Dec 062021
 

 

Every musician has two voices, the one that uses the larynx and the other that uses the manufactured instrument they’ve trained themselves to play. Even in the case of musicians who can sing (or growl or scream), the voice they create through a collaboration with their manufactured instrument is often so much more expressive than the other voice, and even more capable of bringing emotions to life in ways that every other human being can understand.

How that happens is a grand mystery. People spoke and sang to each other millennia before the first musical instrument was created. And when instruments came into existence, what were they used for? To speak and to sing in a different but still recognizable way, and to mimic the beat of hearts and the throb of pulses. Sure, they can be used to create sensations we think of as utterly inhuman, but even then they’re still really being used to create voices our own throats aren’t capable of creating but that convey moods we all understand — even if what we understand are nightmares.

Which brings us to the subject of this post, brass musician extraordinaire Mac Gollehon. Continue reading »

Dec 062021
 

 

(Comrade Aleks has brought us this in-depth interview with drummer Clayton Gore from the U.S. doom/death band Pulchra Morte, whose latest album, the tremendously good Ex Rosa Ceremonia, was released last year via Transcending Records.)

Five men may be too many for a doom death band, but twin guitars always give a strong hint on melodic components and Pulchra Morte prove it with two albums – Divina Autem et Aniles (2019) and Ex Rosa Ceremonia (2020). All of them for years played all kinds of extreme metal – death metal, black metal, death/black metal, sludge… I believe you’ve heard names like Skeletonwitch and Wolvhammer. And Jarrett Pritchard (guitars) alongside Clayton Gore (drums) started in the Tampa-based death metal band Eulogy nearly 30 years ago! Big guys who know how to play crushing stuff, yes.

True to tell, it’s my fault for doing this so late because Ex Rosa Ceremonia was released one year ago and Pulchra Morte was in my “need-to-interview” list for awhile, but it’s better late than never. Especially as Clayton provides us a great interview, an in-depth look at band’s own life as well as a good glimpse on the difficulties of the modern underground scene. Continue reading »

Dec 062021
 

(Andy Synn is a busy man but he still found time to craft some short reviews and recommendations)

It won’t be long now until I’m fully immersed in “List Season”.

As a matter of fact, I plan to have my “Top Ten EPs” article published by Friday as a little taster of what sort of thing to expect throughout the whole of next week.

Until then, however, I’ve got just enough time to sneak in a few short, succinct reviews (we’re talking 100-200 words max.) about a few more albums that I really think more of our readers need to know about.

So let’s get to it, shall we?
Continue reading »

Dec 052021
 

 

Those of you who stopped by today expecting a SHADES OF BLACK column may be disappointed. For the second Sunday in a row, unforeseen but self-inflicted mishaps prevented me from getting it done. Like last week, my plan (I should say my hope) is to complete it in time for posting tomorrow.

Unlike last Sunday, however, I’m not going to leave a gaping hole in the site today. To avoid that I’ve prepared this very small round-up of new songs and videos, chosen in part to keep you off-balance. The first selection will put a big jolt into your cranium and nerve endings. The second one will help you calm down, and might even put you under a spell.

[4672] (Poland)

Here’s the part of this short post that will stab a high-powered voltage generator into your neck. The video is a mind-exploder too.

Both the video and the song just premiered today. The track, “[cluster_B]“, includes vocals by Łukasz Myszkowski from Antigama and Dante, and it’s destined to appear on [4672]’s upcoming sixth album, [paradigm_blindness], which is projected for release in late 2022, assuming the world lasts that long. Continue reading »

Dec 042021
 

 

I’m going to dispense with an elaborate introduction to this Saturday’s round-up of new and newly discovered songs and videos. I’ll say only that it includes one complete album, one complete EP, and an assortment of tracks from forthcoming releases — and that the music bounces around quite a it, so don’t think you’ll be allowed to lock in to any one stylistic groove.

COFFIN DUST (U.S.)

