Feb 182018
 


Wiegedood – photo by Stefaan Temmerman

 

Saturdays and Sunday mornings have become challenging times for me in the thinking I allocate to these SHADES OF BLACK posts. Having listened off and on to a lot of new black metal during the preceding week, I think I’ve figured out by mid-day Saturday what to include, and then, by coincidence or cunning, a whole bunch of new stuff lands in my lap.

Yesterday was a prime example. Having narrowed my choices, they suddenly ballooned again, thanks to late-breaking recommendations from friends and readers, and e-mails from bands and labels. The flood of communications into our chaotic command center usually dwindles dramatically on Saturdays, but those that persist tend to focus on music from the black realms, and I tend to pay attention to them more quickly because everything else has kind of cleared out.

What to do? Well, one thing I did was to expand the volume of music in today’s post. And given my renewed resolution to cut down on the number of premieres I agree to write during the week, another option will be to collect more new music in a blackened vein for a week-day edition of this series.

WIEGEDOOD

I do my best not to read comments about music on the internet (or comments about almost anything else) unless they were written by friends or respected musicians, or unless they appear at NCS. I can guess that if I made an exception to that resolution in the case of Wiegedood’s new song and video, the majority of them would be juvenilia about penises. Continue reading »

Feb 112018
 

 

Welcome to the regular Sunday edition of this column, which follows the irregular one I posted yesterday after failing to complete it earlier as planned. I’ve divided it into two parts because there’s quite a lot of music in today’s post, with six bands and four complete releases in addition to advance tracks from two others that are on the way.

On top of that, the first three of the complete releases include “long-form” songs. All of them are examples of emotionally powerful atmospheric black metal. But after those three I decided to make a sharp stylistic turn (actually, several sharp turns).

P.S.: I’m rarely cool, calm, and collected when writing about music; I only write about what I like and tend to let the words reflect the excitement… and I really like what you’re about to hear.

MIDNARTIIS

Two years ago I reviewed and premiered a wonderful album named Waves of Degradation by the Texas folk-influenced atmospheric black metal band Krigsgrav. It was the band’s fourth album but my first serious exposure to their music, and it was a hell of a discovery.

Krigsgrav are far along in their work on a new album, but their former bassist Wes Radvansky, who seems to have parted ways with the band since the last Krigsgrav album, has his own solo project, the name of which is Midnartiis. Continue reading »

Feb 102018
 

 

Impure Sounds is an appropriately named independent label and recording studio based in Melbourne, Australia. Their past releases have included works I’ve written about at NCS, including a split by Graveir and Mar Mortuum, and the debut album by Dødknell. Impure Sounds now has two new releases on the way, one of which can now be streamed and downloaded in full and the other of which has an advance track up for listening — and both are very good.

 

GOLGOTHAN REMAINS: PERVERSE OFFERINGS TO THE VOID

Sydney’s Golgothan Remains launched their first demo two years ago and are now following that with a full-length record through Impure Sounds named Perverse Offerings To the Void. A digital version of the album is available now, and a 12″ vinyl is scheduled for April 20.

Vehemence (Through Pain Divine)” opens the album in stunning fashion, with titanic rumbling and booming in the low end, bursts of freakish, swarming guitar dissonance in the upper reaches, and grim grinding in the mid-range, like a bone saw scything through gangrenous limbs. The destructive barrage of sound is segmented by slower cascades of pile-driving brutality. A heartless roaring monstrosity has somehow seized the microphone, venting a tyrannical tirade in the midst of this war zone. Continue reading »

Feb 102018
 

 

It will come as no surprise to anyone who has visited us more than once that I enjoy doing premieres of new music. Sometimes, however, I lose my head: For example, over the last two days we did eight of them. I believe in the worth of each one of those, but they shoved everything else out of the way, including this post, which I started writing last Wednesday and couldn’t finish.

Posting this on Saturday runs it right up against the usual spot for this SHADES OF BLACK series on Sunday, but so be it. I’ll still post another one of these installments tomorrow, and then try to figure out how to catch up on Monday with everything else I’ve neglected over the last two days.

