Mar 082018
 

 

The third and final edition of Oration Festival began last night in Reykjavik, Iceland. The first night of the festival featured performances (in this order) by NYIÞ, Naðra, Auðn, Asagraum, Sinmara, and Aluk Todolo. A big group of friends and I made it to the venue just as NYIÞ was beginning, and I stayed through Sinmara’s extraordinary set but was too drained of energy by that point to hang in there for Aluk Todolo.

So, what you’ll find below are thoughts about all the performances except the last one, accompanied by three videos that I made from the side of the stage and an assortment of photos. The dark, blurry, amateurish photos are mine; the really good professional quality ones are by our Seattle pal Tanner Ellison. Continue reading »

Mar 082018
 

 

(An NCS fan who we’ll call Barbarian Mike turned in this guest review of the presentation of DECIBEL Magazine’s 2018 tour in Seattle, Washington, on March 6, 2018.)

Whether you consider yourself a fan or not, it’s impossible to deny the status and reverence Enslaved has earned within the community of heavy music. Over a span of 27-years and 14 studio albums – barring live-show DVD’s, splits, and demos – it’s hard to imagine any band as capable as this one in maintaining a passionate fan base and consistently sold-out live performances.

In spite of this success, Enslaved are a band who don’t rest on their laurels, or coast on their hits of yesteryear. In fact, they appear to be continually invigorated by the challenge of creating something new, to pursue new ideas and sounds. It only makes sense that they would headline one of the bigger tours within heavy music – the DECIBEL Magazine 2018 Tour. Needless to say, I was excited to attend the event at Seattle’s own El Corazon. Continue reading »

Mar 072018
 

 

(This is Wil Cifer’s review of the third album by the Finnish band Totalselfhatred, which will be released on April 27th by Osmose Productions.)

 

Depressive Suicidal Black Metal was never going to be the next big thing in metal. It was however a nice dark and emotive break from a steady diet of blast beats. Chances are, if you are reading this review you don’t need a refresher course in this sub-genre. You also are aware that this band from Finland occupied the top tier of the genre along with Shining and Lifelover.

While not pulling the numbers in terms of record sales that Shining has, they are arguably the keenest of musicians when it comes to making this style of music. There is plenty of evidence on Apocalypse In Your Heart (2011) to support this, making it the album against which their newest release is going to be measured. Continue reading »

Mar 062018
 

 

Metamorphosphoros is one of those rare splits in which the participating bands collaborated in the creation of a conceptually integrated sequence of songs, in this case a musical vision that’s devoted to “Theion“, the divine fires of transformation — the medium for a purifying immolation of the self, bringing about a Descent into the abyss, and an Ascent and eternal Transcendence through Death.

The participants in this album-length cathartic experience are three underground black metal bands from different countries: Precaria (Mexico), Deathspiral of Inherited Suffering (U.S.), and Dominus Ira (Russia). The album will be released by the distinctive I, Voidhanger Records on March 30, and today we’re fortunate to host the premiere of one of the album’s ten tracks — an offering by Deathspiral of Inherited Suffering (“DIS“) entitled “Bliss Inferno / Le Grand Néant“. Continue reading »

Mar 062018
 

 

(Wil Cifer reviews the new album by Australia’s Mournful Congregation, which will be released on March 23 by 20 Buck Spin (North America) and Osmose Productions (Europe).)

I am noticing a trend in metal this year with bands who are cult icons in their respective sub-genres moving in more streamlined and accessible directions. Perhaps these bands at this place in their careers felt this was needed. This is evident right from the opening melody of this Australian band’s newest release.

This offers a much lighter shade of sonic splendor than what moved Mournful Congregation’s 2011 release The Book of Kings. Their 2011 album is what this album must measure up to for me. The Book Kings caught me up with a more emotional majesty in my initial listen to it. They have offered glimpses of their former glory leading in to this album. Continue reading »

Mar 052018
 

 

As I mentioned in yesterday’s post, I’m in Reykjavik, Iceland. I say that not to rub your nose in a fact
that seems to have provoked jealousy in a few friends, but only because it’s obvious from what you’re about to read. Of course, it would be understandable if you were jealous, because it is pretty fucking wonderful to be here.