Five years is a long time between releases, but save for a very short 2019 split, that’s how long it’s been since we’ve had something new from this enormously impressive Philadelphia band. But the ticking clock got re-set yesterday when Coffin Dust released a new album (their third), the name of which is Nightmare Vision. Continue reading »

Dec 032021
 

 

“Combining the leaden misery of funeral doom, the hideous unconventional songwriting of death metal and the monomaniacal disgust of black metal, Mordom prove themselves to be preternaturally gifted at transmuting their darkest moods into monstrous moments of crushing sonic majesty.”

Those words aren’t ours, but instead were crafted by Decibel Magazine’s Dutch Pearce when he reviewed this San Diego band’s debut demo about a year ago. However, the description is too on-point for us to ignore. We repeat them now because Mordom‘s debut album Cry Of The Dying World is fast-approaching its December 10 release via Transylvanian Recordings.

Like the demo, the album blends ingredients of funeral doom and death metal, but also includes elements of sludge, crust punk, and post-rock. Unlike the demo, it includes the work of drummer Nathan Gonzalez joining in with the band’s founder (and his Cessation bandmate) Max Hoffman, who decided to drop guitars almost entirely for this album and rely heavily on pulverizing bass tones, plus his own harrowing harsh vocals. Continue reading »

Dec 032021
 

 

The tale of Tormentor Tyrant‘s inception points the way toward the kind of evil death metal they’ve laid down on their debut self-titled EP. We’re told that the band was born in late 2020, but that the seeds of the idea might be traced back even a few years earlier “to some obscure drunken nights when the trio had the innocent idea of ‘how cool would it be to just jam some early Deicide songs together?'”

From that starting point this Finnish threesome — guitarist/vocalist S. and drummer J. (who played together in such bands as Cataleptic and Solothus) plus bassist/vocalist M. (from Corpsessed, Tyranny, and Profetus) — moved on from playing cover songs to creating their own fiendish material, but still under the influences of the early demos and albums of groups like Deicide, Cannibal Corpse, and Malevolent Creation, as well as the abrupt and unhinged bands of South America and Europe of the same era.

And hell yes, what they’ve made is thoroughly evil — death metal that’s grimy, grotesque, untamed, and savagely primal in its sound. We’ve got a great example of their formidable talents in a song off their forthcoming EP that’s fittingly named “Primal Evil“. Continue reading »

Dec 032021
 

(Andy Synn presents three albums from last month which he thinks you may have overlooked)

You know what times it is… well, what time it almost is… it’s almost time for my annual week-long round-up of the year in Metal.

But, before that, there’s still time for a few more reviews of things which you may have overlooked last month (and, don’t worry, I’ll also be doing some more of my “unsung heroes” posts later this month in order to catch you up on some of those albums you may have missed earlier in the year too).

Until then, however, enjoy these three succulent morsels of Progressive Death Metal.

Continue reading »

Dec 032021
 

 

(Comrade Aleks has brought us the following interview with guitarist Dragos of the fine Romanian black metal band Genune, whom we’ve praised repeatedly here at NCS.)

Genune means “chasm” or “abyss” in Romanian. It’s a fitting name for a black metal band but this trio isn’t one of those straightforward acts who praise the joys of nihilism and hatred. Dragos (guitars), Cosmin (guitars) and Istvan (vocals, bass) are rather into this modern melancholic way of interpreting the genre which helps to stream their energy not only through common aggressive channels but also through more fragile and elegant “atmospheric” decorations.

Placed somewhere in-between Bacău and Cluj-Napoca, Genune released their second album Inert & Unerring in April 2021 and it sounds like a reflection on themes of feeling and being in this very place. It’s easier to understand Genune when you watch the band’s official videos and, of course, when reading this interview we made with Dragos. Continue reading »

Dec 022021
 


Kayo Dot

(Here are Gonzo’s album recommendations from among those released during November 2021.)

And just like that, November came and went.

While most of us are probably still unpacking the bullshit that 2020 brought, it’s hard to believe that we’re only a month away from 2022. Follow me for more proof that we’re living in a simulation.

Though November was a flash in the pan in the big scheme of things, the music that was released during those 30 days have sent my year-end list plans into a tailspin. Too much good stuff, not enough time to listen to it all.

That said, the stuff I did get around to spending time with was damn good. Four albums in particular have made the cut this month. Continue reading »