Dec 242018
 

 

(Andy Synn reviews the new album by the British duo MASS, which is set for an official release on December 25th by An Out Recordings.)

It’s always flattering when a band submits a promo to our website with a specific request that I be the one to review it.

Of course, just submitting your promo and making this request doesn’t necessarily guarantee that:

  1. I’m going to actually cover it, or
  2. I’m going to actually like it

But, since you’re reading this right now, you know that at least that first condition has been satisfied, so let’s see about the second one, shall we? Continue reading »

Dec 242018
 

 

(We present Vonlughlio’s review of the new album by the Czech band Epicardiectomy, which will be released on the 30th of December by New Standard Elite.)

The following review is for Epicardiectomy’s third opus, Grotesque Monument of Paraperversive Transfixion, to be released December 30th via New Standard Elite.

This band was formed back in 2007 in the Czech Republic and their type of BDM/Slam has a huge fan base around the globe. Personally, I tend to be picky when it comes to bands that are in this sub-genre. When I first encountered them early in their career, I hated them with a vengeance, and talked ill things about their name. Now, you might wonder why, and might also wonder what brought about the change of mind? Well, to be honest, it’s because of “The Serge“, their guitar player, who used to play in a band called Fleshbomb.

I remember admitting to myself, “I’ve only heard two songs that I did not like, and this new guitarist used to play in this other band, so let’s give this a chance”. So I proceeded to the Coyote Records Bancamp to listen to their first and second albums with an open mind, and guess what? This fucker bought the two albums right there — and the songs I hated? Well that reaction has not changed. From this experience, I’ve learned that sometimes giving a second chance works, and this time it did, and I don’t give two shits what anyone else might think. Continue reading »

Dec 232018
 

 

Mr. Synn‘s preparation of a very interesting interview for publication yesterday allowed me to spend parts of Friday and most of Saturday focusing on what I might do for today. Like a cat playing with a ball of rough black twine, I unraveled more and more threads of spiky music. Now I’m going to try to make sense of this morass of strands that has snarled my brain (and snarled at it).

I’ve decided to begin with short reviews of two very impressive albums released last week. I hesitate to mention the rest of the plan, since at this point it’s only partially completed and could go awry. But as you can see, I do intend to provide some further recommendations from the black realms before night falls.

GENUNE

Daniel Neagoe left his imprint on many 2018 records, including Clouds‘ album Dor (which made Andy Synn‘s list of the year’s 10 best albums), Eye of Solitude’s Slaves To Solitude (reviewed here), and Pantheist’s Seeking Infinity. It’s fair to say that whatever he is involved in, we pay attention to. And that’s what led me to Genune. Continue reading »

Dec 192018
 

 

“This album REALLY isn’t for you!” So states the PR material for the new album on the Harvest of Death label by the duo of unrepentant Portuguese extremists in Vetala. The wordsmith in question wasn’t referring to me in particular (at least I don’t think so), but to some broad swath of “critics” who might take offense at an album named Retarded Necro Demential Hole and whose utter depravity could be perceived as a way of taking a shit on good taste and “any and all conceptions of ‘black metal'”.

Of course, I took that as a dare. I mean, most of you know the range of extreme metal that typically forms my own bread and rancid butter. How could it possibly be too transgressive or disgusting for me to swallow? Continue reading »

Dec 192018
 

 

(Andy Synn continues his campaign to make many of us jealous over the shows he’s getting to see in the UK, this time witnessing a duo of American tech stalwarts, a Canadian one, and a Swedish one, and documenting the event with video.)

Looking back over the last twelve months I can see that I’ve been lucky enough to attend a number of awesome shows, festivals, etc, this year, with the last couple of months in particular being an incredibly busy (not to mention fun) period, especially where frantic, fret-melting technicality is concerned.

