Feb 182013
 

(Below, NCS writer TheMadIsraeli reviews the new album by Suffocation.)

Suffocation are THE pinnacle of technical death metal.  Every single moment of music they’ve written from Human Waste on has been full of eviscerating brutality, technical instrumentation brought together by one of the best senses of songwriting in the entirety of the genre, and the signature trademarks of Frank “The Tank” Mullen’s vocals, Terrance Hobbs’ indescribable but instantly recognizable brand of riffing, and in this particular case David Culross’s drumming (I think his approach on Despise The Sun was unique, and it definitely sounds like him here). So, the chance to review Pinnacle Of Bedlam was something I leaped at.

In addition to Vader and Dying Fetus, Suffocation are at the head of my trinity of brutality.  No one has EVER matched up to this band’s body of work, not even close.  They define the three things that make a great band: Consistency, legacy, and relevancy.  I don’t think anyone would dare have the nerve to say Pierced From Within sounds old; at least to my ears, that album is as musically current as it ever was, which may raise some questions about the state of modern metal.  What does it mean when many newer bands out now sound older and outdated while certain old school stalwarts still manage to sound not only relevant, but still ahead of the times?  To this day, Suffocation still maintain a commitment to excellence and a standard of quality that exceed that of most other bands.

Pinnacle of Bedlam is the shit.  That’s the essence of what I’m trying to say.  Continue reading »

Feb 172013
 

Well, I guess we picked a good day to talk about North Carolina’s Lorelei. Earlier today we included a skull-fucking new single from the band (“Masque”) in a round-up post — their third single since last year. And not long ago the band posted this welcome announcement on their Facebook page:

“We are excited to announce that our new track “Masque” was just a taste off of our debut FULL-LENGTH release titled Lore of Lies set to drop some time late 2013!

“The album will feature our two singles from last year “The Dunwich Horror” and “Godfather Death” completely re-tracked and re-mixed/mastered by Nick Scott, who handled all mixing/mastering in “Masque”, and four more full-length tracks with guest appearances from members of Conducting From The GraveOvid’s WitheringThe Schoenberg Automaton, and Warforged!

“The album will be engineered by Jamie King at The Basement Recording NC (who has worked with Between the Buried and Me, Wretched, Scale the Summit, and more) and mixed/mastered by Nick Scott at The Foundation Recording Studio, who worked with The Tony Danza Tapdance Extravaganza, Miss May I, and more sweet bands!”

And one more thing that truly caught my eye: The band unveiled the album’s cover, by none other than one of our favorite metal artists, Ken Sarafin of Sarafin Concepts. Kick. Ass. Cover. Continue reading »

Feb 172013
 

I’m still catching up on new music unveiled last week that I didn’t find time to spotlight when I first heard it. In this post I’ve collected new songs (and a video) that I think are worth your time. It’s also quite a diverse collection of metal. The bands are Tribulation (Sweden), Woe (U.S.), Lorelei (U.S.), Sectioned (Scotland), and Man Must Die (Scotland again).

TRIBULATION

I’m exceedingly stoked for this Swedish band’s second album The Formulas of Death, which is due from Invictus Productions and The Ajna Offensive on March 1. Two songs from it have premiered to date, and they’re striking. The first one (“When the Sky Is Black With Devils”) I wrote about here, and the second one — “Wanderer In The Outer Darkness” — got its debut last week on CVLT Nation.

It’s a catchy, head-rattling mix of rocking riffs, a punchy rhythm section, scalding guitar leads and solo’s, and acid vocals. And the subdued guitar outro is a very pleasant surprise. These guys have definitely created something out of the ordinary. Can’t wait to hear the rest of these Formulas. Be kind to yourself and go HERE for “Wanderer In The Outer Darkness”.

http://www.facebook.com/pages/Tribulation-Official/169889709720460
http://invictusproductions.net/ Continue reading »

Feb 172013
 

Have you reached a point in life when you’ve busted your gut in pursuit of a dream and it’s still out of reach? Have you thrown your heart and soul and every ounce of your energy into chasing a goal, only to fail?

Have you honed your talents through endless practice and steadfast perseverance, flushed yourself dry in the expenditure of your creative juices, done your absolute best work . . . and not another soul seems to care?

Are you on the verge of sliding down into a cesspool of self-loathing and bitter regret, resigned to a life of flipping burgers at Mickey Dee’s or slaving away in some cubicle for a pompous boss who can’t tie his own shoelaces? Have you almost convinced yourself that you’re nothing but a mediocrity, or that, even if brimming with genius, your talents are beyond the understanding of mere mortals? Are you about to abandon your passion. now and forever?

Well, don’t give up! Take heart! Renew yourself! Listen to this inspirational anthem by Hot Graves:

There now, you feel better don’t you?
Continue reading »

Feb 162013
 

Here are a few of the things I saw and heard yesterday and today that I thought were worth spotlighting. There will be a few more such things tomorrow.

ELIRAN KANTOR (and SATAN)

If there is a better metal artist working today than Eliran Kantor, I don’t know who it is — which explains why, every time I see one of his new creations, I’m prone to stick it up on this site post haste.

His latest work is the cover of an album by a UK band named Satan that Listenable Records plans to release on April 29 in Europe and sometime in May in the U.S. I didn’t know much about this band before seeing the stunning, metal-as-fuck album cover, though I surmised that they must have started eons ago to nail down “Satan” as a band name. And so they did: The new album, Life Sentence, is appearing on the 30th anniversary of their first album, Court in the Act.

