SHADES OF BLACK: NOEN HATER OSS, NIHTYMNE, ARALLU, GRUZJA, GRIMA, CHRIS WICKED and GAAHL

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Jan 032021
 

 

Here we are, in this uncertain in-between time, with one foot still in the old year (because it seems to keep moving forward, refusing to let go) and one foot in the new year (which isn’t exactly providing solid ground to stand on). And so it is in the micro-world of extreme metal, when we’re still catching up with late-year releases while looking ahead to what’s coming in 2021. What you’ll find in this blackened round-up is a mix of such things.

NOEN HATER OSS (Norway)

To begin, I’ve chosen two songs that appeared during the last two months of 2020, both of which are part of an album entitled Siste stopp skjærsilden that’s planned for release later this month. The band is Noen Hater Oss from Stavanger, Norway, which began as the solo project of Raum and now also includes vocalist Morloc. Their discography includes a demo and two full-lengths, but they are new to me. Continue reading »

SHADES OF BLACK: INHEIN, TRUP, OMINATION, WAMPYRIC RITES, FIUR, STARER, CRUSTY OLD TOAD

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Dec 272020
 

 

Today’s column is a collection of substantial musical mood swings. I didn’t plan it that way, it’s just how it came together. I enjoyed the twists and turns and hope you will too.

INHEIN (Russia)

Suffering for iron-poor blood? Ass dragging like there’s a load of bricks in your stained shorts? Sinking like a stone beneath an endless ocean of listlessness? The first song in this playlist furnishes the remedy for all that, at least for six minutes. Continue reading »

SHADES OF BLACK: SRD, BASALTE, FUNERAL WINDS, AETHYRICK, SEIDE, ANTUCO

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Dec 202020
 

 

Yesterday I bitched about the compression of my NCS time over the last week, so no more bitching today. Besides, I did have a lot of time to myself yesterday and this morning, enough to finish listening to some things I’d begun earlier, and to make some exciting new discoveries. What you’ll find below is a diverse mix of recently released albums and one new EP, along with a couple of advance tracks from forthcoming records and one twist at the end.

SRD (Slovenia)

Not too long ago my Norwegian friend eitororm e-mailed me with some suggestions for this column, one of which was Ogjna prerok, the sophomore album by the Slovenian black metal band Srd. He wrote: “The album is all over the place, with songs and passages with varying quality. In the middle of the album there’s even an accordion tune, which really doesn’t fit. And despite all this, I find myself returning to listen to the album over again. It has certain elements that really stick to my mind. If you listen to this whole album in its entirety, a part of it may just end up on your list of infections”. Continue reading »

SHADES OF BLACK: TEMPESTARII, VESTINDIEN, BHLEG, GRAVFRAKTAL, MONKE

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Dec 132020
 

 

I continue to fall far behind in my listening due to a year-end crunch at my fucking day job, which will continue through the coming week. What little free time I have to devote to NCS between now and this time next week will be consumed by premieres and the continuation of our annual LISTMANIA series (later today I’m sharing a couple more lists from “big platform” web sites, and then we’ll have more lists from our writers and guests in the week ahead).

But fortune smiled on me, and it didn’t take me long to find what I decided to share with you in this column. Enjoy!

TEMPESTARII (U.S.)

“Deathwards Xibalba” is the long opening track to Chaos at Feast, the new second album by Tempestarii, an Idaho-based black metal band who picked a great name for themselves, because listening to their music is very much like being subsumed in frightening, wholly engulfing tempests — or perhaps, given the dramaturgical trappings of their music, like witnessing firsthand the magical storm of Shakespeare’s The Tempest. Continue reading »

SHADES OF BLACK: ISSOLEI, CAEDES CRUENTA, EGO, THE AMENTA, CULTED, VØIDWOMB, SUNNATA

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Dec 062020
 

 

Sometimes fortune smiles and these Sunday playlists just fall into place as if directed by some devilish higher lower power. In those times I move through songs I might be interested in, and by serendipity the music just flows in a way that makes sense. That didn’t happen today.

I had sorted out what I wanted to recommend, but had no good idea how to order them. I made an effort, but it’s still a pretty twisty and turny trip, made even more twisted by a last-minute addition prompted by a recommendation from my comrade DGR.

This episode is also different from most, in that it includes no complete releases, only advance tracks from forthcoming records. To spice things up, a few come with videos that will likely make you sit up and pay even closer attention.

ISSOLEI (Norway)

I decided to begin with a song called “King Apophis“, though I have very little information about the band or the release. Issolei apparently come from Trondheim, but beyond that they are a mystery. Terratur Possessions will release a debut Issolei record that includes this song, but hasn’t yet announced the title or a release date. Continue reading »

SHADES OF BLACK (PART 2): ARKHTINN, STARLESS DOMAIN, MISOTHEIST, GLOOMY, SARVOK, ANTE-INFERNO

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Nov 292020
 

 

If you happened to lose your way, you can find Part 1 of today’s black metal collection here. And now you can get lost in the music I’ve chosen for Part 2. Lots of twists and turns lie ahead.

