ULVER LIVE AT ROADBURN 2017: A PHOTOGRAPHIC ESSAY BY LEVAN TK

 Concert Reviews  No Responses »
Jun 272017
 

 

On the final night of the Roadburn Festival in Tilburg this year, Norway’s Ulver used the main stage as the setting for an album release show, performing all the songs from their latest album The Assassination of Julius Caesar, though not necessarily in the order of the album presentation. Segmented by instrumental interludes and enhanced by a spectacular light show, it was a performance that by all accounts was a great success, even if it might have caught some onlookers by surprise if they hadn’t yet heard anything from this new record (which we reviewed here). On the other hand, for those familiar with Ulver’s musical odyssey, the experience of being surprised is no longer a surprise — it is to be expected.

Many other bands performed on Day Four of Roadburn, but the formidable concert photographer Levan TK — whose photo essays from the first three days we’ve posted previously (collected here) — concentrated on Ulver, talking with Kristoffer Rygg before the show and shooting a multitude of photos during the performance. For this final installment in his pictorial memorial to Roadburn 2017, we present Levan’s selection from those photos. If only we could have been there, too…. Continue reading »

DYING FETUS: “WRONG ONE TO FUCK WITH”

 Album Reviews  6 Responses »
Jun 272017
 

 

(TheMadIsraeli review the new album by Dying Fetus, which is out now on Relapse Records.)

I’m just going to say it. If you don’t like Dying Fetus, nay, LOVE Dying Fetus, you don’t like death metal. I can think of no other band that has better personified the sonic violence, technical excess, genuine anger, uncompromising legacy, and lack of pretension that death metal is all about than Dying Fetus.

John Gallagher has been at this shit now for TWENTY-FOUR YEARS. He’s the godfather of the messy, grimy, seizure-inducing style of tech death, and his sound and approach to songwriting have never been successfully emulated, although no one really even dares to try. Who else is mixing technical death metal, grindcore, NYHC, and slam so well right now? Nobody that I’m aware of, and especially nobody who does it so organically, honestly, and with such passion and dedication. Continue reading »

HERESIARCH: “DEATH ORDINANCE”

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Jun 272017
 

 

(New Zealand-based writer Craig Hayes (Six Noises) returns to NCS with this review of the new album by his countrymen in Heresiarch, which will be released on July 7 by Dark Descent.)

 

So here it is, Death Ordinance, the long-awaited full-length debut from New Zealand black/death wrecking machine Heresiarch. It’s no exaggeration to say that Death Ordinance is one of the most anticipated releases in the annals of Antipodean metal, and fans of belligerent and bestial metal the world over have been counting the days until the album’s release. That’s because Heresiarch deliver a singularly brute force audio onslaught –– aka everything you want in an obliterating war metal juggernaut.

Heresiarch are militant, violent, and ruthless; and hell, there’s even a whiff of spurious controversy about them too. All of that’s fuelled the band’s defiant mythos, which Heresiarch reinforce by delivering some of the most remorseless underground metal around. Continue reading »

SOMNIUM NOX: “TERRA INANIS”

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Jun 262017
 

 

(We present Andy Synn’s review of the new album by Australia’s Somnium Nox, released last month by Transcending Obscurity Records.)

When you say the words “Atmospheric Black Metal” what most people seem to think of these days are the shimmering soundscapes and ethereal melodies characteristic of the so-called “Post-Black Metal” scene.

Don’t get me wrong, I’m actually a fan of many of those bands who fall under that vaguely defined “Post…” umbrella, but when I think about the term “Atmospheric Black Metal”, I think of bands like Wolves In The Throne Room and Altar of Plagues, bands for whom atmosphere is about more than just the simple juxtaposition of ambience and dissonance, it’s about texture and tension, mood and momentum.

It’s something that isn’t painted in broad strokes, but which is built up, painstakingly, piece by piece, into something altogether greater than the mere sum of its parts. Continue reading »

AN NCS ALBUM PREMIERE: SINNERANGEL – “SINISTER DECÁLOGO”

 Album Reviews, Premieres  No Responses »
Jun 232017
 

 

On June 25th — two days from now — GrimmDistribution will release the new album by SinnerAngel, a group that first came together more than a decade ago in the city of Medellín, Colombia. The album’s name is Sinister Decálogo, which refers to “a precise set of ideas that conform to the sinister side of the human existence”. The album also “deals with themes about the allegorical double human morality, the need for approval and dependence of the deities to assert themselves, the constant fear of the earthly and the passing”.

