Feb 182011
 

From its origins in the U.S. and Sweden in the late 80s and early 90s, death metal has remained a vibrant genre of extreme music. It has branched off in countless directions, and its signal characteristics have been spliced into other genres of music to good effect, giving rise to multiple sub-genres — and there’s no reason to think that evolutionary process will end.

But many of us still find ourselves periodically drawn back to the classic records of the old gods, which in the case of the Swedish school of death metal means those lethal technicians who stuck the word “chainsaw” into the parlance of death metal — the music of bands like Carnage, Nihilist, Unleashed, Entombed, Dismember, Grave, and Interment. For us, there’s something about that thick, downtuned, distorted riffing chained together with horror-show vocals that hits the old aural g-spot like almost nothing else.

Puteraeon is a Swedish death metal band whose members grew up listening to that music in the late 80s and early 90s and have completely embraced not only the sound, but also the ghoulish, corpse-littered lyrical focus. Their debut album, The Esoteric Order, doesn’t push the genre envelope, but their execution of old-school Swedish death is so damned well done that devotees of the genre (like us) will care little about that — because they’ll be too busy rocking’ the fuck out with this titanic dose of industrial grade skull-coring. (more after the jump . . .) Continue reading »

Feb 172011
 

It’s time for another MISCELLANY post. Actually, it’s way past time. If I had any hope of checking out all the bands I’d like to check out, I should be doing this every day.

Most of you know the rules: We keep a running list of bands to check out, and I impulsively pick names from the list and listen to a song or two, and dutifully report my impressions — while giving you the chance to hear exactly what I heard, because I’m not high enough on my own opinions to think you will — or should — just take my word for it.

In this edition of MISCELLANY, I’ve got three finds for you — and holy fuck, are there some prize-wnners in this group. Before I sampled the tunage of these three bands, I didn’t know what to expect. In the first two cases, it was a spine shuddering experience — the kind of music that makes me proud to be a metalhead. A true, motherfucking bonanza. In the third case, the music was just so demented that I found myself strongly attracted against my better instincts. Shit, to be brutally honest, it makes me proud to be a metalhead, too!

I can be faulted for an excess of exuberance, but to the extent I’m capable of being objective, I don’t think I’m off the mark on the first two bands. In the third case, I may have simply lost all my bearings. But you be the judge:

From Poland, a band called Nomad (which includes Behemoth guitarist Seth); from Massachusetts, a band called Sentinel; and from the Czech Republic, a band called . . . gulp . . . Mincing Fury and Guttural Clamour of Queer Decay.  (my listening log, and the songs for you to hear yourselves, follow after the jump . . .) Continue reading »

Feb 162011
 

One of our favorite metal bands, Darkest Hour, has a new album set for official release next week. It’s called The Human Romance. From the songs we’ve heard so far, it’s going to be very strong.

Earlier today, ARTISTdirect.com premiered the first official music video for the new album, for the song “Savor the Kill”. ARTISTdirect introduced the video this way (saving our lazy selves the time of doing it for you):

“Against the backdrop of bone liquefying music, the video features a hot chick in a white dress and another hot chick in a magenta dress. Both are in the woods. There are wolves, and footage of the band performing. There is also some blood. It’s almost like a dark, twisted, perverted fairytale, set to metallic riffage that will force you to bang your head involuntarily. That’s all the detail we’ll share – it’s up to you to watch it now and piece together your own perception of what’s going on in the video for ‘Savor the Kill'”.

If you would like to see the video, continue past the jump and check it out. It’s good — and so is the song. Continue reading »

Feb 162011
 

Here at NCS, we’re perfectly happy to stay hunkered down in our metal bunker and let the rest of the world do what it will, completely unknown to our ignorant but happy selves. As long as we’ve got a steady flow of metal to satisfy our meager desires, we don’t really need or want intrusions from “the real world”. But, every week or two, in a feeble effort to provide you some variety, we browse the “hard news” (while stifling an almost constant gag reflex), hoping to find items that make us think, “that’s fucking metal!”, even though it’s not music.

Today, we have an item about an overlooked gift idea that makes so much sense when you think about it — roaches. Plus we’ve got a story about an innovative use for crematorium heat and an example of what can go wrong if you get careless with a nail gun (and we couldn’t resist adding some musical accompaniment for that last item). And, at no extra charge, we’re including our own tasteless commentary on each of these items. Let’s get started!

ITEM ONE

I’ve never been to the Bronx Zoo, though I have been to The Bronx. Did you know that in addition to being one of New York City’s five boroughs, The Bronx is also a separate county, with its own flag (shown to the right) and its own Latin motto, which translates to “Do not give way to evil”? Did you know that The Bronx was named after The Bronx River, which was itself named after Jonas Bronck, an early settler from Småland, Sweden whose land bordered the river on the east (“Bronck’s River”)?

