Jan 262012
 

 (Shortly before The Number of the Blog met its sad demise, TNOTB began publishing an interview series called “Keyboard Warriors” written by a relatively new TNOTB staffer who called himself Rev. Will. Because the archive of TNOTB posts seems to have exploded in a spatter of bits, never to be seen again, we agreed to give these interviews a home here at NCS. We started on Sunday and have been posting one per day this week. Today’s interview was originally published late last year.)

Surprisingly, most professional metal writers actually don’t sport long manes and subscribe to heavy metal fashion like many of their writing subjects do. Maybe it’s because sitting down for hours and slogging it out on the computer keyboard, rushing out multiple reviews and features like a drone, can get really tiring and warm around the rear end; and the fact that long hair causes an itchy hotness to prickle the area around the ears, eyebrows, and the back of the neck as well doesn’t help much.

Being a journalist of any kind is actually quite a daunting job. It is pretty safe to say that journalism related to stuff-that-ain’t-important-from-a-macro-point-of-view (meaning subjects that aren’t essential to a normal human being’s ability to survive in the practical world out there) is a largely unnoticed (and hence, thankless) job that is strictly reserved for the extremely passionate only. And extremely extreme our dear interviewee is when it comes to metal journalism.

This is the easiest interview I’ve edited in this column so far by the way. The power of a magazine’s Editor-in-Chief is not to be taken lightly, folks. The dude even bothered to italicize all object names; I guess being Decibel’s Editor-in-Chief really made him attentive to such small details that usually only matter to metal writers themselves. Damn, interviewees like him really make a budding keyboard warrior like me as happy as a TFD missile warhead. Continue reading »

Jan 262012
 

Our Finnish friend fireangel — one of the two creators of the very informative and entertaining Finland-based blog called Night Elves — alerted me to this juicy bit of news: the new album by Swallow the Sun, Emerald Forest and the Blackbird, is now streaming in full at the Finland-based INFERNO site.

And, in an interesting twist, guitarist Juha Raivio provided quotes from Twin Peaks to accompany each song. Do you remember Twin Peaks?

The album is scheduled for release in Finland on February 1, and it’s being offered for pre-order here.  I haven’t had a chance to listen to this album stream yet since I’ve got to do some actual paying work at the moment, but I’m going to listen as soon as I can — as you should, too.

Jan 262012
 


In our last post, DemiGodRaven caught us up on news items from the last few days that I missed, but this item, to which DGR also alerted me, deserves its own special mention.

In the realm of Italian death metal, 2011 was the year of Fleshgod Apocalypse, the year when that band made a huge breakthrough and established themselves as a true force on the international scene. I have a feeling that 2012 will be the year of their fellow Romans in Hour of Penance. Yesterday, HoP announced details about their fifth album.

It will be called Sedition and will be released on March 27 in North America, April 2 in the U.K., and April 6 in mainland Europe via Prosthetic Records. As Fleshgod Apocalypse did with Agony, Hour of Penance will be following the release of Sedition with a North American tour — their first. They will be in fine company on that tour: The Black Dahlia Murder, Nile, and Skeletonwitch.

The cover art also made its first appearance. As you can see, it kills. The artist is Gyula Havancsak, a new name to me but one I suspect we’ll be seeing more of in the future.

This last HoP album, Paradogma, was one of my favorites of 2010. Based on what Hour of Penance showed on that album, Sedition should qualify as one of this year’s must-listen releases for death metal fans.

What? You haven’t heard Paradogma? For shame! Here’s a track, which made our list of 2010’s Most Infectious Extreme Metal Songs: Continue reading »

Jan 262012
 

(DemiGodRaven helps catch us up on metal news.)

Hey folks, I’ve planted my ass in the underworld for a brief period of time in order to round up all the smaller (and maybe not so small) news stories that may have fallen through the cracks in one way or another. Some of them are simple things like album streams, others are album teasers, there’s some tour news, and hey, occasionally you’ll even get a free song or two, ya hear? Also, if you aren’t reading this in a 50’s news reporters voice after seeing the picture of the hat above YOU ARE DOING IT WRONG. First up is a pretty simple album stream, and then we’ll go on from there.

