Mar 112014
 

About three weeks ago we featured an advance song from Hyperion, the forthcoming sixth album by the Parisian band Dirge. Today, in cooperation with the band’s new label Debemur Morti, we’re thrilled to help premiere a stream of Hyperion in its entirety.

On Hyperion, Dirge prove themselves to be immaculate practitioners of a dark and beautiful art. They stand like potent spellcasters at the intersection of doom, sludge, and post-metal, a place cloaked in perpetual night, hemmed in by black thorns, lit only by a sliver of moon above and the shimmer of winking stars.

The songs are long, culminating in a 16-minute instrumental closing track. They manage to be both ghostly and very heavy, both ethereal and menacing in the power of their undertow, like the siren song and the bottomless whirlpool. Combining low distorted chords and massive drum strikes with rippling lead guitar lines, mixing raw howling vocals with ghostly, subdued, clean ones, they walk a line between pain and perseverance without ever losing their balance. Continue reading »

Mar 102014
 

Collected in this post are new songs from three black metal bands that I want to recommend for your listening pleasure.

NEFANDUS

Nefandus are a satanic black metal band from Sweden whose third album, Reality Cleaver, is scheduled for release by Daemon Worship on April 30.  Though the band’s line-up has evolved over time, they trace their roots back to the mid-90s, with their first album coming out in 1996. However, my first exposure to the music came from the two new songs that Daemon Worship recently began streaming on Bandcamp — “Qayin’s Hunt” and “Reborn As Wolf”.

The first of those songs is a mid-paced procession, almost stately in its cadence and in the grandeur of its dark, minor key melody, yet thoroughly occult in its atmosphere (due in no small part to the filthy vocal delivery). The second track, “Reborn As Wolf”,  quickly accelerates into a gallop, the whirring melody needling like a drill bit seeking flesh within the teeth, though the song also exudes a kind of infernal majesty similar to “Qayin’s Hunt”. Very nice. Continue reading »

Mar 102014
 

It is said, and rightfully so, that music tells a story unlike any other art form. It interacts directly with our subconscious, evoking emotions and inspiring images and narratives without any conscious interpretation. It connects with memories and it fosters fantasies of things never actually experienced. Lyrics actually get in the way of this process. It’s better if you can’t make out the words, which may be one reason why I like extreme metal so much.

I listen to Sorgestadens Nycklar, the debut EP by Sweden’s Mortifera, and I smell the evergreens, feel the bite of a cold wind, hear the slap of leggings against horsehide and the rattle of blades in their scabbards. My spine is jolted by the gallop, my blood accelerating with the charge. Axes fall, blood flows, songs of victory are sung near a blazing fire under the constellations of the far north. Continue reading »

Mar 102014
 

I’m happy to be back home after almost five days away, but I’m less than happy that today is a fucking Monday. I thought I’d celebrate the wretched occasion by throwing some miscellaneous things your way that I saw and heard after I got home late yesterday. I’ve packaged these items together because they’re… what’s the word I’m looking for?… let’s just say they’re out of the ordinary.

CHATALHÜYÜK

The last time I came across music billed as caveman death metal, it was Norway’s Goat the Head. They have been sadly missing in action for the last three years, but until they see fit to rouse themselves into a new burst of creative activity, I will have to content myself with Chatalhüyük. They have labeled their music “Neolithic metal” and they sing of such Stone Age things as big wood spirits and pterorhs stealing their krohi.

I’m not sure what a krohi is, unless it’s a Neolithic youngling. I’m pretty sure a pterorh is a pterodactyl, even though they became extinct about 60 million years before the Stone Age began and the Neolithic came at the very end of the Stone Age. But hey, if you’re willing to contemplate the concept of Neolithic death metal, then why not krohi-stealing pterodactyls? Continue reading »

Mar 092014
 

(In this post our guest Kunal Choksi (Transcending Obscurity) puts the spotlight on three up-and-coming death metal bands from Russia.)

Without delving into the purely “brutal” aspect of things, let’s throw some light on the Death Metal scene in Russia. Sure there have been bands in the past, some good ones too, like Merlin and Barbarity as well as the middling ones, but the newer ones are game-changers.  No longer do you have to contend with giving Russian Death Metal bands “old school” credit, some nostalgic or primitive value. Admittedly, that forms a part of the scene’s sound and that’s fine, as long as it’s not remaining primitive in terms of quality. Three Russian bands lead the scene in my humble opinion and all of them have achieved reasonable success with at least one release under their belts.

