Dec 142012
 

(In this post, NCS writer Andy Synn provides another installment in his “Five of My Favourite” series, with five killer b-side tracks from Himsa, Satyricon, Setherial, Skeletonwitch, and Marduk.) 

Ah, the humble b-side. The bonus track. The Japanese exclusive. How they toy with our emotions and loyalties. How many copies of an album are you willing to buy to get just the right track-list? How completest/obsessive are you? Is that itunes bonus track worth the extra dough? Have the band offered up these extra tracks for free download (some do, you just have to look for them)? Is there ANOTHER Roadrunner digipak re-release on the horizon, scraping the archives for all that they’re worth???

Anyway, recently I’ve started a slow but steady purge of my itunes library, removing the b-sides, bonus tracks and covers which I don’t consider worth the bit-space. This comes after several years of obsessive-compulsive trawling of the internet for downloadable versions of these extra special bonus tracks, or (even worse) buying up another, “better” copy of a cd I already own, just to have the completist’s wet-dream of an exhaustive track-list.

After several intense bouts of therapy I’ve made the first step in getting rid of these superfluous extra tracks that do nothing but clutter up my library and, at their worst, detract from or disrupt the intended track-listing of some of my favourite albums.

But it has also given me a chance to appreciate those b-sides which deserve their time in the spotlight – the very best of which I can’t help but wonder WHY they didn’t make the final cut, in many cases as they’re better than some of the actual album A-sides! So here we are, five of my favourite non-album b-sides. I’ve purposefully excluded covers and re-recordings, and just focussed on five original tracks that honestly deserved to be on an album! Continue reading »

Dec 142012
 

As previously reported, the almighty Suffocation have a new album on the way in February via Nuclear Blast. It’s name is Pinnacle of Bedlam. Today, NB began streaming a track named “As Grace Descends”.

I am so damned happy to hear this track. It fulfills fervent hopes. It’s music that both strips flesh from bone and invigorates the mind with a flurry of technical wizardry, interesting drumwork, and a beautiful solo.

Also, Frank Mullen.  Listen:
 

Dec 142012
 

Here are a few items I saw and heard over the last 24 hours that I thought were worth sharing.

TOURISM NEWS

Featured above are flyers for two North American tours. In Flames headlines the one on the left (the “Another Year Another Tour”), with support from Demon Hunter, All Shall Perish, and Battlecross. A partial schedule surfaced previously, but yesterday I saw what appears to be the complete calendar for the tour. It begins on February 2 in Ft. Lauderdale, Florida, and ends on March 7 in Norfolk, Virginia.

The closest it comes to the Pacific Northwest is Vancouver, so I doubt I’ll catch this one. Otherwise, I would go. I’ve seen the top three bands multiple times before, but would enjoy seeing them again, and I’d like to see Battlecross for the first time.

The tour on the right hasn’t been officially announced. I caught wind of it when I was updating the NCS “NW Metal Calendar” page and saw that this line-up is scheduled to perform in Seattle on March 12. And then I poked around and saw that other sites have reported other leaked dates, including the one in Atlanta that’s featured in the flyer above.

This line-up is bizarre. The only thing the bands have in common is they all use guitars, bass, drums, and a human voice. The leaked dates for this one plus the In Flames tour schedule are after the jump. Continue reading »

Dec 142012
 

(We welcome back guest contributor and fellow and blogger BreadGod with his rundown of three 2012 demos, all of which are free.)

Greetings, people of No Clean Singing! I am BreadGod, purveyor of all things dark and obscure! Today I shall share with you three amazing new bands plucked from the deepest and most unknown chasms of Bandcamp!

KATECHONTape 2012

In biblical study, the Katechon refers to that which restrains the coming of the Antichrist. The Norwegian band Katechon, who released their second demo this year, has corrupted that meaning, for they wish to use their music to bring forth the Antichrist.