MYSTAGOS

In December we premiered a song from a then-forthcoming EP named Pvrvsha by the Spanish black metal band Mystagos. That song alone (“Drowning In the Sea of Unconsciousness”) was enough to land the EP on my own “most anticipated” list for the early months of 2018. And on February 1, Pvrvsha was released by BlackSeed Productions. It’s available now through Bandcamp, and if you haven’t heard it, you really should give it your full attention. Continue reading »

Feb 082018
 

 

(We present the premiere of a new two-song EP by the Serbian duo All My Sins, which is now available on Bandcamp, preceded by a review of the release by Andy Synn.)

 

There are some people out there who would have you believe that there are only really two types of bands – “innovators” and “imitators”.

But this is a vast, and misleading, over-simplification of how things really are.

The truth of the matter is that most bands will never be the next Mayhem/Opeth/Meshuggah… or whoever… but that doesn’t mean their music doesn’t have value.

In fact I’d contend that it’s more important to be distinctive, rather than “innovative”, in your chosen field, and that the willingness and ability to truly pour your heart and soul into your music, to twist and tweak established facets and features into something that truly represents your vision, is the most vital thing of all. Continue reading »

Feb 052018
 

 

After releasing a debut demo in 2011 (In Life We Trust), a debut album in 2012 (Surrounded By Pain), and a single the following year (“Edges of Insanity“), the Belarusian metal band Victim Path are returning at last with a new two-song EP. Entitled Faceless Nameless, it will be released tomorrow via Bandcamp, but we have a stream of both tracks for you today.

The band’s lyrical focus, as they explain it, is on themes of “misanthropy, pain, the loneliness of a human being who is deprived of a right to be god’s creation,” and “the denial of religious postulates, rules and dogmas of everyday life”. And beyond the lyrics, the music on this new EP is itself an expression of grief and pain, one that draws upon the stylistic tools of black metal but employs other musical styles as well. And so perhaps resorting to the more vague but more encompassing term “dark metal” could be appropriate. Continue reading »

Jan 292018
 

 

(Todd Manning wrote this review of the new split by Baltimore’s Neolithic and the Swedish band Martydöd, set for release on February 15 by Deep Six Records.)

 

Does anyone want to burn down a city to kick off the new year? If so, the new split between Neolithic and Martyrdöd should provide the perfect soundtrack to the chaos. This is a short record, but goddamn if it isn’t raging. Continue reading »

Jan 252018
 

 

Yesterday I posted the first Part of this three-part collection of new or recently discovered black metal. If the rest of my life will cooperate, I should be able to post Part Three tomorrow. As previously explained, I arranged all the music in alphabetical order by band name and then divided the list into thirds. And so tomorrow’s music comes from bands whose names follow the letter N — unless I find something else I want to tack on, or forget how to alphabet.

HUMAN SERPENT

My comrade DGR pointed me to For I, the Misanthropist, the third album by the Greek band Human Serpent. I don’t think we’ve written about Human Serpent before, although in preparing to write this post I saw that the band’s last release (just a few months ago) was a 20-minute collaboration with Isolert, who I have tried to expose to our readers on a couple of previous occasions. That’s a release I need to listen to (and you can listen to it here as well). Continue reading »

Jan 222018
 

 

Those of you who are familiar with our frequent premieres know that we always accompany the music with our own thoughts about what you will hear. There are times (though not often) when I think it might be a mistake to include a review, both because I fear my words will be pathetically inadequate and because even an adequate description might threaten to spoil a jaw-dropping surprise. This is one of those times.

The self-titled debut EP of Untervoid is in fact a cavalcade of surprises, an almost chaotic but ingenious conglomeration of stylistic ingredients that may in fact defy at least my own meager descriptive powers. And even in making the attempt to convey the sensations of sound and emotion, I might be reducing the impact of what you would experience by simply launching the player without further ado. But, for better, or more likely for worse, I’m forging on anyway. Continue reading »

Jan 222018
 

 

Abyssal Vacuum’s new EP reveals a distinctive musical vision and “voice”, the three songs offering a conception of atmospheric black metal that manages to be both mesmerizing and strikingly intense. It’s described by the label that’s releasing it as emanations from a deep and cavernous abyss, “like exploring the darkest caves of Earth”, but the experience it creates might also bring to mind the mysteries of the cosmos lurking in a hostile off-world void.

Abyssal Vacuum is the solo project of French creator Sebastien B. (of Dyslumn and Ominous Shrine), and the project’s first release, which was recorded around the end of 2017, is being made available this week, both digitally and on cassette tape, by the French label Solar Asceticists Productions. What we have for you today is the premiere stream of all three tracks that appear on the EP. Continue reading »