SEEN AND HEARD: HELLISH OUTCAST, BLASPHEMOPHAGHER, RWAKE, MOMENTUM

 Free Shit, Metal News, RANDOM FUCKING MUSIC  1 Response »
Oct 242012
 

Here’s another round-up of things I saw and heard over the last 24 hours that I didn’t have room to include in yesterday afternoon’s post (the one that included new offerings from Aeon, Tardive Dyskinesia, and Zubrowska): New videos from Hellish Outcast (Norway) and Rwake (U.S.), new Paolo Girardi artwork and bittersweet news about Blasphemophagher (Italy), and a new song from Momentum (Iceland).

HELLISH OUTCAST

Please tell me you already know about this band.  If you can’t tell me that, then please read Andy Synn’s review of their 2012 album, Your God Will Bleed. It included such gems as this:

“Not only do Hellish Outcast not do black metal, they also don’t do nice. Or comfortable. Or anything less aggressive than a rabid pit-bull that’s been force-fed a diet of sand and barbed wire. In fact, this album is so damned aggressive, so utterly hate-filled, that it should come with a warning label along the lines of:

Danger – the levels of testosterone and aggression on this album could cause permanent damage to your underlying genetic structure.”

Or maybe you read Andy’s review and skipped the music because you wished to preserve your current genetic structure. If so, then you’ll probably want to skip Hellish Outcast’s brand new official video for “Djinn”. Since I already have a mutated genetic structure, I dived right in.

Fuckin’ love this song, from the skin-flaying death/thrash start straight through to the infernal melodic slow-down at the end. Video accompaniment is live performance footage from the Inferno Fest, edited by the band’s vocalist Thebon (Keep of Kalessin).  Prepare to be mutated. Continue reading »

RAGE NUCLÉAIRE: “UNRELENTING FUCKING HATRED”

 Album Reviews  4 Responses »
Oct 242012
 

(In this post, TheMadIsraeli reviews the unrelenting fucking hatred unleashed by the debut album from Canada’s Rage Nucléaire.)

Getting sonically fucked up is about the only way any true, sane metalhead finds any peace in this life full of shit.  What better possible recipe for achieving this catharsis than a furious combination of black metal and grindcore?

What if said blackened grind mixture was fronted by the almighty Lord Worm, one of the most brutal vocalists and most eloquent poets to exist in metal’s history?

What if I told you it’s fucking awesome?  Cause it is.

Rage Nucléaire’s debut Unrelenting Fucking Hatred is about as close to channeling its own title as you’re ever going to get.  It has all the makings of a great extreme metal album.  It’s fast as fuck; it’s atonal yet also brings epic melodies to bear when needed; it sounds like total fucking shit in the most legit badass kvlt way possible; and it makes me feel like my jaw bone is being disassembled with a hammer.

Also, it feels like my flesh is being filleted, like I’m being prepared for an exquisite meal; an exquisite meal with a side of curb-stomping, eye-gouging ear rape. Continue reading »

AEON, TARDIVE DYSKINESIA, AND ZUBROWSKA

 RANDOM FUCKING MUSIC  6 Responses »
Oct 232012
 

I found many new metallic abominations to like over the last 24 hours, too many to shoehorn into a single post. So I’ll make a start with this batch of sharp spiky European offerings from Aeon (Sweden), Tardive Dyskinesia (Greece), and Zubrowska (France). Don’t touch, now, or you may draw back a bleeding stump.

AEON

Still loving the fantastic album art up above, by  Kristian “Necrolord” Wåhlin. It’s for Aeons Black, the fourth album from Sweden’s Aeon, which Metal Blade will release on Nov 19 in Europe and Nov 20 everywhere else. As previously reported, the title track is available for free download here. You can also catch an official lyric video for the same song at the end of KevinP’s recent NCS interview of the band’s founding guitarist Zeb Nilsson at this location.

Today’s news is that another song from Aeons Black premiered today. It’s streaming at Metal Hammer’s web site. The song is the album’s first track, “Still They Pray”. It’s lacerating, the kind of death metal that leaves skin in tatters. Go here to listen, and then come back and thank us for pointing you in that direction. Continue reading »

DARKCORPSE

 Album Reviews, Phro's Posts, SHORT BUT SWEET  16 Responses »
Oct 232012
 

(In this post, Phro provides an introduction to the music of Japan-based Darkcorpse.  It has something to do with a wolverine’s urethra.)

Hey. I’m Phro. It’s been a while, but your asses are still surely elastic. So stretch ’em out and get ready for some really gritty black metal.

Darkcorpse is a band. They make music that sounds like someone injecting gravel into a wolverine’s urethra via a sandblaster. They have two demos, and you will love them (demo 2, in particular). That’s not a prophesy or a request or even a demand. It is a fact of life in the same way it is a fact that life isn’t worth living if you can’t go out to clubs, meet nice strangers, bring them home, cut large holes in their stomachs, shove in some rabid rodents, and then sew them up and watch the fun on an ultrasound.

