before listening to it. The band is Blot, they come from southern Norway, and in mid-October they released their debut full-length Ilddyrking, which follows a self-titled EP from 2009. Continue reading »

SHADES OF BLACK (PART 1): BATUSHKA, THE LION’S DAUGHTER, TOSKA

Album Reviews, RANDOM FUCKING MUSIC, SHADES OF BLACK, SHORT BUT SWEET 13 Responses »

Dec 082015

This is the first part of a two-part collection of recent discoveries I’ve made in the vein of black metal, plus one that isn’t black metal but is still spiritually as black as a corpse charred in a napalm attack. As will become obvious, I’ve chosen this particular group of bands in part because no two of them sound alike.

BATUSHKA

Batushka are a Polish band whose members have not been disclosed, but they are reputed to be from well-known bands. Their debut album Litourgiya was released on December 5 by the Polish label Witching Hour Productions. It makes an astonishing impact from the very first song, and all the way to the end.

The music is dark, heaving, and very heavy — with bombastic outbreaks of wildfire and thunder — and the bleak, majestic melodies are effective at getting under the skin. But what sets the music apart and makes the album especially memorable are the vocals. In addition to the incinerating shrieks that you might expect in a black metal album, you’ll hear reverberating liturgical chants in what I’m told is Church Slavonic — the language used in the Orthodox Church in such places as Poland, Russia, and Ukraine, as well as nations in the Balkan Peninsula. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): TEMPLE OF EVIL — “THE 7TH AWAKENING”

Album Reviews, Premieres 5 Responses »

Dec 072015

Today it’s our pleasure to help premiere the debut album by the black metal band Temple of Evil from Nicosia, Cyprus. Entitled The 7th Awakening, it will be released in a 6-panel digipak of 500 copies on January 7, 2016, by Deathhammer Records, and it’s available now on Bandcamp as well. And as you can see, it is accompanied by the striking artwork of Khaos Diktator Design — not only for the album cover but also for individual songs.

Temple of Evil’s unholy ranks consist of an agile bassist who doubles as a blood-freezing vocalist, a pair of riveting six-string guitarists (one of whom doubles as the keyboardist), and a drummer who is both acrobatic and a lethal blaster. Together they have created a dark and dramatic full-length, one that is esoteric and unearthly in its aura, both solemn and savage, grim and gripping. Continue reading »

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