Feb 132013
 

(Here’s Part 3 of a 5-part series about metal culture by guest contributor David Mollica, a trained cultural anthropologist and dedicated metal head. This series is based in part on David’s Master’s dissertation and the interviews he conducted in preparation for writing it. The previous Parts of the series can be found here.)

Lets talk about sex and heavy metal…Get your mind out of the gutter, I mean gender, not how to spawn while listening to Slayer. It’s a pretty universal truth that there are more male metal heads than female. Of course anyone can rattle off a huge list of metal bands that have some women in them, like Into Darkness, and even a few all female acts such as Derketa or Mortals (all of which are pretty sweet bands), but these groups tend to be exceptions to the rule. The field is male dominated and always has been. I found this to be one of the most difficult things to inquire about during my study because I got a different answer from every guy I interviewed and the few female metal heads I knew at the time didn’t want to do an interview. My conclusions on the subject didn’t entirely satisfy me, as most of them are speculative and one can even be construed as vaguely sexist, so I hope this post spurs some healthy discussion.

First, think about the social environment at your average metal venue. If it’s even a halfway decent night there is going be yelling, pushing, drinking, headbanging, and mosh pits. According to Beth Winegarner, who has contributed to Invisible Oranges, she never liked to go to concerts because of that sort behavior. However, she still felt the emotional connection to metal that many people reported when I asked them why they liked the music. In other words, Beth is a fan even if she doesn’t socialize with the group all that often. She felt uncomfortable about being around what she saw as the aggressive behavior of male fans. Obviously this sort of feeling doesn’t account for everyone — one of my most gnarly pit-related black eyes was administered by a girl who looked to be about 16 — but it might be a contributing factor to why so many gigs end up being sausage fests. Continue reading »

Feb 132013
 

On February 11, 2013, the night before Enslaved received their seventh Norwegian Grammy nomination, I had the pleasure of seeing them perform in Seattle at a bar called The Highline, which is rapidly becoming my favorite place in town to hear live metal. Somehow, despite its very small size, it’s booking some really amazing tours. It’s a clean, cozy, comfortable place with cool people working there (Dylan Desmond from Bell Witch was behind the bar this night, and I’m pretty sure I saw his bandmate Arian Guerra helping out, too), and they make some good cocktails.

Enslaved weren’t the only draw for what turned out to be a jam-packed audience. Three bands who had breakout years in 2012 were also along for the ride: Arkansas’s Pallbearer was the direct support, preceded by Ancient VVisdom from my hometown of Austin and Atlanta’s Royal Thunder.

I was somewhat familiar with Ancient VVisdom’s music (having featured them in this post at the end of 2011), but I must be the only metal blogger in creation to have missed Pallbearer’s critically acclaimed 2012 album Sorrow and Extinction, and I think I’ve previously heard a grand total of one song by Royal Thunder. So yeah, I was pretty much there for Enslaved.

Nevertheless, I and my friends got to the Highline early enough to grab places to sit on a raised area that runs down the left side of the floor against the wall. We were so far forward that we were almost — but not quite — on the side of the stage, as you’ll see from the angle of the photos I took. And yes, I’m sorry to tell you that this review, as usual, will include a lot of my amateur concert pics. Continue reading »

Feb 132013
 

Phro has reviewed the music of UK-based Chemical Tomb for us before. Amazingly, they sent him their new 7″ split with Corrupt Humanity, which was released January 15. Allegedly, you can pick it up from GRINDFATHER PRODUCTIONSBlack Lake Records, and Aural Onslaught Records & Distro. You can also stream it on Bandcamp. The cover art is by Skillmatik.

Phro delivered unto me another of his now-legendary video reviews. Go ahead. Watch it: Continue reading »

Feb 122013
 

You know you’re in for a treat when the only version of a band’s video on YouTube is marked “Censored”. That’s how Aborted’s new video for “Expurgation Euphoria” is labeled. But who would want to watch a censored video? I view the “censored” label as merely titillation for the uncensored version, which is now streaming on Vimeo.

It’s also now streaming here. And it really won’t make you want to expurgate; it’s relatively tame in its use of gore and disgusting imagery. I just wanted to use “expurgate” twice in a post title. Who knows when I’ll have that chance again?

Although fans of horror movies won’t be upset by this, it is NSFW. It’s an interesting twist on the usual scenario of abuse in mental institutions, and of course it will leave you wondering — is this real, or is it in the mind?

The song, as you know, is great. It appears on the band’s 2012 album, Global Flatline. Watch the video next . . . Continue reading »

Feb 122013
 

Yeah, I’m going back to the “Seen and Heard” caption for these round-up posts. But probably just for today. Here are items of interest I spied over the last 24 hours, including new music, that I thought were worth sharing.

NE OBLIVISCARIS

We’ve talked about this Australian band a lot at NCS. Their 2012 album Portal of I made several “Best of 2012” lists we posted in our Listmania series. And so it was sweet indeed to see this morning’s announcement that NeO have been signed by Season of Mist. The press release I received also included this delicious piece of news: “The band is currently in the middle of writing their Season of Mist debut with plans to record late 2013.”

Congrats to Ne Obliviscaris!