ARKHTINN / STARLESS DOMAIN

I mentioned in Part 1 that on November 18th ПРАВА Коллектив (Prava Kollektiv) released no fewer than five full-lengths, and that I spent time this weekend with two of them, while remaining eager to check out the other three as soon as time permits. I picked one of those two to lead off Part 1, and the second one is this: an album-length split named Astrophobia that includes the music of Arkhtinn and Starless Domain and features cover art by Markov Soroka. The split consists of two epic-length tracks, one by each band. Continue reading »

SHADES OF BLACK (PART 1): HWWAUOCH, KÖNIGREICHSSAAL, EXTIPICIUM, GLEMSEL

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Nov 292020
 

 

I was able to devote much of Saturday and this Sunday morning to music-listening. The result was not only yesterday’s gigantic round-up but also a two-part SHADES OF BLACK that I’m beginning here. I realize it’s too much to expect that any normal person would listen to all of this, but my enthusiasm often triumphs over practicality. It also often triumphs over my capacity to write, resulting in more hurried consideration and fewer words than the music deserves. That’s especially true today.

I devoted a big portion of the listening time to two of the five (!) full-length releases issued on November 18th by ПРАВА Коллектив (Prava Kollektiv). I’m beginning Part 1 of this post with one of those, and starting Part 2 with the second one. The other three look just as exciting, but I’ll have to get to those another day. This Part also includes another album, an EP, and an advance track. Hopefully you’ll have time to at least sample everything. Part 2 will be even longer.

HWWAUOCH

Based on past experience with this mysterious entity I would have eventually checked out Hwwauoch’s new album without any other encouragement, but the fact that three of my most trusted recommenders of music — Rennie (starkweather), Miloš, and eiterorm — all urged it my way elevated it on my listening list. The name of the album is Protest Against Sanity, and it’s one of those five Prava Kollektiv releases that emerged 10 days ago. Continue reading »

SHADES OF BLACK: ONDSKAPT, SAINTE MARIE DES LOUPS, TOTALITARIAN, WAERLOGA, RAVENOIR, NEIGE ET NOIRCEUR

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Nov 222020
 

 

Today we begin our 12th year of existence, having celebrated our 11th birthday yesterday. It just so happens that we begin the next circle of the Earth around Sol on a Sunday, and an opportunity to blacken the sabbath again.

ONDSKAPT (Sweden)

After doing some searching I was surprised to learn that I’ve never previously written about the music of Ondskapt at our site, though I do see one (very old) mention by a guest contributor in a year-end list. This absence puzzles me. It is definitely more a regrettable oversight than a sign of disinterest. But now, finally, I can check that box, and do so enthusiastically thanks to the song I’ve picked to open today’s playlist. Continue reading »

SHADES OF BLACK: BEHERIT, HYRGAL, FUNERAL CANDIES

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Nov 152020
 

 

I’m not quite sure what got into me when I began focusing on what to cover in today’s edition of this column. Let’s just say that most of it is off the usual beaten paths. It’s also slightly more compact than what I usually manage, but that’s because I put a lot of time into another column today, which itself includes black metal. Check that one out here if you haven’t yet.

BEHERIT

Two days ago Beherit made a surprise album release — at least it came as a surprise to me, the first new music in 8 years. Bardo Exist is a massive thing, a 37-minute first half consisting of 11 songs and a second half that’s the 23-minute title track. I probably shouldn’t be writing anything about it because I’ve only listened to it once, but I know myself: If I don’t jump on something quickly, I get carried away to other things by the flood-tide of new releases. So here are some immediate reactions: Continue reading »

SHADES OF BLACK: STORMKEEP, FROSTNATT, CIBOLA, CHANNELER, AKVAN, VOREUS, VALRAVNE

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Nov 082020
 

 

I spent a joyful day yesterday, though I was rooted in front of the TV instead of listening to metal. But the good feeling carried over into this morning as I began listening to things, and in rapid succession found music that just seemed to fit together beautifully for this column. The arc of sounds as I’ve arranged them here was almost exactly the sequence in which I heard them, and I’ve kept it that way even though not everything here qualifies as black metal.

What made the experience even more thrilling was that five of the seven bands here were new to my ears (some of the music comes from debut releases).

STORMKEEP (U.S.)

I don’t have to spend a lot of time formulating words to describe Stormkeep’s “Glass Caverns Of Dragon Kings“, because Jon Rosenthal did his usual excellent job in writing about it when Invisible Oranges premiered the track two days ago: Continue reading »

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