The primary purpose for the trip was to attend the last edition of Oration Fest later this week, but I had an unexpectedly outstanding way to spend our first night in the country, because it turned out that last night was the date scheduled for the Reykjavik Deathfest Warmup show, featuring performances by Skinless, Munnriður, and Severed. (The third edition of Reykjavik Deathfest will take place in May — and Skinless and Severed will be playing again then — and you can details about that here.)

I wasn’t aware of this until a couple of Icelandic Facebook friends told me yesterday afternoon, and one of them took the added step of putting me on the guest list, which removed all doubt about whether to surrender to jet lag or venture forth for a night of headbanging. Continue reading »

Mar 052018
 

 

(Here’s Andy Synn’s review of the new album by Houston-based Oceans of Slumber, which has just been released by Century Media Records.)

If there’s one thing that’s immediately obvious about Oceans of Slumber, it’s that they’re an easy band to love.

The band’s intricate but engrossing song-writing style, topped off with the truly awe-inspiring vocals of Cammie Gilbert, and fuelled by the prodigious drumming talents of Dobber Beverley, makes for a formidable formula for success, and the general response to both their previous album, Winter, and their newest release, has been one of almost unmitigated praise.

But while the band’s potent blend of ability, ambition, and peerless passion, certainly makes it difficult to criticise them… it doesn’t make it impossible.

Because, as great as it is, The Banished Heart isn’t flawless. Continue reading »

Mar 052018
 

 

Sorg is the debut album of the Danish black metal band Afsky, and it is a penetrating and devastating exploration of varying shades of sorrow. It will be released on CD and digitally by Vendetta Records on March 9, with a vinyl edition scheduled for April 7 — but we have a full stream of the album for you now.

For those who may be new to Afsky, it is the solo project of Ole Luk, who is also a member of the Danish black metal band Solbrud. Fittingly, the name he chose for this project means “disgust” or “detest” in Danish, though as you’ll discover, the emotional resonance of the music embraces other powerful feelings as well. Continue reading »

Mar 032018
 

 

If the two songs on this new split aren’t a perfect match, I don’t know what is. It’s not that they’re twins, not even fraternal twins. It’s that they complement each other so beautifully. I don’t know to what extent the artists shared their ideas before completing the compositions, but the experience of listening to the two songs together is so enthralling that you might think they were working together through a Vulcan mind meld.

Entitled Alone Among Mirrors, the split consists of one song by Black Mare, the solo project of L.A. musician Sera Timms (Ides of Gemini, Black Math Horseman), and one song by Offret, the solo project of Russian musician Andrey Prokofiev. It was released just yesterday on 7″ vinyl and digitally by Dark Operative. Continue reading »

Mar 022018
 

 

(In this edition of THE SYNN REPORT, Andy Synn reviews all the albums released by Rites of Thy Degringolade, including their newest record slated for release on March 15th, as well as the band’s part of their 2004 split with Portal.)

 

Recommended for fans of: Immolation, Incantation, Deathspell Omega

 

One of the Extreme scene’s most undeservedly underappreciated acts, Canadian three-piece Rites of Thy Degringolade are one of the few bands who I can honestly say have the potential to appeal just as much to fans of hideously under-produced “War Metal” as they do to those who like their Black/Death Metal just that little bit more bold, bombastic, and… let’s be honest here… actually listenable.

The reason for this is the group’s surprisingly careful balancing – whether calculated or instinctive… and most likely a little of both – of filth and fury, chaos and confusion, with a plethora of savage (though rarely straightforward) hooks and cunningly crafted riffs which demand to be heard not just once, but multiple times, over multiple sessions.

A word of warning, however – this is some seriously nasty stuff, and once it gets embedded in your brain nothing less than a full frontal lobotomy is going to get it out again. Continue reading »