AN NCS ALBUM PREMIERE (AND A REVIEW): JYOTISAVEDANGA — “THERMOGRAVIMETRY WARP CONTINUUM”

 Album Reviews, Premieres  2 Responses »
May 302018
 

 

Although the subject is not free from doubt, the laws of thermodynamics can be understood to forecast a far distant future in which ever-increasing entropy leads to the heat death of the universe. Order devolves into disorder, chaos leads to extinction, and meanwhile the unexplored fifth dimension of our reality shadows the path of this lethal arrow of time.

These concepts have inspired the harrowing sounds of Jyotiṣavedāṅga, but mysticism holds a powerful attraction as well. This international entity, whose members consist of guitarist Sadist from the Indian band Tetragrammacide; H. from Russia’s Sickrites on synths, noise, and effects; vocalist AR, from the Kolkata band Banish; and Ukrainian drummer Dimitry Kim (Sickrites, Goatpsalm, Balance Interruption), is named after Vedāṅga Jyotiṣa, one of the earliest known Indian texts on astronomy and astrology. In their music and lyrics, they seek an intersection “between light and obscurity, between science and superstition, between good and evil”, a place “between the pit of all fears and the peak of all true knowledge.”

How they have done this you are about to discover. Jyotiṣavedāṅga’s new album, Thermogravimetry Warp Continuum, will be released by Larval Productions on June 6th, and now we give you the chance to hear the full album in advance of its release. Continue reading »

WHAT I DID ON MY VACATION

 Concert Reviews  16 Responses »
May 302018
 

 

(Here is Andy Synn writing about his excursion with other members of the NCS crew to the just-completed 2018 edition of Maryland Deathfest in Baltimore. Photos by Islander, except the one above by Andy.)

I don’t know what you’re up to, dear reader, but I’m currently sat here decompressing and trying to recover (both physically and mentally) from another weekend spent enjoying the sights and sounds (and smells) of Maryland Deathfest.

But, rather than put together a straightforward write-up of each day in a purely linear fashion, I’ve decided to echo what I did last year and provide a slightly more irreverent insight into the weekend’s festivities. Continue reading »

AN NCS EP PREMIERE: CAVEMAN CULT — “SUPREMACÍA PRIMORDIAL”

 Album Reviews, Premieres, SHORT BUT SWEET  2 Responses »
May 292018
 

 

Yesterday, while recovering from a metal festival over lunch with six haggard friends, we somehow got off onto summing up each other’s personalities. Looking at a few of them I observed, “Some people wake up angry.” One friend chimed in, “Some people wake up anxious.” Another said, “Some people wake up irritated — at being awake.” No one mentioned waking up with blood on their hands and fire in their eyes; that’s how I imagine that the Floridians in Caveman Cult usually greet the day.

I guess if you’re one of those delusional souls who wake up smiling at the wonderfulness of life, or happen to be suffering from a cataclysmic hangover, Caveman Cult’s new EP won’t be the right way to get your game face on. But if you want music that will fuel your rage, vaporize your anxiety, squash your irritation, and put the look of a wolf in your eyes, Supremacía Primordial is a damned fine choice. Continue reading »

ROADBURN 2018, A PHOTO RECORD: DAY 4

 Concert Reviews  No Responses »
May 292018
 

 

The 2018 edition of Roadburn Festival is in the history books. From April 19th through April 22nd at the 013 venue in Tilburg, The Netherlands, metal fans got the chance to choose from among performances by more than 100 bands across four stages and a fascinating array of musical genres. NCS was fortunate to be represented by the fantastic New Orleans-based music photographer Teddie Taylor, who made a visual record of the event for us.

We left it to Teddie to decide which bands to see; no doubt she had a lot of difficult decisions to make — and we had difficult decisions of our own in determining which of her images to share with you (they’re all really damned good!). We’re dividing this collection of pics into four parts, one for each day of Roadburn 2018. You can find her photos from Day 1 here, Day 2 here, and Day 3 here. Continue reading »

AN NCS VIDEO PREMIERE: LELAHELL — “PARAMNESIA”

 Album Reviews, Premieres  No Responses »
May 252018
 

On their new album Alif the Algerian band Lelahell continue a conceptual narrative arc concerning the evolution of a character named Abderrahmane that has carried through their debut EP Al Intihar (2012) and their first album, Al Insane​.​.​. The (Re​)​Birth of Abderrahmane. The new album focuses on a variety of philosophical and spiritual subjects through the lense of ferocious, technically impressive death metal, accented by influences from the band’s homeland.