DRAGGED INTO SUNLIGHT

This news will disappear shortly. Yesterday, the UK’s Dragged Into Sunlight, about whom we have also posted endlessly, announced that they have now begun work on a follow-up to their 2009 album Hatred For Mankind (last year’s Widowmaker was less a follow-up than something written and recorded more or less in parallel with the first album). In addition, DIS began streaming what they described as “a collaboration with our fellow wrongdoers in Gnaw Their Tongues.” But the stream is going to end any minute now . . .  Continue reading »

Feb 122013
 

(TheMadIsraeli provides this short and to-the-point review of a debut EP by Russia’s Deptera.)

Deptera are another sign in the increasing proof that Russia is turning into a musical hotbed of awesome.  The band play a brutal style of piston thrust force old school death metal in a very Polish vein.  Leaning toward the not quite death metal or thrash stylings of Vader, their debut EP Gravity is an adrenaline rush of pure fuck-you-up face rape.

Vocalist Baalothneekh has a vocal array very similar to Daniel Mongraine of Martyr, while the rest of the band attack with a ferocity that reminds one of a combination of Vader, Death, Exodus, and Forbidden.  It also should be noted the drummer is officially identified as “Garigus the Mighty Blastbeaster”.  He turns your brain to mush with an assault that’s the equivalent of a cranial jackhammer.

This is sick shit man.  You can either stream it and buy it off Bandcamp, or download it for free here.  Also, they’ve done a brutal cover of Limp Bizkit’s “Break Stuff”.  No really. Continue reading »

Feb 122013
 

a photo of Enslaved that I took last night

A nice coincidence:  Last night I saw Enslaved perform at a bar in Seattle. This morning, Enslaved were nominated for Best Metal Album of 2012 in Norway’s version of the Grammy awards, which are called the Spellemann awards.

The other nominees in that category are Nekromantheon for Rise, Vulcan Spectre and El Caco for Hatred, Love and Diagrams. You gotta love a country where fuckin’ Enslaved and fuckin’ Nekromantheon get nominated for Grammy’s. Songs from each of their albums made our list of 2012’s Most Infectious Extreme Metal Songs. Hell, last spring I even wrote about a song from El Caco’s album (here) — though the song is more hard rock than metal.

Contrast this with the American Grammy Awards: Although there were 81 award categories for 2012, there is no award for Best Metal Album. As close as we get is an award for Best Hard Rock / Metal Performance. And Halestorm won that award two nights ago. Uh huh. Continue reading »

Feb 122013
 

(Here’s Part 2 of a 5-part series about metal culture by guest contributor David Mollica, a trained cultural anthropologist and dedicated metal head. This series is based in part on David’s Master’s dissertation and the interviews he conducted in preparation for writing it.)

Today I want to talk about physical culture and the group/individual dynamic. Anyone who has ever been to a gig or looked inside Gaahl’s closet knows the metal uniform: Jeans, camo shorts, chains, denim vests, black band shirts, guys with long hair, tattoos, piercings, and so on. It makes us stand out a bit, attracting wary looks from ‘normal’ people on their way to work when we are trying to buy a Red Bull at 6:00 am for the after-gig drive home. On a surface level this helps create that group cohesion thing I was talking about yesterday. There is a certain amount of comfort we get from being around people who look and act like ourselves; that’s why immigrant groups often move into neighborhoods together instead of dispersing all over the place.

Personally, I never thought of why I choose to dress the way I do (minus the camo shorts…that’s just too much for me) until I started my fieldwork. That whole being able to see the other guy as a person and not just part of a sea of bodies at gigs is obviously important, and I think that’s partially why mosh pit etiquette is so universal. However, the way we dress goes beyond that simple level of making groups of strangers work together more easily. It’s also how a lot of us make friends, myself included. Think back to when you first met the people you know in the metal scene. The first thing that was said by way of introduction was probably something along the lines of “Nice shirt man!”. That’s how I met half the people I interviewed and some of us are friends to this day even though we don’t live anywhere near each other anymore. Continue reading »

Feb 112013
 

We continue with our close death watch on the The Monolith Deathcult, monitoring every emission from the backward slope of their dreaded metal spires, holding our breathes against the noxious fumes in wait for that awful day (May 10 in Europe) when their new album Tetragrammaton will be unleashed upon an unsuspecting public and the wailing and gnashing of teeth shall begin in earnest.

Just minutes ago our vigilant surveillance was rewarded by discovery of the first official Tetragrammaton video teaser, its introduction voiced by none other than Orion Pax and its imagery inscribed with excerpts from advance reviews by the likes of Lance Armstrong in the Pro Cycling Musical Niche Review Magazine.

Those with weak knees or delicate digestive tracts may wish to skip this video. Everyone else should watch it, and then double-check to make sure your armageddon bunkers are fully stocked with essentials such as smelling salts, anti-emetics, and spine-stiffeners. Continue reading »

Feb 112013
 

“Grinding for a Cure” is a project that started small and eventually exploded. The organizers set up shop and started spreading the word about their mission only in mid-January; I discovered it only a couple of weeks ago. And their mission was (and is) to raise money to fund research into a cure for Alzheimer’s disease — by selling a grindcore compilation.

The compilation was assembled by Dorian Rainwater of Noisear, Christine Coz, and Chris Messina of Swamp Gas, and last night Volume 1 of the comp went live on Bandcamp.

I was pretty proud of the grind/crust/powerviolence comp that Alex Layzell put together with modest help from NCS (which we’re still giving away here). We have 46 tracks on that baby. But Volume 1 of Grinding for a Cure contains . . . 100 tracks! And it looks like the whole thing was pulled together in the space of less than one month. Pretty fuckin’ impressive.

The line-up is pretty fuckin’ impressive, too. Continue reading »