Aug 042022
 

It’s not often that we premiere more than one advance track from an impending album release, much less three of them. But in the case of Tomb of Finland‘s new album Across The Barren Fields we’ve been offered the chance to do three, and have eagerly accepted the opportunity.

In the case of the first two songs we’ve presented, they were first released as stand-alone singles, and that’s true of the song we’re presenting today — “Coffin Bound“. It will be available as a digital single beginning on August 5th. But we’re also now getting much closer to the August 19th release of the album by UPRISING! Records in a variety of physical formats, and thus this latest single serves as a reminder of that. Continue reading »

Aug 042022
 

(Andy Synn presents three more fine examples of bombastic British belligerence)

Like I said yesterday… I’m more than a little swamped – both mentally and physically – right now, so I’m not going to waste what little time I have on a long preamble.

Instead I’m just going to urge you all to give each of these three albums – two from last month and one scheduled for release at the beginning of September – a shot. You might just discover something you like!

Continue reading »

Aug 042022
 

(Here’s DGR‘s review of a new EP by Orange County’s Bleeding Through, their first new music in four years and out now on Sharptone Records.)

The fact that this site’s roots grew out of an in-joke born from early-aughts metalcore is always an amusing one, especially given the many pathways into things way, way heavier that we’ve taken in the decade-plus since. Yet we – and especially yours truly – would be lying if we said we didn’t still have a soft spot for a lot of those bands. That was partially why we found ourselves so oddly interested in the resurgence of MTV2 Headbanger’s Ball-era dominating bands beginning a few years ago as a lot of them decided that would be the time within the nostalgia cycle to mark their returns.

A few of those releases were legitimately good – we’ll still go to bat for The Agony Scene’s Tormentor release – and the rest at the very least were solid returns to what you’d always expect for that style of band. Bleeding Through‘s 2018 album Love Will Kill All somewhat stradled the line between the two, wherein there were a handful of truly ferocious and jaw dropping songs but also many other that sounded like Bleeding Through getting used to being Bleeding Through again.

They played what they’ve always done, and weirdly enough it made Love Will Kill All play out like an unintentional career retrospective…run backwards. It started out with their blisteringly fast and heavily chugged-out death metal leanings that colored their later releases and slowly became the more brawny and breakdown-filled style that made them a hallmark of the early 2000s. It was a weird dynamic for sure, but also one that made it perplexing to know what Bleeding Through‘s gameplan was for the future. Continue reading »

Aug 032022
 

For those of you, like us, who haven’t previously encountered the one-man Armenian project Eternally Scarred, we’ve got what we think will be a big and welcome surprise for you today. The surprise comes in the form of two songs from Eternally Scarred‘s new album Echoes From Beneath, one that previously surfaced and one that we’re premiering today.

The songs are surprising in a couple of respects. The first is that the band has branched out from the stylistic markers of its debut album …Of Wisdom, which led Metal-Archives to label the music Melodic Death/Doom Metal. Those labeled ingredients are still a part of Echoes From Beneath, but there’s now even more going on in the songs, and the ways in which they take new forks in the path are thrilling (and kind of head-spinning).

The other surprise, for those of us who are encountering Eternally Scarred for the first time, is just how “muscular” and hard-hitting the songs are, how well-constructed and “catchy” they are, and how frighteningly intense the vocals become. Make no mistake, these are often grim and moody beasts, and capable of harrowing your souls, but they’ll get your pulse pounding too. Continue reading »

Aug 032022
 

The Danish band formerly known as Defilementory have made a bug “reset” — and we do mean BIG. A long eight years after the release of their debut album The Dismal Ascension, they’ve recorded a new album with a changed sound, changed their own name to mark the occasion, and will have it released by one of the most exciting metal labels now in operation (Transcending Obscurity Records), adorned by magnificently chilling cover art by Dawid Figielek.

The band’s new name is Dysgnostic, and the title of their first album under that name is Scar Echoes. As for their revised sound, we now have two indications of it. The first, presented through an official video last month, is a track called “Silvery Tongues“, and the second is the song we’re premiering today — “Beneath Abyssal Plains“. Continue reading »

Aug 032022
 

(The Dutch band Teethgrinder released a new album through Lifeforce Records in the latter part of July, and we follow that today with DGR‘s review of this new record.)