Lamb of God’s latest album Resolution saw release recently, and so they decided to run a full album stream over at AOL Music to give people a chance to get in a good listen before they decide whether to buy or not. I’ve enjoyed this release much more than Wrath, but it is still largely iterative on the sound that they started building in Sacrament.

It’s a good listen all the way through, but I can imagine it would be pretty dull if you picked a random song instead of the five or six really great ones. In other words, this is not an album built for Ipod shuffle like Amon Amarth’s stuff usually is (for example), so you’ll have to be in a really Lamb of God mood in order to really get into this one.

Also, they used the shotgun blast sample again. The same one they used on Sacrament. I was just waiting for the GOD-DAMN before it. Full review incoming soon. In the meantime, while you wait for me to validate your opinion and tell you how awesome of a metal listener you are, you can stream that fucker over here. Continue reading »

Jan 262012
 

I’m ridiculously far behind in listening to EPs and albums that bands have sent to NCS over the last couple of months. Hell, I’m embarrassingly far behind in even answering the e-mails from bands who sent us music to hear, which is just plain rude. But I’m going to make an effort to catch up, beginning today.

Long ago, in dog years, we started this EYE-CATCHERS series as a way of unscientifically testing the hypothesis that if album art is cool, the music on the album is probably going to be cool, too. Of course, that hypothesis doesn’t make much logical sense, but then again neither does turning water into wine and lots of people seem to buy that, so who knows? Since we started, this series has branched out to include features on metal artwork, in addition to music, but today I’m going back to the original idea.

Liber Necris (“book of the dead”) is a UK band who wrote us in December. The first thing I noticed, even before reading the words, was the cover art you see above for their debut EP/demo, The Immutable Aversion. I thought it was really well done. The artist is Drew Millward, who has created album covers for other bands, in addition to many shirt and poster designs and much else besides (you can see more of his creations via this link), and we’ll have more of his art for Liber Necris at the end of this post. As soon as I saw the art, I resolved to listen to the EP. That was a good decision. Continue reading »

Jan 252012
 

The Curse of the Red River, the 2010 debut album from Finland’s Barren Earth, made quite the splash. That didn’t come as a huge shock, given that the band’s line-up is a collection of veterans of the Finnish metal wars, including vocalist Mikko Kotamäki (Swallow the Sun), Olli-Pekka Laine on bass (Ex-Amorphis, Mannhai), drummer Marko Tarvonen (Moonsorrow)
, and Kreator guitarist Sami Ylisirniö.

On March 13, Peaceville Records will release the band’s second album, The Devil’s Resolve, in North America. It was mixed by Dan Swanö (Opeth/Katatonia) at Unisound in Sweden, it features cover art by Paul Romano (whose work graces the covers of albums by Mastodon and a jillion other metal bands), and it includes guest vocals by Mathias Lillmåns (Finntroll) and . . . bagpipes! (courtesy of Jaakko Lemmetty from Korpiklaani).  (Nice timing, given our piece on bagpipe metal earlier today.)

So far so good — but there’s more. According to a press release, the music on the new album will cross through a variety of musical landscapes, ranging from brutal death metal to progressive and acoustic passages and sweeping melodies. You can get a taste of this via a montage of the album’s songs that Peaceville is now streaming on SoundCloud (and that we’re streaming right after the jump). And in exchange for your e-mail address, you can get a free download of a track from the album called “The Rains Begin”. Continue reading »

Jan 252012
 

(NCS writer BadWolf provides a report on last night’s Tool/Intronaut concert in Toledo and a video of dueling drummers.)

A little informality for you today.

So last night, my GF, Queen of Noise, some friends, and I saw Tool in my hometown of Toledo, Ohio.

What is Tool doing playing in my bullshit city? I haven’t the foggiest, but Good Morning America informed me a few weeks ago that the venue, the Huntington Center, is the 8th most profitable stadium venue in the USA. Who knew?

So the opening band was some pretty sick The Sword/Kyuss-style super-heavy biker-metal band. Nothing too original, but pretty cool—too bad their name was incomprehensible. I think it was Ram-Knight? Anyway, I expect to hear more about them soon.

