
[EDITOR’S NOTE: Today we’re stepping aside again to make way for another album review by our UK contributor Andy Synn. It’s about the latest release, In Dreams, from one of NCS’s most beloved bands — AFTER THE BURIAL — but brace yourselves, because Andy is underwhelmed with the effort — and backs up his opinion in detail. Comments please!]
Apologies all, but I’m afraid this is going to be my first ever mainly negative review.
To qualify myself for this, I’d like to state that although I found Forging A Future Self to be a little stock for the majority of its running time, the band’s sophomore release Rareform remains one of my favourite albums of the more modern iteration of metal. It’s a skillful display of technicality and melody, mixed with a sense of interesting and progressive song-writing and a great sense of (non-derivative) Meshuggah-influenced groove. It had energy to spare and was organic in its ability to shift styles and tones.
Unfortunately, the third album In Dreams seems to have forgotten much of the positive growth demonstrated by Rareform, aiming for a more derivative and mass-appeal based sound. In a move similar to much of the “djent” movement (and also in a way reminiscent of the development of UK hardcore darlings Architects) the band have regressed to a more simplistic, and arguably less “metal”, sound. Now whilst not every record needs to be “tr00”, “kvlt”, or whatever is the precisely elitist terminology of the day, this record comes across as rather forced and lacking in certain departments, leading me to wonder if the band have lost a lot of interest in the “metal” element of their sound. (more after the jump . . .) Continue reading »










