OBSIDIAN TIDE: “PILLARS OF CREATION”

 Album Reviews  1 Response »
Sep 112019
 

 

(This is Andy Synn‘s review of the debut album by the Israeli band Obsidian Tide, which was released on August 29th.)

It’s an exciting time to be a fan of the proggy end of the Rock/Metal spectrum.

Not only have Tool just released their long-awaited fifth album, but the end of the month will see the release of both a brand new Opeth record AND a remixed/remastered (and even proggier) version of Cynic’s brilliant 2008 comeback album, Traced In Air.

But what if I told you that a little-known group from Israel had recently released an album combining the best elements of all three of those bands?

Would you be interested?

I thought you might. Continue reading »

CONCERT REVIEW: IRON MAIDEN — LIVE AT THE TACOMA DOME, SEPTEMBER 5, 2019

 Concert Reviews  6 Responses »
Sep 102019
 

 

(Our Seattle-based contributor Gonzo re-joins us with another lively concert review, this time reporting on Iron Maiden‘s performance in Tacoma, Washington, on September 5, 2019.)

“It’s only gonna get better from here,” bellows a spry Bruce Dickinson, addressing the Tacoma Dome crowd while standing under a replica Spitfire plane. Dickinson and his band of merry men in Iron Maiden had just torn through iconic opener “Aces High,” complete with said plane dangling from the top of the stage like a marionette during the song’s entirety. This alone would be an impressive spectacle for any live act to pull off, but for Iron Maiden, it’s the warmup.

At this point in the band’s storied career, to expect anything less than this from Iron Maiden would be silly. At 61, Dickinson is as energetic as someone half his age, and Steve Harris and the rest of his bandmates in the indispensable UK metal crew aren’t far behind. Not surprisingly, then, would the band’s 2019 Legacy of the Beast tour be anything less than spectacular? Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): DOWNCROSS — “WHAT LIGHT COVERS NOT”

 Album Reviews, Premieres  4 Responses »
Sep 102019
 

 

The debut album by the Belarusian black metal band Downcross, which we premiered in February, proved to be one of the best surprises of the new year, which was then barely two months old. The duo of vocalist/drummer Ldzmr and guitarist Dzmtr demonstrated impressive skill as songwriters and performers, creating emotionally powerful tracks loaded with magnetically attractive melodic hooks, physically compulsive rhythms, and dynamic changes of mood. With such abundant talent on display, Mysteries of Left Path left me quite interested to hear what Downcross might do next. I just didn’t expect I would find out so soon.

Not even seven months later, Downcross are on the verge of releasing a second album, What Light Covers Not, on September 11th. Of course Downcross didn’t start working on these seven new songs for the first time after their debut album was released. The process probably began long before that. But it might still be fair to wonder how good the album is, given the relatively short time between the two releases. Though my own opinion is obvious — because today we’re premiering the new album, as we did the first one — I’ll just make it explicit: What Light Covers Not is really, really good. Continue reading »

NECRONAUTICAL: “APOTHEOSIS”

 Album Reviews  1 Response »
Sep 102019
 

 

(After a hiatus due to personal obligations, DGR returns to our devoted cadre with this review of the new album by the UK band Necronautical, which will be released by Candlelight Records on CD and gatefold vinyl on September 30th.)

It’s funny that in total run-time, black metal group Necronautical’s latest album Apotheosis is actually two minutes shorter than its predecessor, The Endurance At Night. There exists a temptation after a few spins, to describe Apotheosis as a much bigger album than its predecessor but in terms of actual time spent that is clearly not the case.

Apotheosis marks Necronautical’s third foray into the black metal void, adding their own cinematic and melodic flourishes along the way. It is also the group’s third album to feature seven songs, re-establishing one of a handful of patterns now recognizable throughout Necronautical’s music. Continue reading »

ALGEBRA: “PULSE?”

 Album Reviews  No Responses »
Sep 102019
 

 

(This is TheMadIsraeli’s review of the new album by the Swiss band Algebra, which will be released on September 30 by Unspeakable Axe Records.)

Progressive thrash metal has always been a tricky sub-genre to tackle, mostly because a lot of the time it just ends up not being thrash anymore. It usually tends to become more like traditional heavy metal with some experimental stuff in it or it becomes death-metal-influenced and looks to bands like Death, Pestilence, etc., to derive its progressive tendencies. Finding progressive thrash metal that’s thrash, while being progressive, while also maintaining the adrenaline mainline intensity and riffing intricacies of the genre, is actually pretty difficult.

