Mar 092021
 

 

With their debut album Eclipsis Vitae the Italian band Cruel Life Inside have created a thoroughly captivating experience from start to finish. Inspired by both a commitment to channeling dark and intense emotions, ranging from pain and rage to suffering and hope, as well as by the rich landscapes of their Calabrian homeland, C.L.I. lead the listener through a continuously ebbing and flowing experience that is often dreamlike but also titanically powerful.

In crafting this wide-ranging musical journey, the trio that make up C.L.I. have deftly interwoven a variety of stylistic ingredients that include atmospheric black metal, melodic doom, post-metal, and prog-rock, as well as bringing in instrumental textures that include lush cinematic soundscapes, classically inspired piano performances, and acoustic guitar, with vocals that vary between evocative clean singing to vicious snarls.

Today it’s our pleasure to present a full stream of this remarkable record in advance of its joint release by Casus Belli Musica and Beverina Productions on March 12th, preceded by a few more thoughts about what you’ll hear. Continue reading »

Mar 092021
 

(Today we present Andy Synn‘s review of the new album by Switzerland’s Stortregn, set for release this Friday via The Artisan Era.)

As some of you may be aware, I recently did a full, four album deep-dive into the discography of Melodic Black/Death Metaller’s Stortregn.

The benefits of this are two-fold. First off, it enabled me to re-acquaint myself with the band prior to the release of their new record. And, secondly, it means that I don’t have to waste time during this intro delving into the band’s origins and evolution – anyone who wants to do that should go check out the previous article from January – and can instead focus on the here and now.

This is particularly fortunate because their fifth album marks something of a turning point for the Geneva-based quintet, now signed to The Artisan Era, as they pivot even further towards a sound even more distinctly informed by the Melodic and Technical shades of the Death Metal spectrum.

Continue reading »

Mar 082021
 

 

The seeds of the Puerto Rican black metal band Godless were planted by its founder Gröfaz (a.k.a. Asaradel) a long time ago, in the winter of 1989. Since then, its history has been infamous. It’s reported that live Godless performances created controversy due to severely brutal and sick displays of self mutilation, blasphemy, and carcasses on stage, which led to a prohibition on them playing live. Line-up changes ensued, as they alway do, and eventually Gröfaz decided to make Godless a one-man band, but the music has remained ominous, sinful, misanthropic, perverted, and of course godless.

Over the course of the decade since its founding, Godless has released (in addition to early demos) a pair of EPs and three albums, and now an hour-long fourth one is on the way. Its name is Lustcifer, and it’s set for co-release by Satanath Records and The End Of Time Records on March 28th. From that album we are today presenting a track that’s stripped-down, primitive, carnal, and evil at its core. That track is “Vaginal Empathy for the Monarch of Lust“. Continue reading »

Mar 082021
 

 

(DGR catches up with the new record by Canada’s Fractal Generator, which was released in January by Everlasting Spew Records.)

You’ll likely be reading this one way out of chronological order given the tendency I’ve developed with this album to want to dive back in, write a little, crawl back out, and then dive back in again.

As a result, there’s been multiple discs from the moment this review started that have coasted into and out of my purview.

But, needless to say, as of recent I have been absolutely buried in a wall of incredibly dense Death Metal.

And while I’m talking about multiple albums one could also ascribe that feeling to Fractal Generator‘s newest album Macrocosmos all on its own.

Continue reading »

Mar 082021
 

 

What we are about to present is, among other things, a fascinating case study in how talented musicians can take a song by a different artist with a dramatically different style from their own and transform it into something new — something of their own — while still retaining a connection to the original. Of course, you could just call it a “cover”, but that seems like an inadequate label for the kind of wonderful interweaving of artistry that has been created here.

The song in question is “Undergang“. It was written and originally recorded by a Norwegian folk musician named Stein Torleif Bjella, and it appeared on his 2013 album Heim For å Døy. The cover of the song, which we’re now premiering, was created by the Norwegian black metal band Svart Lotus, and it adds to the already significant proof that Svart Lotus isn’t just another black metal band, but a particularly distinctive one that goes its own (very captivating) way.