Their Bandcamp page informs me “Darkcorpse play a no-frills crust inflected brand of Black Thrash with a touch of doom.” I, literally, have no fucking clue what that means. I mean, I recognize the words, but when it’s all together in sentence form, it kind of makes my brain feel like a cum-sandwich smoothy bubbling up from beneath my eyeballs and rolling down my cheeks. (“My milkshake brings all the boys to the yard.”)

However, if we look at the individual pieces of the sentence, it all makes sense. The vocals, in their crusty/black/trashiness, sound more than anything like the aforementioned wolverine howling in furious anger (not in pain though, that little fuck is more annoyed than anything) just before it rips free from it’s steel bindings and bites clean through your genitals. Continue reading »

HIDEOUS DIVINITY, “OBEISANCE RISING”: A GUEST REVIEW BY TED O’NEILL (OBLIVION)

 Album Reviews  12 Responses »
Oct 232012
 

(We’re stoked to present the following guest review by veteran guitarist Ted O’Neill of that most excellent California band Oblivion, whose new album we reviewed here.)

I was very pleased when the powers that be at NCS asked me to write a “guest” review for the site. I’m not a professional writer, which will become evident shortly, so let’s not get too excited about grammatical errors and the like.  Not being a writer by trade also frees me from the self-imposed burden of some of the pseudo-intellectual bloggers who try their best to pick apart and find flaws when they do get their hands on a stellar new release. Fortunately, I’m reviewing Hideous Divinity’s debut album Obeisance Rising, an album which leaves little room for criticism. Before I tell you why this is an album that is more than worthy of your money, let’s introduce the band.

Hideous Divinity is a band hailing from Italy, originally started in 2007 by Enrico Schettino, Mauro Mercurio (both ex-Hour of Penance), and Synder Mastantuono (Eyeconoclast). After composing and recording some material the band was silent until a new line-up took form in 2009 with Enrico H. DiLorenzo (vocals), Enrico Schettino and Fabio Bartoletti (guitars), Flavio Cardozo (bass), and Mizio Montagna (drums). At the time of this writing the band has parted ways with Flavio and Mizio, replacing them with Stefano Franceschini (bass) and Giulio Galati (drums).

For everyone who is not Italian, please re-read that paragraph as we are going to have a quiz here in a minute. OK, ready…go!

So why am I reviewing an album that came out 6 months ago? Well, simply put, this band needs more support. Somehow it seems that Obeisance Rising flew under almost everyone’s radar. This needs to be fixed and fixed NOW because in a sea of crappy generi-core modern metal, Hideous Divinity is an absolute juggernaut top-flight death metal band. I’m going to go out on a limb here and say these guys are a “real” death metal band, as this is death metal done the way it is supposed to be done. Continue reading »

SHORT BUT SWEET: BEYOND MORTAL DREAMS – “DREAMING DEATH”

 Album Reviews, Eye-Catchers, SHORT BUT SWEET  9 Responses »
Oct 232012
 

It’s not often that in the space of a four-song EP a band establish themselves as a paramount force in their chosen genre of music, but that’s what Beyond Mortal Dreams have done on Dreaming Death. This Australian band recorded a debut album in 2008 (From Hell), but this April 2012 self-released EP is a new beginning, reflecting both a revised line-up and an especially powerful take on dark, supremely brutal death metal.

Three of the songs are original and the fourth is a cover of Beherit’s “Beast of Damnation” — and the choice of a Beherit song should tell you something about this band.

The music on Dreaming Death is both galvanizing and transfixing. It made me imagine standing in the presence of an infernal creature that’s monstrous and yet magnificent, a sight that would freeze you in place with fear yet accelerate the rush of blood through your veins in a supercharged burst of adrenaline.

The hyper-speed riffs swarm like a horde of red-eyed bats bolting straight out of Hell. It’s a dense, raw, distorted sound that’s almost overpowering.The listening sensation is horrific, like being caught in the cataclysmic destruction of a battlefield or being processed through a giant meat-grinder capable of turning entire populations into sausage stuffing, bones and all.

The guitar solo’s erupt like sheets of white lightening. They’re scalding and blazingly fast, yet they’re also melodic — if you can wrap your mind around that conundrum. Continue reading »

CHECK OUT MESHUGGAH’S NEW VIDEO: “DEMIURGE”

 RANDOM FUCKING MUSIC  No Responses »
Oct 222012
 

Meshuggah has debuted a new live performance video for their track “Demiurge” from the stunning 2012 album Koloss.

The video was produced by Scion A/V Metal — Scion A/V has definitely been on an awesome metal roll lately. The video combines a host of cool camera angles — including footage from mini-cam’s mounted on the mic and the instruments – and it’s very well edited. The performance was filmed at Meshuggah’s show at Terminal 5 in New York City lasy May. The vid was shot and edited by Anthony Dubois and had its premiere this morning on DrumMagazine.com.

