Aug 022022
 

(Here’s DGR‘s review of the latest album by one of our site’s favorite bands, Sweden’s Witchery. It was released on July 22nd by Century Media.)

Witchery albums have a habit of sneaking up on us around here, which is strange given that they do have a collective among the staff that will go to bat for them to this day.

Granted, in the span of time since the site’s founding up until now there’ve only been three Witchery albums released, but they’ve existed as a steady undercurrent for the writers around here and have evolved in the background into a ‘house band’.

July 22nd gave us the fourth addition to the collective of Witchery albums that have been released since this site’s founding, with the recent unleashing of Nightside, closing up a near five-year gap between albums. Continue reading »

Aug 022022
 

All fans of extreme metal know that Paolo Girardi is a painter who is capable of creating an extensive range of scenes and visions, albeit with a style that’s always immediately recognizable. What he has done for the cover of Ferum‘s debut album is a particularly ghastly and hideous visual nightmare. You can’t look away from it, though you might want to, and it’s hard to forget, try as you might. The question quickly presents itself: What will make your blood run more cold, that image or Ferum‘s music?

You’ll come to your own conclusion today, because we’re presenting a full stream of this debut album in advance of its August 19 release by Avantgarde Music / Unorthodox Emanations. The album’s name is Asunder / Erode. Continue reading »

Aug 022022
 

(Andy Synn takes a look at four albums from last month you may have missed)

Due to stress and pressure from my work/life outside of the site (yes, it’s true, I do have a life beyond NCS) I’ve not been able to write as much as I wanted to in July.

Hell, to be quite honest with you I’ve been on the cusp of burnout for the last couple of months, so trying to collect my thoughts together into something resembling a cohesive article has been much more difficult than usual.

Music, however, remains both a passion and a panacea for the pain, and without it I think I’d be in a much worse place.

So let’s celebrate the healing power of music – and the fact that, hopefully, things look like they’re starting to settle down for me – with four albums which you may have overlooked last month.

Continue reading »

Aug 022022
 

(Our Denver-based contributor Gonzo was fortunate enough to be at the 2022 edition of Fire In the Mountains, which took place in the shadow of the glorious Teton Range in Wyoming. Today we present the first of his reports about the festival.)

I stepped out of the car and gently shut the door. Raising my arms over my head and interlocking my fingers, palms facing skyward, I stretched my body as if I’d never stood up on my own two feet before. Sitting on my ass for over 7 hours in a Subaru Outback through desolate landscapes and wide-open highways with barely another soul in sight for miles does tend to drain you after a while. And looking around now, it was almost fair to wonder if we’d driven through a portal to another dimension.

That otherworldly dimension, for our purposes, was known as Fire in the Mountains, a deeply unique festival experience that was just about to kick off its first occurrence in three years. Set deep within the Wyoming wilderness just outside of Grand Teton National Park, this gathering of metalheads, artists, hippies, weirdos, psychonauts, and anyone in between had gained a lot of buzz throughout the US festival circuit. Some called past incarnations of it “loose as goose shit,” while others described it simply as the best weekend they’d ever experienced in their lives. High praise for a festival that attracts just over a thousand people each year in a setting that requires you to pack in your own water.

Now that we’d arrived, the anticipation that had been building since 2020 was palpable, like a thunderstorm slowly looming over the mountaintops in the distance. More cars were slowly beginning to pull in, sporting license plates from as far as Canada, Ohio, Florida, California, Minnesota, and more. It was clear this was a destination for many. It was time to set up camp and let this experience take us wherever it would lead us. Continue reading »

Aug 012022
 

 

Living in a dramatic natural setting can be a double-edged sword. Imagine a place bounded by the vast, untamed Pacific Ocean and the Salish Sea, and indeed by water all around, with a mountain range running through it, encompassed by dense, towering forests and sheltered by skies both daunting and glorious. In a state of despondency, such a place might seem like a calculated reminder of how small, insignificant, fleeting, and unattractive your own existence really is. On the other hand, a place like that can so powerfully overwhelm all ugliness as to provide inspiration and hope.

