Feb 092015
 

 

(Andy Synn reviews the new EP by Barishi from Vermont.)

It was April of last year when I first stumbled upon the self-titled debut by these Prog-Metal ne’er do wells, and by that point their debut was already over four months old. If you’ve read my review (here), you’ll know that I was very much entranced by their unapologetic weirdness and aggressively schizophonic sound, drawing comparisons, at various points, to bands like Intronaut and Poison The Well (amongst others), in an attempt to accurately characterise and situate their cunningly kaleidoscopic Prog-Metal/Hardcore fusion.

So imagine my surprise upon discovering that the band have just released a follow-up in the form of the Endless Howl EP, along with my pleasure when I realised that this time at least, I wouldn’t be so far behind the curve in reviewing it! Continue reading »

Feb 082015
 

(Austin Weber reviews the latest album from the French band 6:33.)

Love them or hate them, Mr. Bungle has had an undeniably large impact on the music world. They re-defined progressive music in the modern era by conjoining various kinds of metal with an ever-changing array of other music styles. After their break-up, the members went on to other bizarre and out-there acts such as Fantomas, Tomahawk, and Secret Chiefs 3. It’s from within this branch of oddball musical eccentricity that the French band 6:33 draw liberally on their newly released record, Deadly Scenes.

But upon closer inspection and several listens, it becomes evident that they’ve made some tweaks to this type of Dog Fashion Disco sound, and while sometimes it sounds too close to Mr. Bungle, Deadly Scenes is often brilliantly original. And in addition to playing in the vein of Mr. Bungle, their is a recurring, almost-Devin–Townsend vibe going on that really works in their favor. Continue reading »

Feb 082015
 

(About a week ago, while I was being roasted alive in day-job hell, Grant Skelton e-mailed me about some doom discoveries. I’ve decided to just paste his e-mail comments into this post along with the music. I hope it’s okay with him that I’m doing this. I subscribe to the view that it’s easier to ask for forgiveness than for permission.)

CRYPT SERMON

In keeping with your interest in Crypt Sermon, I found that they are streaming another new song called “Will of The Ancient Call” over at NPR. Listen here.

If you’ve heard “Heavy Riders” or the title track, then you know this is traditional doom. I suppose detractors might call it “re-doom,” but I think it’s phenomenal. I’d love to see these guys tour with Below. Continue reading »

Feb 082015
 

 

The Whorehouse Massacre have been churning out catastrophic heaviness from the bowels of British Columbia since roughly 2005, with almost a dozen short releases, one full-length album, and a live recording to their credit. On February 20, Transcending Obscurity will release a compilation of the band’s most recent EPs under the title Altar of the Goat Skull / VI. It comes as a precursor to the band’s next album, which will be released by the same label, and at the end of this post you’ll have the opportunity to hear it in full.

But if you’re not already familiar with this band’s brand of sludge, I should probably warn you: Listening to this album all the way through risks severe spinal compression, concussion, bleeding in the brain, black eyes, and gradual suffocation. It’s a low, slow death inflicted by pulverizing riffs and gut-punching percussion. About the only light that escapes this maw of darkness are the sparks that come from the crash of cymbals. Continue reading »

Feb 082015
 

 

Thanks to a Facebook post from KevinP, I learned that on Friday Debemur Morti Productions released a new digital single by the German duo known as Porta Nigra. It consists of a new song named “Femme Fatale”, which will appear on the band’s second album Kaiserschnitt (due for release later this year), and a remix of “Megalomaniac” from the band’s excellent debut album Fin de Siècle. The remix was prepared by T.T. of the Austrian black metal band Abigor.

There are some truly hair-raising screams and some jagged growls in “Femme Fatale”, but it’s also an exception to our rule, as you’ll discover. You will also discover a dark, decadent, mid-paced rocker that’s powerfully infectious — the song’s central riff is licensed to kill, and there’s a cool, squalling solo in it, too. Continue reading »

Feb 072015
 

I’m finally finished with the project for my fucking day job that has kept me on the U.S. east coast for the last three weeks. Tomorrow I return to Seattle and some semblance of normalcy, both for life in general and for NCS.

I still feel like I’ve been put through a goddamn meat-grinder, and it will take some time to get over being exhausted (and to finish posting what other writers sent me over the last week), but I did spend an hour this morning trying to figure out what I missed in the way of new music over the last couple of days. As usual, given the persistent flood of new metal that’s been coming our way since this new year began, I found A LOT. I’m going to include three new videos in this post. I hope I can get another round-up done tomorrow before heading to the airport.

ENSLAVED

Enslaved’s new album In Times is one of my “most anticipated” 2015 releases, so it’s been frustrating that I haven’t had time to listen to it since our advance copy arrived about a week ago. But this morning I did listen to the first advance track, “Thurisaz Dreaming”, which began streaming as a lyric video at Noisey yesterday along with an excellent interview of Ivar Bjørnson. Continue reading »

Feb 062015
 

 

The head-wrecking, head-twisting grind trio from London known as Oblivionized are nearing the release of their debut album Life Is A Struggle, Give Up, and today we’ve got the premiere of an official music video for one of the new songs — “Cry Yourself To Ash”.

We’ve been following Oblivionized pretty closely, reviewing their debut EP (here) back in 2011, their second EP (here) in 2012, and one of their contributions to a split with Plague Widow in 2013 (here). They’ve already amply proven their ability to vent fury with megawatt power and technical intricacy, but this track is a good example of the band’s ability to put some interesting twists and turns into their ferocity. Continue reading »

Feb 062015
 

 

When I heard the first two tracks from the new album by Virginia trio The Vomiting Dinosaurs, I wrote that they were a blast to hear — an open-throttle, ass-kicking combo of grind, thrash, and death metal bent on ramming your head right through the wall and into the furnace next door. Now that I’ve heard the whole album, I realize that I probably under-stated the album’s impact because I failed to include some kind of reference to carpet-bombing with napalm.

The band obviously have a sense of humor, which carries over from their name and the album’s title to the individual track titles as well, but the music is punishing — in a very good way. It romps between made-to-mosh, punk-inspired thrashing,  massively headbangable grooves, and flame-throwing grind eruptions. Continue reading »

Feb 062015
 

And now for something completely different.

You may gaze upon the macabre cover art for the debut album by Corpo-Mente, and you may wonder what lies within, cloaked in the image of a girl crying blood in a forest. Trust me, you won’t be able to guess. But making you guess isn’t the object of this post. Our mission instead is to bring you the premiere of the album’s sixth track, a song named “Dulcin”.

Corpo-Mente is a French duo consisting of vocalist Rïcïnn (Laure Le Prunenec) and multi-instrumentalist/producer Gautier Serre, who is better known as the man behind Igorrr and Whourkr and a collaborator with Öxxö Xööx. If you know anything about the music of those bands, then you know that attempting to guess what Corpo-Mente is about would be fruitless anyway. Continue reading »

Feb 062015
 

photo by Tim Flach

In the 5+ years NCS has been alive, we’ve failed to post something new on only four days (including weekends and holidays). Yesterday was the fourth missed opportunity. You may be wondering what produced this tragedy. I thought about just using this excuse.

In reality, it was crunch time for the project at my fucking day job that has kept me on the U.S. east coast for the last three weeks. I got three hours sleep the night before, and the hours when I was awake allowed no time for me to even format and post what other people have written — apologies to everyone who wrote things to help keep the site from going dark and have been wondering why it went dark anyway. Continue reading »