This is definitely worth seeing — and you can do that right after the jump. Continue reading »

FACEBOOK FURTHER REDUCES THE REACH OF UN-PAID PAGE POSTS — AND WHAT YOU CAN DO ABOUT IT

 Off Topic  37 Responses »
Oct 222012
 

This is the latest in a series of increasingly depressing articles we’ve published about Facebook’s manipulation of Page posts in an effort to “monetize” their business. For more detailed background about changes that have come to light earlier this year, go here, here, and here.

The latest development: It strongly appears that in late September 2012, Facebook again changed the complex “EdgeRank” computer algorithm that it uses to decide what appears in its users’ news feeds so as to reduce the reach of so-called “organic” posts, i.e., un-paid posts, while it continues to push Page sponsors to pay Facebook in order to reach readers. If you’re a FB Page admin like me and you’ve noticed a dramatic recent decline in the number of FB users who see your posts, now we know why.

In this article, we’ll summarize the evidence of this change (with all sources listed at the end) and also discuss some ways of circumventing Facebook’s strategy, including one that’s increasingly being suggested around the web — use of Facebook’s “Interest Lists” feature.

This article may prove to be of general interest, but as usual, we’re writing from a narrow perspective: We’re addressing these issues as a non-profit metal blog whose mission is to spread the word about underground music made largely by broke-ass bands, distributed by largely broke-ass labels, and loved by largely broke-ass fans.

We use Facebook for much the same reason that our constituents do — to interact with the community of metal and to publicize what we’re doing. Making money isn’t in our mission statement, and although many metal bands and labels do use Facebook in an effort to generate sales of music, merch, and show tickets, it’s not like they’re raking in the big stacks. Which is why anything Facebook does that pushes metal-oriented Pages to pay for reaching their fans is particularly damaging to our (broke-ass) community. Continue reading »

AN NCS INTERVIEW: PETER ESPEVOLL OF EXTOL

 Interviews  2 Responses »
Oct 222012
 

In 2007, after six studio-releases, a Norwegian Grammy award nomination, worldwide touring with bands such as Mastodon and Opeth, critical praise, and the amassing of devoted legions of fans across the globe, Norway’s Extol seemingly disappeared without any explanation. But Extol are now back.

Cryptic hints began appearing earlier this year on an unheralded web site, hints that suggested a film might be in the works. Predictably, fans began wondering if new music might be on the horizon as well. Now, we know more.

First, a documentary film about Extol is indeed in production. It will reportedly include extensive archived material from touring and recording, as well as interviews with artists from Norway and other nations, music journalists, and fans from all over the world. And of course, it will include exclusive interviews with the members of the band.

Second, Extol are indeed at work on new music, with plans for release of their fifth studio album by 2013.

To help finance the documentary, which is co-produced by Extol’s Peter Espevoll, the band started a “crowdfunding campaign” at indiegogo.com with a fundraising goal of $20,000. With time still left before the campaign closes, the goal has been exceeded — raising more than $25,500 at the time of this writing.

The documentary is being directed by Åsmund Janøy, and earlier today we published NCS writer Andy Synn’s interview of Åsmund (here). But now we’re delighted to give you Andy’s interview of Peter Espevoll.  We thank both him and Åsmund Janøy for agreeing to let us pick their brains. Continue reading »

AN NCS INTERVIEW: ÅSMUND JANØY (DIRECTOR OF “EXTOL – A DOCUMENTARY”)

 Interviews  1 Response »
Oct 222012
 

In 2007, after six studio-releases, a Norwegian Grammy award nomination, worldwide touring with bands such as Mastodon and Opeth, critical praise, and the amassing of devoted legions of fans across the globe, Norway’s Extol seemingly disappeared without any explanation. But Extol are now back.

Cryptic hints began appearing earlier this year on an unheralded web site, hints that suggested a film might be in the works. Predictably, fans began wondering if new music might be on the horizon as well. Now, we know more.

First, a documentary film about Extol is indeed in production. It will reportedly include extensive archived material from touring and recording, as well as interviews with artists from Norway and other nations, music journalists, and fans from all over the world. And of course, it will include exclusive interviews with the members of the band.

Second, Extol are indeed at work on new music, with plans for release of their fifth studio album by 2013.

To help finance the documentary, which is co-produced by Extol’s Peter Espevoll, the band started a “crowdfunding campaign” at indiegogo.com with a fundraising goal of $20,000. With time still left before the campaign closes, the goal has been exceeded — raising more than $25,500 at the time of this writing.

The documentary is being directed by Åsmund Janøy, and today we’re stoked to publish NCS writer Andy Synn’s interview of Åsmund, as well as a separate interview of Peter Espevoll (here).  Åsmund’s interview begins now: Continue reading »

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