If the music is half as good as the cover art, the new album will be worth hearing. Continue reading »

Feb 162013
 

I have more than three friends. I think the exact number is four or five, depending on the day. So the fact that I’m only writing about three shouldn’t be misunderstood as implying that there are only three.

With that out of the way, here’s a shout-out to Phro, Andy Synn, and Valley of Steel. And if you have a problem with me using space on this blog to crow about my friends, please send the words “Fuck You” scribbled in crayon on a piece of paper and mail it in a stamped, self-addressed envelope.

PHRO

As many of you know . . . as all of you should know . . . occasional NCS contributor and long-time supporter Phro has his own blog (Phro Metal) on which he publishes all manner of speculative, mainly Phro-written, fiction. Okay, “all manner” is an exaggeration. To be more accurate, it’s the manner of speculative fiction that’s hyperviolent, sexual, and psychotic. In other words, it’s fun for the whole family!

Yesterday, Phro became a published author in a compilation that’s actually available for sale on Amazon as a Kindle download. It’s called FULL METAL ORGASM #69003, and at this writing it’s ranked #27,271 in paid sales on Kindle. I would like to make a big push to get that ranking up to #27,270. I’ve done my part by downloading it to my own Kindle, which is now making a low moaning noise and beginning to smoke. The screen is also beginning to look like an Etch-A-Sketch that’s just been given a good shake. Continue reading »

Feb 152013
 

(This is Part 5 of a 5-part series about metal culture by guest contributor David Mollica, a trained cultural anthropologist and dedicated metal head. This series is based in part on David’s Master’s dissertation and the interviews he conducted in preparation for writing it. You can download the actual Master’s paper at the end of this post.  The previous Parts of the series can be found here.)

Well everyone, here we are at the end. It’s been great being able to put this stuff out and to read the discussions in the comments. I hope you enjoyed the series and I want to thank Islander for letting me do it. I’ve got two subjects I want to tie up the discussion with: The sort of communities we create and what heavy metal means to fans in context of the larger world.

Obviously, metal heads don’t build communities like towns, share the same ethnic groups, or even share the same governments. The social groups we build are loose and informal, based on a shared interest in the music and to a certain extent, aesthetic preferences for stuff like horror movies and occult themes that come out in the music. We also don’t always cluster together and exclude everyone else at every turn, unless we are talking about high school cliques or some such. Despite this sort of cultural preference being very real, the study of informal fan communities is a fairly new trend in most social sciences, because many had previously dismissed such groups as being invalid artifacts of youth culture that get shucked off when we enter the world of adults.

That we grow out of the stuff we like when we age and basically get boring is a rather depressing way to look at things and I don’t really buy it as a universal. It happens, of course. I’ve lost some friends because they “grew up”. When I was 16 I liked Ozzy, Iron Maiden, and Metallica, but I didn’t know what song was on what album or the names of most of the band members. Now that I’m almost 28, I visit 2 to 4 metal blogs a day, spent a year studying groups of metal heads so I could write a dissertation about it, and know more than I probably need about not just Metallica and Iron Maiden, but also about a whole metric crap ton of other, less well known groups. I’m not trying to tell you I know more about metal than everyone else, I certainly don’t. I’m just pointing out that my interest in the music has grown as I’ve aged, not diminished. Continue reading »

Feb 152013
 

It’s only fair that we tell you Omnium Gatherum’s forthcoming album Beyond is now streaming in full.  Since we published three different glowing reviews of Beyond months before its scheduled release dates (Feb 25 in Europe and Mar 5 in the U.S.) when we had no music we could share with you, it’s the least we can do.

Before today, Omnium Gatherum did begin streaming one of the album’s numerous stand-out tracks, “New Dynamic” (which you can hear at this location), and then they later premiered a wonderful official video for a second one — “The Unknowing” — which, for the hell of it, I’m including after the jump again.

But now you can hear the entire album. Thanks to a tip from DGR, I learned that it was premiered today by the Finnish Inferno site, and the SoundCloud player is embedded after the jump. But Inferno also has a track-by-track commentary by the band, and you don’t even need to process it through the hilarity of Google Translate because there’s an English translation of the track commentary at that site. Go HERE to read it.

Now, music . . . Continue reading »

Feb 152013
 

Maybe meteorites need to pulverize Russia more often. Earlier this morning, we got a really impressive detonation from space that has injured 1,000 people so far in central Russia — and that proved to be simply the fanfare for a new free digital compilation from Metality.net, which we’re co-sponsoring (details here). And then I discovered that Candlelight Records has just released their own free digital comp that’s also really impressive.

This digital sampler features music from Candlelight USA’s “Cult Series” and includes songs from many bands we’ve praised here at NCS, including Cnoc An Tursa (Scotland), Khors (Ukraine), Wodensthrone (England), Voices (England), Reverence (France), Kontinuum (Iceland), Crown (France), and Zatokrev (Switzerland), as well as Nine Covens (England).

I want to say an extra word about the Cnoc An Tursa tracks. There are two of them on this sampler and they’re from The Giants of Auld, an album that hasn’t been released yet. I am very excited about this album based on the music I’ve heard so far (one of these songs was featured in a post I wrote earlier this month, where you can find more info about the band). All of the other songs on this comp are super-strong, too. Continue reading »