Intronaut opened and played a strong set with “The Literal Black Cloud” from Prehistoricisms and then every good song from Valley of Smoke in a row. Sick. The crowd seemed to really dig them, which is strange considering that Tool’s fanbase is notoriously picky (according to anecdote, they nearly boo’ed Meshuggah off the stage multiples times, and Meshuggah is basically Tool with lower guitars and growling…). Good for them, I hope this opens doors for the boys in Intronaut. Continue reading »

Jan 252012
 

(Shortly before The Number of the Blog met its sad demise, TNOTB began publishing an interview series called “Keyboard Warriors” written by a relatively new TNOTB staffer who called himself Rev. Will. Because the archive of TNOTB posts seems to have exploded in a spatter of bits, never to be seen again, we agreed to give these interviews a home here at NCS. We started on Sunday and will be posting one per day this week. Today’s interview was originally published late last year.)

It’s the New Wave of American Heavy Metal Blogs!

Just one or two years ago, a slew of new metal blogs burst onto America’s metal blogosphere and joined the eponymous MetalSucks on their largely unoccupied bandwagon. Though not exactly giving MetalSucks a run for their money since most of these blogs don’t have anything superbly special to offer that would help them poach all of MetalSucks’ fans, and not to mention that they don’t even earn as much money (or none at all) as Axl and Vince who are having a blast blogging and hauling in heaps of moolah, these NWoAHMB’s have been instrumental in giving bored metal nerds a wider variety of online reading options to choose from, as they do compensate for their late foray into the fray by specializing in certain areas.

Enter Heavy Blog Is Heavy, the blogchild of college student Jimmy Rowe, which already has a decent readership base and is even earning him some money only two years after it was started up. Although not as insanely successful as MetalSucks, a website Jimmy obviously looks up to, Heavy Blog Is Heavy can be said to be the MetalSucks of the Second Wave of American Heavy Metal Blogs. Continue reading »

Jan 252012
 

When it comes to bagpipe music, my sense is that most people either love it or hate it. I don’t know anyone who falls in the middle ground. I happen to love it.

I know of a handful of folk metal bands — including Arkona, Suidakra, Skyforger, Cruachan, and Eluveitie — who feature the bagpipes in some or all of their music. But until yesterday, I only knew of one metal band who used the bagpipes as their lead instrument: South Africa’s Haggis and Bong (still one of the best band names ever created). We’ve featured them at NCS more than once, and most recently here.

Yesterday, thanks to groverXIII (The Number of the Blog), I discovered another band who use bagpipes as their lead instruments: Germany’s Schelmish. Now, based on a little reading about Schelmish, it appears that they’re commonly referred to as a “medieval rock band” — a style of music that seems to have originated in Germany — but they sure as hell seem metal as fuck to me (with punk in the mix, too).

Between 2000 and 2010, they’ve released 10 albums, including a live performance CD. But I’m writing this post based on only one song — “Chaos”. It happened to be the first Schelmish YouTube video I watched after groverXIII recommended the band, and man does it sell.

Reasons why the “Chaos” video is the shit:

First, this band appears to have not one but five pipers. Second, the ends of the drones on their bagpipes look like the flared mouths of ancient muskets. Third, Schelmish also have some gargantuan drums to accompany the bagpipes. Fourth, the band members themselves are gargantuan (with the exception of one whippet-like piper who looks like Johnny Rotten). Fifth, they can really jam. Sixth, the song is called “Chaos”, and the music lives up to the name. Continue reading »

Jan 242012
 

“Dude, gimme another huff a that embalming fluid.”

“You wanna go easy on that shit.  Will fuck you up somethin’ fierce.”

“Fuck you man, just pass it over here.”

“I’m serious, you huff too much embalming fluid, you’ll start to see some weird shit. Teeth and eyeballs and skulls and shit.  And space.”

“Yeah, well that would be better than what I’m lookin’ at now.  Just shut the fuck up and pass it over.”

“Okay, moron, your funeral.  Don’t say I didn’t warn you.”

(The song is from The Hunter (one of the best on the album, I think.) The video was directed and animated by Tim Biskup and just premiered at boingboing. Go easy on the embalming fluid.)