Feb 152013
 

Maybe meteorites need to pulverize Russia more often. Earlier this morning, we got a really impressive detonation from space that has injured 1,000 people so far in central Russia — and that proved to be simply the fanfare for a new free digital compilation from Metality.net, which we’re co-sponsoring (details here). And then I discovered that Candlelight Records has just released their own free digital comp that’s also really impressive.

This digital sampler features music from Candlelight USA’s “Cult Series” and includes songs from many bands we’ve praised here at NCS, including Cnoc An Tursa (Scotland), Khors (Ukraine), Wodensthrone (England), Voices (England), Reverence (France), Kontinuum (Iceland), Crown (France), and Zatokrev (Switzerland), as well as Nine Covens (England).

I want to say an extra word about the Cnoc An Tursa tracks. There are two of them on this sampler and they’re from The Giants of Auld, an album that hasn’t been released yet. I am very excited about this album based on the music I’ve heard so far (one of these songs was featured in a post I wrote earlier this month, where you can find more info about the band). All of the other songs on this comp are super-strong, too. Continue reading »

Feb 152013
 

This is an odd pairing of items, I suppose — half of it metal and half of it in the vein of our THAT’S METAL! — BUT IT”S NOT MUSIC series. Here we go:

HYPOCRISY

Last month we featured an edited stream of the title track to Hypocrisy’s new album, End of Disclosure. Nuclear Blast was then — and still is — giving away the song as a free download. This morning, NB debuted a lyric video for the full song, which turns out not to be much longer than the edited version.

As I wrote when we first streamed the track, it’s like welcoming a familiar old friend — very recognizably a Hypocrisy song. But if you dig Hypocrisy as much as I do, new music from them is a prize.

The new album End Of Disclosure will be released March 22, 2013 (EU) and April 02, 2013 (NA). Watch and hear the video after the jump. Continue reading »

Feb 152013
 

It’s been too long since we last recommended Metality.net , a site that provides broad coverage of global metal but also has a special focus on metal from the Middle East. In the past they’ve released some kickass digital compilations that we’ve been delighted to co-sponsor, and this morning brings us the most impressive one yet — Volume 3: Global Waves of Destruction.

This comp features free music from around the world (with the permission of the labels and acts involved) that includes songs from the likes of Omnium Gatherum, Mors Principium Est, Scarab, Oblivion, Nervecell, Destinity, Nightrage, Universum, and Zonaria — that track from Egypt’s Scarab is brand new and will appear on their upcoming album, Serpents of the Nile

But the comp also includes a big collection of exclusive tracks by less well-known, unsigned bands that are definitely worth hearing — including some (like Voice of the Soul) that we’ve praised here at NCS in the past.

Here’s the track list, and after that you can hear the music and we’ll give you a download link for the comp if you like what you hear. Continue reading »

Feb 152013
 

Ptahil’s new album The Almighty Propagator of Doom and Despair is a withering sonic assault on the conventions and constraints of tight-ass whitebread existence. It’s raw like a bleeding laceration, caked with grime, and loaded with grit in every crevice, like a battle tank that’s crossed a hundred battlefields. Dripping with venom and fueled by satanic contempt, it unleashes a destructive storm of hellfire that will leave your head smoking — and banging.

Ptahil don’t go in for subtleties or nuance. Their brand of hot black metal is primal and feral, and they roll like a corroded and corrosive steamroller. The utterly filthy production coats the guitars and bass with a massive static charge, and the muffled drums resemble the thumping beat of a behemoth’s heart heard through the density of flesh and bone.

The music exerts a primal appeal, too. Whether they’re galloping and thrashing like an enraged hell horse, rocking out like punks from the netherworld, or lumbering in a heavy-booted doom stomp, Ptahil have created songs that are powerfully infectious. They’re also powerfully infernal, in the most literal sense of the word. Continue reading »

Feb 142013
 

“Human collective behavior can vary from calm to panicked depending on social context. Using videos publicly available online, we study the highly energized collective motion of attendees at heavy metal concerts. We find these extreme social gatherings generate similarly extreme behaviors: a disordered gas-like state called a mosh pit and an ordered vortex-like state called a circle pit. Both phenomena are reproduced in flocking simulations demonstrating that human collective behavior is consistent with the predictions of simplified models.”

Thus reads the abstract for a scientific paper published today with the title, “Collective Motion of Moshers at Heavy Metal Concerts”. The authors are four gents at The Laboratory of Atomic and Solid State Physics at Cornell University in upstate New York. To avoid confusion, allow me to repeat: This was written by actual scientists, not stand-up comedians.