Where was I?  Oh yeah, The Bronx Zoo. Did you know The Bronx Zoo is home to a colony of Madagascar hissing cockroaches? Did you hear about the zoo’s promotional Valentine’s Day idea? Well, you’re about to.  (after the jump . . .) Continue reading »

Feb 152011
 

That eye-catching piece of art above is the cover for Celestial Completion, the next album by Atlanta’s Becoming the Archetype. The original painting was done by Dan Seagrave with art direction from Ryan Clark at Invisible Creature (if that name sounds familiar, that’s the same Ryan Clark who’s the frontman for Demon Hunter). Looks like, when the rapture comes, there will be some interruptions in shipping traffic.

We thought this band’s 2008 album, Dichotomy, was an interesting dish of progressive death metal. The new single they released in 2009 — “Necrotizing Fasciitis” — in addition to being an inventively named piece of music with an unusual metaphor at the core of its lyrics, was a promise of even more interesting things to come. It turned the brutality dial up more than a few notches and jettisoned most of the prog influences, but still included some nice tech-death flourishes.

Now, as a teaser for the next album, the band have released a single for streaming. It sounds almost nothing like “Necrotizing Fasciitis”, but it’s growing on us. And it’s just the first of three teasers we’ve stapled together in this post.

For our second one, we’ve got a mix of the music from the next release by Finland’s awesome Moonsorrow, and to finish off the post, there’s a clip from the forthcoming DVD by Cannibal Corpse. Hey, you can’t say we don’t bend over backwards to bring you variety in metal. (all this stuff is after the jump . . .) Continue reading »

Feb 152011
 

(NCS contributor BadWolf joins us today with some timely thoughts about Death‘s final album.)

Today super-quality metal label Relapse Records is releasing a re-master of Death’s seventh and final studio album, The Sound of Perseverance. The re-master will come with a slew of extras including liner notes from cover artist Travis Smith (Opeth’s go-to man) and guitarist Shannon Hamm, as well as a second disc of unreleased material. Order it from Relapse themselves, or on iTunes, and get a third disc of bonus material.

But, to be honest, all that rigamaroll may just be distracting you from what’s at stake here: a great opportunity to re-visit one of the very best metal albums ever made. Unreleased tracks and demos are just empty calories on one of the leanest and most ruthlessly efficient musical death machines ever put to tape.

These days it seems to me that Death doesn’t get mentioned alongside classic American DM bands like Cannibal Corpse, Suffocation, and Deicide. This makes sense; Death was always the odd band out. Death began brutal and grew more melodic and complex with TSoP being the culmination of that evolution.

In fact, The Sound of Perseverance is as much a power metal record as a DM record (Schuldiner had composed some, perhaps all, of the material with his trad-metal outfit Control Denied in mind). That it functions so well as a slice of brutality as a series of guitar playing exercises is a testament to the forward-thinking nature of Chuck Schuldiner. (more after the jump, including some of the re-mastered songs . . .) Continue reading »

Feb 142011
 

Just when we were feeling unusually upbeat about Valentine’s Day, what with a new Amon Amarth track and yet another new track from Scale the Summit‘s next album (which is called “Gallows” and is streaming here), we got an e-mail from Andy Synn with nothing but “I am in mourning” in the subject line, and a link. A fucking depressing link . . .

. . . to a news item reporting that one of our favorite metal bands on the planet, God Dethroned, is disbanding. Unfortunately, it’s official, and confirmed in a statement by the band’s guitarist/vocalist/songwriter/mastermind/World War I historian, Henri Sattler.

This is particularly surprising since Sattler has been quoted as saying the band’s next album would be the completion of a trilogy about World War I that began with Passiondale and 2010’s amazingly good Under the Sign of the Iron Cross.  (more after the jump, including Sattler’s statement . . . and a song) Continue reading »

Feb 142011
 

You can’t say no one gave you a Valentine today. Not only did we give you one, in the form of an Amorphis video and a nice skull-with-flowers card, but Amon Amarth have given you one, too.