The music can best be described as blackened death crust. They utilize a lot of crust beats, death metal riffs and vocals, and a black metal guitar tone and atmosphere. The crust beats give the dark and nasty music a catchy feeling. The vocals frequently switch between a growl and a low death/thrash shout, and there are times when it’s drenched in reverb. The drums are superb, especially when it comes to fills and cymbal work. As I’ve said before, the guitars play death metal riffs through a black metal filter, and when combined with the crust beats, they become more memorable than most other death or black metal bands.

Katechon plays metal that is both unique and displays excellent musicianship. I am eager to hear more from them. Continue reading »

Dec 132012
 

I’m feeling like a man of leisure today. Which is to say I got hammered last night at a 12-12-12 bash to celebrate my wife’s birthday and am taking the day off from work in order to have my blood processed through a machine that will remove all the toxins in the hope of being able to function at a level better than slime mold by tomorrow.

And, while waiting for my corpuscles to finish cycling through the tubes, I sifted through NCS e-mails and the tangled pathways of the interhole to find what new metal this day hath brought. And holy shit, it hath brought a bonanza. In this post I’m including three new songs that are stylistically quite different from each other, but I thought they were all really good. So here we go:

PORTAL

I’ve experienced mixed feelings of dread, horror, and glee at the thought of a new album from Australia’s Portal. As previously reported here, it’s called Vexovoid, and Profound Lore is threatening to release it on February 19. Today brought the first song premiere from the album. I wouldn’t have guessed that Pitchfork would be the vehicle for the unveiling. Yes, Pitchfork has a big audience, but if I were PL I’d be worried about the liability risk of so many non-metalheads experiencing irreversible psychic trauma.

The new song is named “Curtain”. It’s the third of the album’s seven tracks. It’s a sonic plague of threshing guitars, booming/blasting drums, bass-level hammer blows, and grotesquely distorted abyssal vox. It’s a moving stormfront of boiling black bestiality, heavy as hell and mercilessly destructive. I fuckin’ love it. Go HERE to listen, and then come back and let us know your reactions. Continue reading »

Dec 132012
 

(Earlier this year we featured the venomous, eye-catching artwork by an artist named Held for the new album by Israthoum.  Today, Andy Synn reviews the music.)

Sometimes you decide to check out a band based on a whim, with little more than a few rumours or pinches of information to go on. Such was the case with Israthoum’s new album Black Poison and Shared Wounds. Knowing little about the band (originating in Portugal, and now residing in The Netherlands) it was the evocative title and album art that really drew me in to checking out this album. Remember people – album art is important, and it’s important that it reflects the music within.

The album in question delivers a heavy dose of ritualistic, immortal power, draped in a corpse-shroud of suppurating sedition, blood, and bile. Serrated and raw, without being rusty, sharp and scything, without being overly polished, it retains a heavy layer of grime and grit without losing its edge.

The vocals are a strangled howl, rising and falling in pitch-black despair, reeking of torment and degradation. They bleed darkness and filth, without attempting to sound self-consciously ‘evil’; instead, they thrash wildly and without constraint, wounded and hungry. The guitars hack and hammer with gritty determination, at times forging off at a tangent of bi-polar melody/dissonance, while beneath it all the drums wreak absolute havoc in a furious display of frenzied blasting and stalking, predatory groove. Continue reading »

Dec 132012
 

It’s the time of year when record labels and even bands give away their music. And unlike some shitty piece of clothing one of your relatives might give you, you don’t have to accept the gift if you don’t want to. But here are some gifts I think you’ll want to check out.

CENTURY MEDIA’S CARNIVAL OF SOUNDS II

Century Media is offering a free 16-track download that includes songs from the likes of In Flames, Devin Townsend, Jeff Loomis, Napalm Death, Nachtmystium, Paradise Lost, Iced Earth, Borknagar, Vildhjarta, Stealing Axion, and 7 Horns 7 Eyes. It also includes a track from Geoff Tate, but you could give that one to that cousin you can’t stand. Go HERE to see the full line-up and download the sampler.