ODEM (Daemon Worship Productions)

Odem leads the pack with its unique blackened influences and a blend of aggressive and semi-technical Death Metal, with elements of modern brutality as well. Their sound is innovative in ways that American bands are often loath to do. Continue reading »

Mar 092014
 

Sometimes my listening decisions are completely ruled by impulse. I have carefully conceived plans in mind, and then they vanish in an instant, for reasons I can only dimly fathom after the fact. Yesterday afternoon, for example, I finally had a short break from my paying job. I had many forthcoming albums I could have dived into, but instead I listened to something that came out in October 2013. I later decided that at a subconscious level I must have felt a yearning to be pounded flat.

I had heard about this debut EP by Liverpool’s Crypt Lurker from many respected sources, including our curmudgeonly contributor SurgicalBrute, who put it on his Best of 2013 list.  He characterized it as “a rolling monolith of raw blackened doom”, and so it is.

The music is simple in its construction, yet it’s ingeniously effective and tremendously compelling. The tools of Crypt Lurker’s trade are mammoth, vibrating riffs, methodical hammering drums, and scalding shrieked vocals that radiate malevolent intent. The band concoct grim, morbid melodies and then wield those implements to beat them relentlessly into your memory. Continue reading »

Mar 082014
 

I’m still away from home doing job-related stuff that has left almost no time for searching out new metal, listening to music, or blogging.  I will be going home tomorrow, with hopes that NCS life will return to normal after that. I’m about to dive back into another day-long bout of job-related stuff, but before doing that I thought I’d throw a few things your way.

CVLT NATION FREEBIES

CVLT Nation has recently unveiled a series of free compilations that are well worth exploring. The first, which was released two days ago, is a compilation of Black Sabbath covers: Seven different bands perform the eight songs on Sabbath’s 1971 classic, Master of Reality. The bands are:

Primitive Man
Rorcal
Cult of Occult
Bongripper
Graves At Sea
Albino Python
Usnea Continue reading »

Mar 072014
 

Among the names on my mental list of highly anticipated 2014 releases, Falls of Rauros and Panopticon were in the upper reaches. This spring, Bindrune Recordings will be releasing a 12″ split by the two bands. Falls of Rauros contributed two songs — “Unavailing” (at nearly 12 minutes in length) and “The Purity of Isolation” (nearly 7 minutes).  Panopticon contributed four songs, totaling nearly 25 minutes. Having heard the split, I can say that it has more than met my very high expectations.

I had hoped to scribble a review by now, even recognizing that I wouldn’t be able to do it justice. But alas, I’m way behind. What I do have, with thanks to DECIBEL magazine, are two of the songs from the split, one from each band. Since I still harbor a feeble hope of writing my own thoughts about the music later, I’ll not say more about the songs now — but simply provide the streams for your listening pleasure. Continue reading »

Mar 072014
 

Our fellow blogger Full Metal Attorney published a new post on his site today entitled, in intentional Buzzfeed-speak, “7 Metal Bands That Will Blow Your Mind”. He began it this way:

I’ve been reading about Babymetal since No Clean Singing first covered them two years ago. Now I’m starting to read about them everywhere, and it’s blowing the minds of regular people. Even my six-year-old son–who has grown up completely immersed in pop music and extreme metal–had a “WTF?” look on his face: “Why are those girls there?” You’re right, son, it doesn’t make any sense.

It hadn’t occurred to me that Babymetal would be so interesting to non-metalheads (outside of J-pop fans, anyway). So I started thinking: What else might blow the mind of a normal person? Metalheads, this list isn’t really for you: Share it with your friends.

And he then proceeded to provide a list — a list of bands who in very different ways have combined musical elements with “mainstream appeal” (my words) and elements more familiar to metalheads. The idea struck me as one that might generate some discussion here at NCS.

So, no, this isn’t yet another NCS post about Babymetal (because they’re even getting coverage from the likes of USA Today as well as currently holding down a spot on iTunes Top 10 Rock Albums chart in 7 countries — the US, UK, Australia, Canada, Ireland, Japan and Sweden). Those of you who think Babymetal are the greatest threat to our way of life since the fluoridation of water can relax. Continue reading »

Mar 072014
 

I intended to get this roundup posted yesterday, but obviously my word is no good. So it comes today

BLOODLET

The artwork at the top of this post grabbed my attention. It was created by Aaron Turner (of Isis fame, and a prolific graphic artist) for a 12″ release coming on Record Store Day from A389 Recordings. The title is Bloodlet – Live on WFMU-FM (03.23.95), and as the title suggests it’s a previously unreleased live recording from about 20 years ago that was recently mastered for this release.

Bloodlet is a name I’ve heard before, though I can’t remember if I ever heard their music. They made a name for themselves in the 90s as a metallic hardcore band (long before the “metalcore” label came into currency). They’ve been on hiatus since 2003, but reunited to play the A389 Records X Anniversary Bash in Baltimore on January 18, 2014.  Continue reading »