For the record, my definition of progressive is not the “power metal but long songs and instrumental virtuosity” brand like Dream Theater, etc.  I think many people would agree that progressivism in metal tends to manifest itself with… Continue reading »

DAWN RAY’D: “BEHOLD SEDITION PLAINSONG”

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Sep 092019
 

 

(Here’s Andy Synn‘s review of the new album by the Liverpool-based black metal trio Dawn Ray’d, which will be released on October 25 by Prosthetic Records.)

It’s a bold move for a band to wear their politics loudly and proudly on their sleeves these days.

Actually, scratch that… it’s always been risky for bands to speak openly about their political allegiance, be it left, right, or otherwise, despite Metal’s long history – from “War Pigs” to “Suffer the Children” to “Toxic Garbage Island” – of speaking out against militarism, corruption, and other societal ills.

After all, politics (along with religion) is one of the things that seems to bring out our most tribal instincts, often in the worst possible ways.

The risks for any band are, therefore, quite obvious. The more political you get, and the more polemical you become, the more you risk dividing and alienating your potential audience, and most artists, at some point in their careers, find a way to balance their musical ambitions with what they want to communicate so as to reach as many listeners as possible.

But, of course, where Dawn Ray’d are concerned, such compromise clearly isn’t an option. Continue reading »

AN NCS EP PREMIERE: DIKASTERION — “STAVELOT 1597 / ROME 897”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Sep 062019
 

 

Building on the strength of their slaughtering 2018 debut demo, the Belgian black/death band Dikasterion have escaped Hell again, and brought much of Hell with them in a new two-track release coming our way via Amor Fati Productions on September 9th — next Monday. If you think those references to hellish power were exaggerations, just listen to Stavelot 1597 / Rome 897 (which we’re giving you the chance to do a bit further on in this post).

Only two songs long, this is the kind of pull-no-punches barbarity capable of leaving a listener mind-mangled but crackling with electricity and wishing it were longer. Make no mistake, it’s a cruel and ugly assault on the senses, not any kind of experience for the faint of heart. But as toxic, brutish, and maniacal as the music may be, these sulfurous, diabolical assaults get the pulse pounding with primal power. Continue reading »

MGŁA: “AGE OF EXCUSE”

 Album Reviews  43 Responses »
Sep 062019
 

 

(This is Andy Synn‘s review of the new album by Poland’s Mgła — and some personal reflections on controversies that have swirled about the band and how they have affected reactions to the music.)

Confirmation bias is a hell of a thing. We see what we want to see, we hear what we want to hear, we believe what we want to believe.

It’s possible to be aware of it, and to guard against it to an extent, but none of us are entirely immune to it.

It’s a very human thing after all, based on the availability of information, the heuristic shortcuts we use to analyse it, and an inescapable egotism which leads us to prioritise what we agree with/what agrees with us, over what runs contrary to our current worldview.

And nothing has crystallised this quite as much in recent times as the surprise release of the new Mgła album earlier this week. Continue reading »

NEPTUNIAN SUN: “THE BLACK LIGHT THAT BLINDS US”

 Album Reviews  1 Response »
Sep 052019
 

 

(This is Andy Synn‘s review of the new album by the Spanish trio Neptunian Sun, which was released on June 13th of this year by South Coast Production.)

I don’t know about the rest of you, but this week so far has been one kick in the teeth after another.

Don’t get me wrong, lots of people have things worse than I do, but I’d be lying if I said the personal, professional, and musical setbacks of the last few day’s haven’t left me feeling bruised, bitter, and a little bit broken.

Different people, of course, respond to situations like this in different ways. Especially when it comes to their listening habits.

Some people like to listen to bright, uplifting music, stuff designed to help them rise above their circumstances and get them through the dark times.

But others prefer to embrace the darkness, to know it, to feel it, to experience and express it on an intimate level, in an explosion of visceral, cathartic release.

Which is why I’ve been listening to the latest album from Neptunian Sun a lot recently. Continue reading »

EXHORDER: “MOURN THE SOUTHERN SKIES”

 Album Reviews  4 Responses »
Sep 052019
 

 

(In this post TheMadIsraeli reviews the first album in 27 years by NOLA’s Exhorder, which is due out September 20th via Nuclear Blast Records.)

I think if you’re Exhorder, you’re aware there’s an immense weight of expectation upon you in making a comeback.  Many classic or genre-defining bands have tried comebacks, especially in this last decade. Carcass did it and released what was IMO a pretty mediocre album that grasped at the straws of their former glory. At The Gates came back and have released two albums that were so good and consistent it was as if they had never left. A lot of us I know were pretty eager and interested to know how Exhorder would choose to go about a comeback of their own.

Exhorder may be aware of expectations, but as I hear it, Mourn The Southern Skies is a mission statement of a band who simply doesn’t give a fuck about what people expect from them. Continue reading »

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