PROSTHETIC RECORDS WINTER SAMPLER 2012

Prosthetic Records is also offering a free winter sampler. Their collection consists of 14 songs, including tracks from Skeletonwitch, Hour of Penance, Dew-Scented, Ancient VVisdom, Holy Grail, and Castle. There is also a live recording from a 14-string Venezuelan guitarist named Felix Martin. To see everything in this sampler and get it for free, visit this location. Continue reading »

Dec 122012
 

Over the last several months we’ve been posting artwork on the NCS Facebook page every day. There’s not a lot of rhyme or reason to the selections, other than the fact that they are strange enough or hellish enough to please my bloodshot eyes. Some of them have been created as covers for metal albums, though most haven’t had that purpose.

The Italian artist Paolo Girardi is someone whose work I’ve included in those Facebook posts, in addition to featuring here at NCS. I watch his Facebook page like a hawk for new creations, because they never fail to make my mouth gape open like a gaffed fish. Today he unveiled the painting you see above. I’m posting this on our Facebook page today, but I decided this should be spread across the front of the NCS site, too.

It’s the cover for a forthcoming album, though Paolo is keeping the band and album names secret for now. I already want it, because with a cover like this, I have a powerful feeling the music will be . . . devastatingly blasphemous.

Be sure to click the image above to see an even larger version of the image. And Merry Fucking Christmas to one and all!

Dec 122012
 

This has proven to be an interesting morning for news. Here’s what I saw that made an impression. There’s some music at the end, too.

ALL SHALL PERISH –> OBLIVION

All Shall Perish were one of the originators of the deathcore genre, and in this writer’s humble opinion they remain one of the best bands to be found in that now-thoroughly-saturated space. This morning, All Shall Perish guitarist Ben Orum announced that he is leaving the band. As he explained in a statement I saw on Facebook, his responsibilities to his family have made it too difficult for him to continue touring.

But although he is withdrawing from All Shall Perish, Orum further announced that he is joining a band of whom we at NCS have become quite fond: Oblivion. The connection that led to this new partnership is an interesting one. As Ben Orum explained in his statement:

While I am done with touring, I will never stop writing music. I am joining the extreme metal band OBLIVION as a bassist and contributing songwriter. OBLIVION’s debut album will be released on January 1st, 2013. We are beyond excited to unleash it onto the metal world. I’ve always been into death metal and extreme music, this is my return to TRUE Death Metal. What makes OBLIVION unique and sets us apart from the pack is the fact that our primary songwriter is a world-renown classical composer and professor of music, Dr. Nick Vasallo. His voice gives the music a subtle refinement with the craftsmanship of the compositions. Continue reading »

Dec 122012
 

Krisiun’s eighth studio album, The Great Execution, was one of the best death metal albums of 2011. As Phro wrote in our review, “This album goes to war and it doesn’t bother with prisoners or survivors . . . . It’s the distinctive sound of flaming swords and armor crashing as the Morning Star leads his army against the Throne on the Plains of Heaven.” It’s a dynamic, diverse, endlessly listenable album that has lost none of its potency in the year since its release.

Yesterday we kind of made our own music video for the album, matching the song “Blood of Lions” to slow-motion film of one of nature’s most magnificent predators going flat out. Today, we give you the premiere of an official Krisiun video. This time the song is “The Will To Potency”, and this time the predators are those três irmãos from Brazil.

Blending footage from live performances with scenes of the band surrounded by death in the high desert of New Mexico, the imagery of the video matches the supreme bad-assery of the song. Right after a great acoustic guitar intro by guest guitarist Marcello Caminha, “The Will to Potency” starts in the pace of a war march, and then explodes into pure speed and brutality. The roaring vocals shout words of fury and defiance over an epic main riff, and the lead guitar brands the song with fast sweeps and arpeggio picking, raising shades of the band’s debut album, Black Force Domain. The music hunts, and it kills. Continue reading »