Just in the last few weeks I’ve got the chance to catch Beyond Creation/Gorod prog out and Aborted/Cryptopsy blast faces, and two nights ago saw things get kicked up yet another notch with the fatal four-way of Revocation, Archspire, Soreption, and Rivers of Nihil at Mama Roux’s in Birmingham. Continue reading »

Dec 182018
 

 

If you are new to the sound of the Swedish black metal band WAN, you could make some good inferences about the nature of their music from the titles of their first three albums — Wolves of the North (2010), Enjoy the Filth (2013), and Wan Way To Hell (2017) — not to mention their 2015 split, Necroholic. And if those clues aren’t convincing enough, a list of influences that includes Bathory, Hellhammer, Celtic Frost, Darkthrone, Aura Noir, Nifelheim, Old, and Bestial Mockery should provide further guidance.

But there’s no need to engage in guessing games today, because we have new music from WAN to share with you that emblazons their brand like hot iron on the flesh, in a way that will appeal to the lust of their existing fans and provide a compelling introduction to new ones. What you’re about to hear is WAN’s new EP, Gammal är äldst (“Old is the oldest” in English), which is set for release by Carnal Records on December 21st. Continue reading »

Dec 172018
 

 

What, you may ask, is a tabouret? And what does it have to do with rope and soap, or for that matter with death metal? A partial answer can be found at the end of this writing, but much of this fine new album’s title might still remain a mystery. There is, however, no mystery about why the music is so damned good. One listen will prove that, which is what we’re giving you the chance to experience today.

Unlike the words in the album title, Stranguliatorius isn’t one you’ll find in the dictionary, though in its own mouth-mutilating way it’s just as clever and intriguing as the album’s name. The Lithuanian barbarians who chose it as their appellation are damned clever songwriters, too, though it must be said (as their label reports) that they are thirsty for blood and hungry for flesh. Continue reading »

Dec 142018
 

 

(Our Sacramento-based colleague DGR concludes a week-long effort to catch up on reviews before immersing himself in year-end LISTMANIA, with one last write-up today.)

Hey, have you heard of this place called Sacramento?

This one won’t be as much a review as previous pieces as it is a simple heads-up and a chance to reminisce a bit. If you had told me that in 2018 I’d be talking about Sacramento “too metal for the core kids, too core for the metal kids” band Conducting From The Grave‘s first album When Legends Become Dust without having to invent some sort of opportunity to do so, I would’ve laughed. But here we are. Continue reading »

Dec 132018
 

 

The German black metal trio CNTMPT made their debut with a self-titled album in 2014, and are now about to return with a new full-length named Towards Neglect, which will be released by Into Endless Chaos Records on December 17th — and today we present a full stream of the record, along with comments about each of its tracks.

The music on Towards Neglect is almost entirely instrumental. Like the music itself, the voices that can be heard, often distantly, seem to be sounds from another world, barely human. And there is indeed a sense in the music that it is crashing into our dimension from a different one where, as the label accurately forecasts, light and fire intersect with darkness and ice. The emotional intensity is devastating — almost overwhelming — and the instrumental performances are equally intense in their explosive athleticism. Continue reading »

Dec 132018
 

 

(Andy Synn‘s week-long round-up of metal in 2018 continues with this list of his picks for the year’s ten best albums across a range of metal genres — one of which hasn’t been released yet and is reviewed here.)

It is a truth, universally acknowledged, that any attempt to craft a “Top Ten” list that represents the wide variety and near-infinite density of the modern Extreme Metal scene is doomed to failure. There’s simply too much of it, too many different competing styles and sub-genres, for a mere ten albums to cover.

That doesn’t stop me trying every year though, so what you’re about to read is my latest effort to capture a clean snapshot of the very best of the best from the past twelve months.

Interestingly this list seems to differ significantly from the various other sites and zines I’ve been keeping an eye on, though that’s not by conscious design. It also skews in a surprisingly “progressive” direction overall, which is not something I anticipated when I first began trying to piece it together, with a massive 70% of the albums featured here making use of clean vocals in some form or another.

In demographic terms, this year’s list features two entries from the USA, two entries from Germany, one from Portugal, one from Iceland, and three from the UK – which, again, wasn’t by design – as well as one international collective whose members come from all across Europe.

It also runs the gamut of practically the entire twelve-month period, with the “oldest” album on here having been released all the way back in the first week of January, while the “youngest” entry won’t even be out until the 21st of December! Continue reading »