The authors described pit action as follows, “Often resulting in injuries, the collective mood is influenced by the combination of loud, fast music (130 dB, 350 beats per minute), synchronized with bright, flashing lights, and frequent intoxication.” Stunningly, they observed that “[t]his variety and  magnitude of stimuli are atypical of more moderate settings.”

They expected to find a broad distribution of speeds and chaotic movement that could not be “well described by simple analytic expressions.” Instead, they found that mosh pits closely resemble the equilibirum state of molecules in classical gases. Continue reading »

Feb 142013
 

(This is Part 4 of a 5-part series about metal culture by guest contributor David Mollica, a trained cultural anthropologist and dedicated metal head. This series is based in part on David’s Master’s dissertation and the interviews he conducted in preparation for writing it. The previous Parts of the series can be found here.)

I had planned on yesterday’s post being about gender and ethnicity, but before I knew it I was well over my self-imposed word limit without a single mention of ethnicity. Maybe I like to talk about girls more than I thought… So today I am going to combine the topic of race with the discussion on exclusivity that I promised deckard cain the other day. Sorry if I get a little brief on these last two posts. I’m starting a new job tomorrow and that blasted real-world thing is interfering with the stuff I care about again!

If you live in a Western country most of the metal heads you know are probably white and if you don’t live in one there is a chance that there aren’t so very many of you. Metal heads in Europe and the US also get accused of being racist often enough, and statements made by people like Phil Anselmo and Varg Vikernes don’t always help to put that image down. However, there are large pockets of fans from almost every ethnic group across the globe, especially in larger cities.

Further, out of the ten people I interviewed, three of them weren’t white. If my group was at all representative of the larger fan base, and things like Sam Dunn’s Global Metal would suggest that they are, it means there are a lot of non-white metal heads out there. They are a group that most academics who study metal have somehow missed. Since I met these people hanging out together in bars it also puts up some strong evidence for something I’m guessing you knew already — most of us aren’t racist.  Continue reading »

Feb 142013
 

The last 24 hours brought three new music videos that I thought were worth throwing your way — three quite different forms of metal and three quite different uses of visual accompaniment, but all worth seeing and hearing. The bands are Incantation (U.S.), Hanging Garden (Finland), and Byzantine (U.S.).

INCANTATION

This seminal NYDM band’s new album Vanquish in Vengeance, their first in half a decade, was released last fall by Listenable Records.  It has been very well-received, and rightly so. It bears the hallmarks of Incantation’s well-defined morbid, crushing style, but with a crisper, more modernized sound, and it’s packed with varied, well-written songs. The album opener “Invoked Infinity” sets the tone for the album, summoning up atmospherics of the occult and the doomed while also ripping flesh with a storm of razor-edged guitar work.

This morning the band premiered a video for the song that captures the mortuary air of the track — because it was filmed in an actual, decaying, turn-of-the-century funeral home. Here you go: Continue reading »

Feb 142013
 

Hey mutants, welcome to the 14th of February at NO CLEAN SINGING. To begin, I’d like to share with you a trio of interesting items I spied last night: a goddamn club tour by the almighty Bolt Thrower, a brand new song by a buncha filthy Finnish trolls, and how daily life might look with robots among us.

BOLT THROWER

It has been known for months that Bolt Thrower will be one of the headliners at Maryland Deathfest this year and will also be making a followup appearance at the Chaos In Tejas festival in Austin, which begins in late May. But yesterday Bolt Thrower announced that they have added a limited string of club dates while they’re here in the States. This is mainly a West Coast thing, so those of you who are scattered throughout the vast wasteland to the east, you have my deepest sympathies.

For all the club shows, Bolt Thrower will be supported by Benediction — and fuckin’ Autopsy will also be on the bill for two of the California dates. Here’s the schedule: Continue reading »

Feb 132013
 

(Here we have another installment in UK-based Andy Synn’s occasional series on favorites of his that come in five’s.  Music is included.)

Chance and coincidence are funny little things. One of the various ideas I had noted down for these “Favourite” columns was a short insight into my own collection of non-musical metal materials, specifically the various merch (shirts, etc) I’d picked up over the years.

So when David appeared on the scene with his series of posts on Metal Culture it seemed like the perfect time to actually put this piece together, and hopefully see what items of your ‘metal uniform’ you guys particularly cherish as well!

The funny thing is, I’m actually currently in the process of getting rid of a host of shirts, to various good homes and good people, because I feel like I’ve amassed a rather unnecessary collection, many of which I never/rarely ever wear. So I’ve been winnowing through my wardrobe, selecting the ones I don’t really have a need for, and simultaneously identifying my favourites, all of which plays nicely into this column.

Ok, so we’ll go in some sort of sartorial order, shall we? Continue reading »