Oct 262017
 

 

I started writing this round-up of new music two days ago, but was unable to finish it. It is now somewhat dated. But I’ve resisted the impulse to make it dramatically longer by adding everything I’ve discovered in the intervening days — I only added two new things. But since the collection has now ballooned up to music from 10 bands, I divided it into two parts

I really don’t believe that there is a higher or lower power organizing the events of my life, but I can understand why other people do believe that. Sometimes the shit rains down so hard and chokes the throat so completely that I think to myself, “This can’t possibly be a matter of chance!” And sometimes everything flows so shiny and chrome that I think I have done something right and some force recognizes that and bestows a blessed reward. Take last night, for example.

In making my usual rounds, in which I surf the effluent of the internet and our own in-box looking for musical revelations, I came across the following gems gleaming among the sewage. And it’s all pretty damned filthy, yet still gleaming, in the way that the best filth shines with a preternatural vibrancy.

And while I don’t believe in higher or lower powers, I do appreciate synchronicity, and so it proved to be that almost everything here was a form of death metal (though my later additions diluted the death a bit), and the excursion began and ended with scarecrows, which seemed so fitting less than one week before Halloween. Continue reading »

Oct 202017
 

 

If you don’t have access to a supplemental oxygen canister, you might want to hyperventilate before listening to this demo we’re about to serve up. Having eye-drops nearby would also be a good idea, so your orbits don’t dry out when they pop open and stay that way. A bib might be advisable, too, unless you don’t mind drooling on your shirt. I’m just trying to be helpful. You might thank me later.

The name of the demo is Astral Necrosis, and it’s the first release by the stunning Italian band Devoid of Thought, whose name could also describe the mental state of listeners exposed to the demo’s three tracks. If any coherent thoughts remain after listening, they’re likely to be along the lines of, “Holy shit, what did I just hear?!?

Astral Necrosis will be released by Caligari Records on October 21, and we’re damned fortunate to introduce you to a full stream of the music right now. Continue reading »

Oct 102017
 

 

I have very little background information about Khandra. They are a new black metal band from Minsk in Belarus. Based on the photos included in this post, the line-up appears to consist of two men, although I don’t know their identities or what musical endeavors they might have pursued before forming this alliance. It is a classic case of the music having to speak for itself.

On October 11, Khandra will release their debut EP through Bandcamp. Its title suggests the emotional cast of the music — All Is Of No Avail. The names of the two songs convey the sense of a similarly gloomy mood: “Where Death Has Settled In Life” and “Presence Is No Longer Relevant“. But what of the music itself? Continue reading »

Oct 042017
 

 

Only three months ago Vancouver-based Seer released their first album, Vol. III & IV: Cult of the Void, from which we premiered two of its tracks. And thus it will undoubtedly come as a surprise to their fans that today, with no advance fanfare, they are releasing a further chapter in their evolving musical narrative, a new EP named Vol. 5. To help spread the word, we present a complete stream of the EP in this post. To introduce the music, we begin with this statement provided on behalf of the band:

“Despite releasing a full length record just this past July, Vol. 5 is the most accurate depiction of Seer as they exist today. The EP showcases Seer’s extreme metal influences more prominently than any other release in their discography. Recorded on the largely undeveloped Gabriola Island by Jordan Koop (Ahna, Wolf Party) and mastered by Arthur Rizk (Inquisition, Power Trip), the process has been the most organic and proved most fruitful of any of Seer’s recording sessions.

“Track 2 and 3 comprise the bulk of the EP, with track 1 and 4 acting as intro and outro respectively. Track 2 is an apocalyptic funeral dirge featuring more twists, turns, and layers than one might expect from sprawling, “big riff” songs of this nature. Track 3 is a more straight forward rock and roll tune with heavy emphasis on occult-rock guitar leads and astute interplay between harsh and clean vocals.” Continue reading »

Sep 272017
 

 

On the night of 23–24 August 1572 (the eve of the feast of Bartholomew the Apostle), the king of France ordered the killing of a group of French Protestants who had gathered in Paris to attend a royal wedding. The assassinations led to a wave of Catholic mob violence that spread throughout the city and into the countryside, resulting in the deaths of thousands.