The place we happen to be talking about is Vancouver Island, officially a part of British Columbia in Canada, but really a kind of world all its own. The largest community on that enormous island is Victoria, and Victoria is home to the black metal band Liminal Shroud. It’s no wonder that their natural surroundings have an influence on their music, in ways both dark and blazing — a carefully chosen word, because their forthcoming second album, which you’re about to hear, is named All Virtues Ablaze. Continue reading »

Aug 012022
 

In June of this year we premiered and reviewed a remarkable split release by Florida-based Grave Gnosis and California-based Hvile I Kaos. In part, the split functioned as a teaser for new albums that are in progress from each band, but it was much more than that. It also represented a singular conceptual collaboration, “expressing the nature of parallel spiritual forces, focusing on aspects of the Sun and its Shadow, as seen through the lens of Vedantic Nihilism”.

That term Vedantic Nihilism originated in the writings of Grave Gnosis founding member and Occult author Caine Del Sol, in his book Codex Aversum. It represents a magickal system (briefly described here) that describes a path to “complete immersion in the Void, in purest surrender of our illusion of Self”, as a means of achieving “unity with the beyond”.

With respect to the new split, “Each track represents and invokes a facet of the forces of Moloch as they may be interpreted in both the microcosmic front of the personal psychospiritual, and the macrocosmic sociopolitical and religious egregores. The magickal formulas draw from the alternating modes of invocation and evocation, typified by incitement to fervor and call to action, respectively”. Continue reading »

Aug 012022
 

 

(This is Wil Cifer‘s review of the new Chat Pile album, released last Friday, July 29th, by The Flenser.)

Perhaps this band from Oklahoma City once fit within the neat parameters of a metal subgenre. Then marijuana in their fair city was grown much stronger. Sure, aside from “medical use” the groovy green is illegal, but the sounds made on this album have been created by deeply troubled young men who must surely qualify at dispensaries. Even if they do not, metal is still the music of the outsider. An outsider is not just outside of social norms, but the laws of said norms are coughed at as well. Often with a red-eyed grin.

This band embrace their dark side, though from all the pot talk thus far you must imagine them to be on the wavelength of Sleep or Bongzilla. This is not the case. They are more abrasive than either and owe more to Black Flag than Sabbath. They are angry and put those feelings out on their instruments. Continue reading »

Jul 302022
 

 

A couple of updates for you weekend visitors: First, I’ve had to rush today’s roundup, thanks to a late start on the day and way too many new songs and videos to go through in order to make these choices. Due to the rushing, I had to leave lots of good stuff on “the cutting room floor”, despite how many choices I made.

Except in the context of deadly sins and circles of Hell (the violent and bestial one), 7 is a lucky number, so I initially decided to stop there. But I couldn’t help myself, and so pushed it to 10 instead, presented alphabetically by band name.

Second, I’m going to a big party in Seattle tonight. It was originally scheduled to happen in January, but last winter’s covid surge fucked those plans. It will be very late before I get back to the NCS island headquarters, and there’s at least a 50/50 chance I’ll wake up on Sunday with a hangover, and a 100% chance that most of the morning will be gone by the time I open my red eyes. Which means we may not have a Shades of Black column tomorrow. Continue reading »

Jul 292022
 

Right up there, staring you in the face, is one hell of a piece of cover art. It seizes attention in electrifying fashion, and when combined with the name of the song it accompanies — “Pulverized By Warhammers” — it makes a striking statement. It’s gratifying to see that the photo of the band who made the song — Chicago-based death/thrashers Crusadist — is just as savage and menacing.

But what of the song itself? Does it live up to all these outward trappings? Well hell yes, it truly does, as you’re about to discover for yourselves. Continue reading »

Jul 292022
 

Recommended for fans of: High On Fire, Conan, Mastodon

The story of California riffmongers Behold! The Monolith is one of both tragedy and triumph

Tragedy… because, after releasing two well-received and well-rounded albums of increasingly proggy, doom-laden, sludgery, the band’s long-time bassist/vocalist Kevin McDade was killed in a car accident in 2013.

Triumph… because, after making the decision to carry on, the band roared back with another two fantastic records, the most recent of which was released just a few weeks ago.

Continue reading »