When it comes to the type of music Teethgrinder make there isn’t really a concept of ‘doubling down’ on anything. For three albums – including this newest release – and an introductory EP, Teethgrinder have already existed at maximum volume and intensity. There’s no doubling of anything left here. Every song is an explosion from the start. and a lot of times they sound like they’re on the edge of a frenetic internal collapse.

Both Misanthropy and Nihilism were already excellent examples of the sort of high-volume attack available to the band, and if you’ve been following NCS for a while you’ll know that we’ve been banging the drum about both for a while. This is probably why it actually came as a surprise to discover that the gap between Nihilism and the group’s newest album Dystopia is almost five and a half years; it really doesn’t seem like the band have ever stopped.

Nihilism had such a long-burning flame here that it only just now seems like it has embered out a bit, and so Dystopia arrives at a perfect time. Yet it’s in a weird position, since we now have to ask if ‘if there’s nothing for the band to keep hammering on, then what direction is Dystopia left to travel in?’ Continue reading »

Aug 022022
 

(Here’s DGR‘s review of the latest album by one of our site’s favorite bands, Sweden’s Witchery. It was released on July 22nd by Century Media.)

Witchery albums have a habit of sneaking up on us around here, which is strange given that they do have a collective among the staff that will go to bat for them to this day.

Granted, in the span of time since the site’s founding up until now there’ve only been three Witchery albums released, but they’ve existed as a steady undercurrent for the writers around here and have evolved in the background into a ‘house band’.

July 22nd gave us the fourth addition to the collective of Witchery albums that have been released since this site’s founding, with the recent unleashing of Nightside, closing up a near five-year gap between albums. Continue reading »

Aug 022022
 

All fans of extreme metal know that Paolo Girardi is a painter who is capable of creating an extensive range of scenes and visions, albeit with a style that’s always immediately recognizable. What he has done for the cover of Ferum‘s debut album is a particularly ghastly and hideous visual nightmare. You can’t look away from it, though you might want to, and it’s hard to forget, try as you might. The question quickly presents itself: What will make your blood run more cold, that image or Ferum‘s music?

You’ll come to your own conclusion today, because we’re presenting a full stream of this debut album in advance of its August 19 release by Avantgarde Music / Unorthodox Emanations. The album’s name is Asunder / Erode. Continue reading »

Aug 022022
 

(Andy Synn takes a look at four albums from last month you may have missed)

Due to stress and pressure from my work/life outside of the site (yes, it’s true, I do have a life beyond NCS) I’ve not been able to write as much as I wanted to in July.

Hell, to be quite honest with you I’ve been on the cusp of burnout for the last couple of months, so trying to collect my thoughts together into something resembling a cohesive article has been much more difficult than usual.

Music, however, remains both a passion and a panacea for the pain, and without it I think I’d be in a much worse place.

So let’s celebrate the healing power of music – and the fact that, hopefully, things look like they’re starting to settle down for me – with four albums which you may have overlooked last month.

Continue reading »

Aug 022022
 

(Our Denver-based contributor Gonzo was fortunate enough to be at the 2022 edition of Fire In the Mountains, which took place in the shadow of the glorious Teton Range in Wyoming. Today we present the first of his reports about the festival.)

I stepped out of the car and gently shut the door. Raising my arms over my head and interlocking my fingers, palms facing skyward, I stretched my body as if I’d never stood up on my own two feet before. Sitting on my ass for over 7 hours in a Subaru Outback through desolate landscapes and wide-open highways with barely another soul in sight for miles does tend to drain you after a while. And looking around now, it was almost fair to wonder if we’d driven through a portal to another dimension.

That otherworldly dimension, for our purposes, was known as Fire in the Mountains, a deeply unique festival experience that was just about to kick off its first occurrence in three years. Set deep within the Wyoming wilderness just outside of Grand Teton National Park, this gathering of metalheads, artists, hippies, weirdos, psychonauts, and anyone in between had gained a lot of buzz throughout the US festival circuit. Some called past incarnations of it “loose as goose shit,” while others described it simply as the best weekend they’d ever experienced in their lives. High praise for a festival that attracts just over a thousand people each year in a setting that requires you to pack in your own water.

Now that we’d arrived, the anticipation that had been building since 2020 was palpable, like a thunderstorm slowly looming over the mountaintops in the distance. More cars were slowly beginning to pull in, sporting license plates from as far as Canada, Ohio, Florida, California, Minnesota, and more. It was clear this was a destination for many. It was time to set up camp and let this experience take us wherever it would lead us. Continue reading »