The French extreme metal band Saint Barthelemy’s Temple have taken this paroxysm of violence and hatred as the inspiration for their name, and their new twenty-minute EP The Cold Mouth of the Earth will soon be released in October by Atavism Records. Today we bring you a full stream of its three powerful tracks — “De Potentia Saturni“, “To the Baneful Oblivion“, and “The Sword of the Victor“. Continue reading »

Sep 252017
 

 

I’m a relative latecomer to the music of Golden Bats, a distinctive one-man mauling machine from the vicinity of Brisbane, Australia. The first release I heard was the Falling Sparrows EP that surfaced last spring. It made an impact, something like a grenade going off inside my skull. I’m now keeping a close watch on what Golden Bats is doing.

Today Golden Bats has revealed a new two-song EP named Superplateau, which I had the shivering pleasure of hearing in advance of the release, and I’m helping spread the word about it… because it’s very good. Continue reading »

Sep 212017
 

 

Almost  two years on from the release of their debut album Anxiety Never Descending, the Polish death metal band Kult Mogił (whose name translates to “cult of graves”) have surfaced again with a new EP named Portentaque. It is an immaculate rendering of madness, each of its three tracks intricately plotted, constantly changing, persistently fascinating, and deeply unnerving.

The EP will be released by Pagan Records on September 29, and today we’re helping to premiere what has become one of my favorite EPs of 2017. Continue reading »

Sep 182017
 

 

I had a busier than usual weekend that left me little time for NCS, and so I wasn’t able to compile a SHADES OF BLACK post yesterday. I did spend some time here and there exploring new music, and it occurred to me that the collection you’re about to hear would make for an interesting playlist to start the week.

I don’t know whether you will find this as interesting as I did, but I chose these songs and the order in which you’ll hear them in order to juxtapose very different sounds, alternating between extremely heavy, harrowing music and music whose emotional effect is more sublime, or more uplifting. (Thanks to Miloš for links that led to most of these discoveries.)

SAND WITCH

I chose to lead off with the Vancouver sludge/funeral-doom band Sand Witch, because the first song from their new demo (“The Cushion of Roosevelt’s Wheelchair“) itself provides a dramatic contrast that kind of encapsulates what I tried to do in arranging everything in this post. It moves from a slow, reverberating, elegiac guitar instrumental that’s beautiful and mesmerizing… to a shockingly heavy and abrasive apocalypse of sound, also slow, but soul-shuddering in its brute intensity. Continue reading »

Sep 062017
 

 

Offered in praise of the Harvester of Worlds, the great Swallower of Suns, the new EP by the Polish band Devil’s Emissary is a stunning amalgam of black and death metal that shocks and seduces in equal measures. It’s due for release on September 9 by Third Eye Temple, but we present a full stream of the EP today. Its name is Demiurge Asceticism.

This new three-song work follows the groups’s second album by two years, and reflects an evolution in sound, one in which staggering doses of heaviness have been blended with spine-shivering eruptions of black fury. The result is a changing pageant of armageddon-like chaos, pestilential doom, and blood-freezing grandeur, a tale of destruction and resurgence. Continue reading »

Sep 062017
 

 

(DGR reviews the new EP by Unbeheld from British Columbia, which was released near the end of July.)

Something happened in the three years since their self-titled EP in 2014 that caused Canadian death metal band Unbeheld to develop a nihilistic streak that has spilled over into their music. The group’s latest EP, Dust, features seven songs and not a friendly thought amongst them. The band themselves even explain this upfront on the Bandcamp page for Dust, stating:

Dust is lyrically based on thoughts rooted in depression and anxiety. The sort of feelings that one dealing with such mental conditions goes through on a daily basis. The sense that nothing ever quite feels “right”. The fact that that exists in itself is an absurd phenomena. It also deals with the usual death metal themes of death and violence; but instead of being about the process of these things, it more so deals with the thoughts that go through ones mind during death and or while performing acts of violence as well as a general fear of fading away into nothingness. That is to say that after we die; nothing we did really mattered.

I’m not a gambling man but I’d guess that “friendly” and “approachable” will likely not be the words attached to Unbeheld’s music, and to be fair, the artwork for Dust matches the music within — intense and violent. Continue reading »