By way of background for those just now discovering the band, allow us to repeat a few things we wrote the last time we premiered a Svart Lotus single: Continue reading »

Mar 082021
 

Hey everyone, Andy Synn here.

We know we won’t be the only people reeling from today’s announcement but we still think it’s important to say just how saddened we all were to hear about the death of LG Petrov, the infamous, gravel-throated frontman of Entombed.

Both a beloved icon – it’s been gratifying, though still gutting, to see just how many bands and fans, people and publications, from across the scene have been deeply affected by this – and an all-round cool dude, from all accounts, LG’s ragged, instantly-recognisable roar was a huge part of a lot of people’s introduction to Death Metal, and a played a major role in Entombed‘s success down through the years, and his presence will be deeply missed.

So today we’d like to tip our hats and pour one out to a true Death Metal original, and take the chance not just to mourn his passing but to celebrate his life with a few of our favourite musical moments from the man himself.

Continue reading »

Mar 072021
 

 

I want to thank those of you who have left comments or sent messages expressing sympathy and support for my current day-job misery. I was also surprised, and admittedly a bit disappointed, that a lot of people checked in on yesterday’s post even though I didn’t have the time to write about any of the music — or even listen to it! So I thought, what the hell, let’s do that again.

This column is usually devoted to black metal, and so I’ve started that way but also diverted from it. But yesterday one of our supporters (rodney) left a comment with some recommendations, and I thought I would include some of those here at the end, because he included some enticing descriptions of the bands and their music. Some of that music would seem to fit SHADES OF BLACK and some might not, which is true of my own choices

I again haven’t listened to any of this. As was true yesterday, I’m gambling, but these all seem like good bets. Continue reading »

Mar 062021
 

 

As forecast last weekend, I’m not able to write my usual NCS weekend posts today or tomorrow. The project for my fucking day job has indeed been consuming me. I haven’t listened to any new metal over the last 4 or 5 days other than what I had agreed to premiere. I didn’t even have time to pay close attention to our in-box or use my other typical ways of ferreting out new music so as to add to my list of what to check out later.

However, a few things did jump out at me yesterday — a surprise new album by Krallice (they do love surprising people), a new 20-minute song off the new Majestic Downfall album, and a video for a new track by Grave Miasma from their next album. I would listen to and watch all of that today if I had time, which I don’t. But because I detest letting a day go by without having new music up on the site, I’m installing the streams of these three things below, even though I haven’t checked them out myself. But it’s a good bet they will be worth your time.

By the way, even though I can’t do more than this today, it would be great if you used the Comments to flag any other new music that would be good uses of listening time. And of course, feel free to let us know what you think about the following streams if you get a chance to hear them. Continue reading »

Mar 052021
 

 

Today the black metal band Scitalis from the north of Sweden make their debut with an EP named Awakening that’s being released by Vendetta Records, and to help spread the work we’re presenting a full stream of its six ravaging tracks.

Presented through a clear and powerful production (which makes effective use of channel shifting), the music is persistently pitch-black in its temperaments, though it explores them in dynamic fashion and with piercing, mood-altering melodies that become key ingredients within changing episodes of upheaval and surrender. Continue reading »

Mar 052021
 

 

When writers characterize a piece of music as “ambitious”, that might mean different things to different people, but usually signifies an effort to reach beyond what is commonplace, perhaps through the use of unusual techniques or the creation of rare sounds but more often by trying to more fully engage the listeners’ imaginations and emotions — to create a sensation that takes them places far beyond mundane experience. In all those ways (and others), the new album by the French post-black metal band Decline of the I is ambitious, and it greatly succeeds in realizing those ambitions.

The name of the album is Johannes, and its ambitions actually extend beyond what we hear. For example, there can’t be many black metal albums out there which (as this one does) take their inspiration from the works of Danish philosopher, Søren Kierkegaard. And this album is also the beginning of a new trilogy, following this band’s completion of a previous one, which was inspired by the works of French surgeon and neurologist Henri Laborit.

We’ve already written about the first song that was revealed from the album (“The Veil of Splendid Lies“), and today we bring you a second one in advance of the album’s March 26 release by Agonia Records. Its name is “Diev Vide“. Continue reading »