It’s evident that Amon Amarth is a huge favorite at this site, so we thought it was worth alerting you to the fact that within the last hour, Metal Blade has released another track from Surtur Rising — the new album due for release on March 29. This one is called “Slaves of Fear”. Here’s what AA’s drummer Fredrik Andersson had to say about the song:

“‘Slaves Of Fear’ is not the all-typical Amon Amarth song. It was one of the last songs we finished for the album and what makes this song a little bit different is the collaboration between me and [guitarist] Olavi [Mikkonen] as songwriters. Usually, most songs are written by Olavi and [guitarist] Johan [Söderberg]. It’s definitely one of the darkest songs we’ve ever written and the main/intro riff is my personal tribute to the passing of Ronnie James Dio as the riff came to me after listening to Holy Diver. Lyrically, it’s about how religions keep people under its control and  from thinking for themselves. It includes some of the most angry lyrics [vocalist] Johan [Hegg] has written and they kind of remind me of ‘The Sound Of Eight Hooves’ [off 2001’s The Crusher full-length] in a way. It works exceptionally well with the melancholic feel of the riffs.”

I sure wish we could stick the song right here for you to hear, but that will have to wait — because for now, it’s streaming exclusively at the Deciblog. But much as we hate to ever send you away from NCS, you really ought to hear this song. So — here is the link.

UPDATE: Now we’ve got the song for you to hear at NCS –right after the jump. Continue reading »

Feb 142011
 

Nice photo, huh? And so appropriate for this day, particularly as adornment for a metal site. It’s the flower-crowned skull of St. Valentine exhibited in the Basilica of Santa Maria in Cosmedin (Rome, Italy). And with that intro, we’re going to provide a little history lesson which convinced us (and maybe it will convince you), that Valentine’s Day is metal, despite what we used to think. We will also have music, of course, as a Valentine from us to you.

Now, back to that skull. Who did it really belong to, back when it was covered with warm flesh? What we now call Valentine’s Day was originally established in honor of an early Christian martyr, Saint Valentine. But according to the Catholic Encyclopedia, there were at least three martyrs by the name of Valentine: they were from Rome, Terni, and Africa. Each was said to have died on February 14.

It’s probable that Pope Gelasius I, who established St. Valentine’s Day in 496 AD, had in mind the Valentine who was beaten with clubs and stones and then beheaded in Rome in 269, 270, or 273 AD, supposedly for performing marriages. Now, that’s a metal way to meet your end.

To elaborate, some historical accounts report that Emperor Claudius II (“Claudius the Cruel”) banned marriages when Roman men began refusing to go to war in order to stay home with their wives. Valentine allegedly chose death over renouncing his religion and his performance of weddings. Legend has it that on his last day he wrote a message for his guard’s daughter (whose blindness he allegedly cured) signed, “From Your Valentine” — though there appears to be no historical basis in fact for the story about the girl, the blindness cure, or the note.

Like many Christian celebrations, what we do on Valentine’s Day has its origins in ancient Rome. Lupercalia was a Roman festival held on February 13-15, at least partly in honor of Lupa, the she-wolf who suckled the infant orphans Romulus and Remus, the founders of Rome. That’s why it was called Lupercalia — the “Wolf Festival”. That’s a metal name, for sure, but wait ‘to you see what the Romans did during that festival.  (more after the jump . . .) Continue reading »

Feb 132011
 

How did Deathcore get to be such a lightening rod for controversy within the extreme metal scene? Seems like all you gotta do to ignite a testosterone-fueled, name-calling slagfest on most metal blogs and message boards is mention the word. In some quarters, shitting on deathcore is like a litmus test of metal purity: If you take a big verbal dump on the genre, that’s evidence of sophistication in your musical taste, and if you express enthusiasm for the music, it proves you’re a retard.

All the controversy seems to have moved some deathcore icons (like Job For A Cowboy, Whitechapel, and Carnifex) further away from core and further into straight death, and other bands who have remained true to the template don’t want to be called deathcore bands, even if that’s really what they still are. Even a lot of deathcore fans seem to feel they have to take part in the branding of some bands as no-talent wastes in order to buff up their cred in praising other, almost indistinguishable, bands as the real deal.

Connecticut/NYC band Emmure may be the lightening rod of all lightening rods within the genre. They’ve got an intensely devoted cadre of fans, but man, they’ve got an equally devoted army of haters out there, too. Here at NCS, we’ve been somewhere in the middle, like crouching down in the open space of the floor right before a wall of death is triggered. The three of us who started this site saw them play Seattle as an opening act on their first national tour, and we liked their debut album. On the other hand, we were unanimous in thinking their last release, Felony, was an embarrassment.

They’re on the verge of releasing a new album on Century Media (due February 15) called Speaker of the Dead, and two singles have surfaced so far, including a video for one of them that debuted just a couple days ago. We’ve got both those songs for you after the jump, along with some thoughts about the music. Plus, we’ve also got a brand new song from the forthcoming album by LA’s Winds of Plague, and a fairly new video from another deathcore lightening rod, Chelsea Grin. If you feel like gettin’ your breakdown on, stay with us. Continue reading »