Alif will be released on June 15th by Metal Age Productions, and today it’s our pleasure to present a video for the album’s opening track, “Paramnesia“. Continue reading »

ROADBURN 2018, A PHOTO RECORD: DAY 3

 Concert Reviews  No Responses »
May 242018
 

 

The 2018 edition of Roadburn Festival is in the history books. From April 19th through April 22nd at the 013 venue in Tilburg, The Netherlands, metal fans got the chance to choose from among performances by more than 100 bands across four stages and a fascinating array of musical genres. NCS was fortunate to be represented by the fantastic New Orleans-based music photographer Teddie Taylor, who made a visual record of the event for us.

We left it to Teddie to decide which bands to see; no doubt she had a lot of difficult decisions to make — and we had difficult decisions of our own in determining which of her images to share with you (they’re all really damned good!). We’re dividing this collection of pics into four parts, one for each day of Roadburn 2018. You can find her photos from Day 1 here, and Day 2 here. Continue reading »

A DIRTY HALF DOZEN: ACHERONTAS / ASCENSION / UADA / WIEGEDOOD / WILT / WOLVHAMMER

 Album Reviews  13 Responses »
May 242018
 

 

(In this post Andy Synn has combined reviews of new albums by a sextet of bands from both sides of the Atlantic.)

Phew, I’ve been trying to get this particular column written for quite a while now, but a cruel convergence of work, illness, and prepping for this year’s MDF meant that I’ve honestly been struggling to find the time to sit down and put finger to keyboard.

On the plus side, however, this has given me a little bit more time to absorb each album, and will hopefully result in a better overall product, so perhaps I/we shouldn’t complain too much.

Anyway, without further ado, here are six albums, all of them Black Metal, yet all subtly different and differentiated, originating from a variety of different locations around the globe (Greece, Germany, Belgium, Canada, and the USA), which I think are well worth your attention. Continue reading »

ROADBURN 2018, A PHOTO RECORD: DAY 2

 Concert Reviews  No Responses »
May 232018
 

 

The 2018 edition of Roadburn Festival is in the history books. From April 19th through April 22nd at the 013 venue in Tilburg, The Netherlands, metal fans got the chance to choose from among performances by more than 100 bands across four stages and a fascinating array of musical genres. NCS was fortunate to be represented by the fantastic New Orleans-based music photographer Teddie Taylor, who made a visual record of the event for us.

We left it to Teddie to decide which bands to see; no doubt she had a lot of difficult decisions to make — and we had difficult decisions of our own in determining which of her images to share with you (they’re all really damned good!). We’re dividing this collection of pics into four parts, one for each day of Roadburn 2018. You can find her photos from Day 1 here. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): GHOSTBOUND — “ALL IS PHANTOM”

 Album Reviews, Exceptions to the Rule, Premieres  1 Response »
May 222018
 

 

Given our usual proclivities at this site, perhaps it’s best to begin by paying attention to the elephant in the room: Roughly 99% of the vocals on Ghostbound’s debut album All Is Phantom are clean. And there’s another elephant standing in our room, too: Metal is only one ingredient in the music, and not even the dominant one. Nevertheless, we’ve agreed to present the full streaming premiere of the record here today despite the fact that it goes well off our usual beaten paths — because it goes off our usual stamping grounds so very well, blazing its own trails in such remarkably vivid and memorable ways.

The band’s name was well-chosen, and so is the album’s title. The music wears its passionate and very human emotions right out on its extravagant, embroidered sleeves, to the point of becoming theatrical at times, but almost none of it sounds completely earthbound. Ghost-bound, indeed it is — edged with angst, shadowed by sorrow, haunted by death. And it’s also beautiful, inspiring,  even joyous. Continue reading »

SHORT BUT SWEET: CURSE UPON A PRAYER — “THE THREE WOES”

 Album Reviews, SHORT BUT SWEET  4 Responses »
May 222018
 

 

(Wil Cifer wrote the following review of the new three-track EP by the Finnish black metal band Curse Upon A Prayer, which will be released by Saturnal Records on June 21.)

Saturnal Records is releasing an EP from this Finnish band who couldn’t give less of a fuck about the polite society of metal. On The Three Woes they lash out at Islam. People have complained for the last decade that Christianity is too easy a target. So they are taking aim at another religion. Strip this theme away and it boils back down to one question… What are these guys doing different that we’ve not heard other black metal bands do a hundred times?

The first song (“Let Thy Kingdom Come”) doesn’t give a clear-cut answer. It seems to be their level of hateful aggression. The standard tools of the black metal trade are all in place. Thundering double-bass, blast beats, and tremolo-picked guitar do their part to make this black metal as fuck. Hints of melody haunt the sometimes thrash-influenced guitar riffs. The passion with which they throw themselves into their music compensates for any time when they might not be the most original band on the planet. Continue reading »

 Older Entries  Newer Entries