Today we are pleased to present a full stream of what turns out to be an unusual album, one that incorporates a variety of musical influences that reflect the wide-ranging interests of the band’s members. Lacking any clearly defined genre boundaries and with a tendency to experiment, the band have grasped the term “dark metal” as a description. Of course, like the music on this album, that term has no precise definition. And so we’ll offer a few more words of introduction, though no one will blame you if you just skip right down to the album stream and dive in. Continue reading »

DECAPITATED: “ANTICULT”

 Album Reviews  3 Responses »
Jun 232017
 

 

(Andy Synn reviews the new album by Poland’s Decapitated, which will be released on July 7th by Nuclear Blast.)

I find, when a review has the potential to be contentious, that it’s always best to lay your cards out on the table right from the start.

So let’s be clear about one thing straight away – Decapitated are never going to go back to being a “pure” Death Metal band.

It’s just not going to happen.

In fact Vogg has been very clear, in numerous interviews, that as long as his hand is on the tiller (and seeing as how it’s very much his band, I can’t see that ever changing) the good ship Decapitated will keep on moving forwards, not backwards, upwards not forwards… Continue reading »

IGORRR: “SAVAGE SINUSOID”

 Album Reviews  5 Responses »
Jun 222017
 

 

(In this post TheMadIsraeli reviews the new album by the French band Igorrr, which was released within the past week by Metal Blade Records.)

 

Sometimes, when it comes to metal or heavy music in general, a concentrated dose of proper fucking insanity is the right call. Sometimes, you don’t need lyrics and sometimes all is said by a good vocalist shrieking his mind out into a mic with no intention of conveying anything other than exactly what you hear. Sometimes, you need accordion. Lots of fucking accordion. Continue reading »

HEIRESS: “RESTLESS AIM”

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Jun 212017
 

 

(Andy Synn reviews the new album by Seattle-based Heiress.)

 

Listening to this collection of material – some of it simply rare, some as-yet-unreleased – by Seattle metallites Heiress, is something of a bittersweet experience for me, due to how much it recalls two of my favourite, and now sadly defunct, bands – Himsa and Burst.

The similarity to the former is mostly accounted for by the presence of one John Pettibone – whose voice has lost none of its savage, sandpapery snarl – behind the microphone, but heavier numbers such as “Kodiak” and “Suffocate On Command” also have more elements than just the vocals in common with the dearly-departed Thrash-core quintet.

But the comparison to Burst is also undeniable at times, as the band’s particular brand of atmospheric, Hardcore-tinged Post-Metal is often a dead-ringer for that of the (in)famous Swedes, and songs such as “Restless Aim” – all fluid, hypnotic rhythms and sparkling melodic undercurrents – and the punchy, punky catharsis of “Distant Hold” could almost have been drawn straight from Origo or Lazarus Bird if you’re willing to squint a little. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): UNDERGANG — “MISANTROPOLOGI”

 Album Reviews, Premieres  9 Responses »
Jun 202017
 

 

Undergang have become masters of a particular kind of lean and mean audio horror, one that is simultaneously brutish and primitive, atmospherically morbid and grotesque, mercilessly destructive, physically jolting, and virally infectious. They write compact songs that are nevertheless dynamic in their pacing and rhythmically varied. And they execute their strategies just as masterfully as they have conceived them.

All of these talents are powerfully on display in this Danish band’s new album Misantropologi, which will be released by Dark Descent Records on June 23, and today we have the privilege of bringing you the streaming premiere of all 10 tracks. Continue reading »

DEITY: “DEITY”

 Album Reviews  1 Response »
Jun 202017
 

 

(TheMadIsraeli wrote this review of the self-titled debut album by the Canadian death metal band Deity, which was released earlier this month.)

 

I have a very hard time getting into a lot of the technical and progressive death metal that’s being released these days because so much of it misses the fucking point. It’s all plastic mixes, weak noodly riffs, with death metal as the least prevalent of ingredients. It just… isn’t death metal, man. Whether bands are fellating their fretboard with an overly digitized guitar tone and simply running through rote, stock melodic progressions or playing what amounts to really bad progressive rock with weak black metal vocals and no power, it’s no wonder I’ve tended to gravitate toward either old school death metal, or death metal that’s just straightforward and no bullshit.

Sometimes, though, I run across bands like Deity and my hope is restored. I remember the beauty, the majesty, and the putrid overwhelming crushing power that can be channeled once the musicianship and spirit are on par with each other. Continue reading »

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